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At Rartigillichal:
Hanson *parks the blue Mustang in the driveway of the beautiful house on the outskirts of Deppville. He exits the car and walks up to the front-door.
Despite Donnie’s warning about not hoping for too much, he still can’t help to feel a little bit of hope. Maybe the Blakes will have the answer; maybe something heard his prayer to bring Isabella
back to him. He braces himself before knocking on the door*
Blake *opens the door* Tom Hanson! It’s good to see you,
come in. *he brings him inside, closes the door*
You’ve caught us doin’ something very exciting … *grins* … I’ve just given some new poetry
to Manouche to read, give me her opinion. *brings him into the living room, where
Manouche is curled up on the sofa, reading loose pages* Honey, Tom’s here.
Manouche *looks up, smiles* By th’ powers, Tom Hanson, I were beginnin’ t’ wonder if ye were
still about! *she stands up, comes to him, embraces him, leads him to the sofa* ‘Ere, mate, sit down, Mr. Blake’ll get ye a drink. Care fer a brandy, or … per’aps ye’d prefer a beer?
We ‘ave some bottles o’ Guinness, if memory serves.
Hanson *sits down; a little surprised by the warm welcome, he hasn’t seen the Blakes in a very long time. Smiles
slightly and takes a seat, but the worry and sadness is very clear in his expression* I think I’ll take a brandy, thanks.
Beer doesn’t seem strong enough these days. *Gratefully takes the glass of brandy Blake hands him. Hesitates before
he starts talking while looking at them both* I realize that this subject must bring back some very painful memories, but...well,
Donnie suggested that I’d talk to you. I need you to tell me about the time when Blake were gone…and how he came
back. *Tears fill his eyes and he stubbornly tries to blink them away* It’s Isabella…Isabella Martin. You’ve
met her, right?
Manouche *stares at him,
swallows; looks at Blake, sees that he has about the same expression. They look
at each other for a moment, then back at Hanson* Isabella … are ye sayin’
she’s … *looks down, shakes her head* I were hopin’ …
I mean, we ain’t heard a thing about vampires in th’ longest time. *she
and Blake are quiet for a moment, then she looks at Hanson again* Wh-what d’ye
want t’ know, mate? I – I’d do anythin’ I could, but
… truth be told, I didn’t ‘ave a lot t’ do with bringin’ ‘im back, savvy? It were … blimey, who was it … well, Jerod an’ me ol’ mate Courbet, th’ pair
of ‘em had a great deal t’ do with it. They was th’ ones who
brought me Mr. Blake back t’ me in th’ first place, though … he weren’t entirely healed yet …
*her voice trails off, she takes Blake’s hand in hers, kisses it, tears in her eyes*
Blake *swallows* I – I don’t remember much about it either, Tom. I
… for a long time, I couldn’t remember who I was, and … I didn’t know Manouche when I first saw her. *squeezes her hand* I know Jerod did
something, he an’ Courbet worked together, I was with ‘em for awhile. Then
… *he looks at Manouche as he starts to remember more* Corso.
Manouche *nods eagerly* Aye, Corso! *to Hanson* Dean Corso, luv. He’s quite an authority on vampires. I’m sure Mr. Blake wouldn’t be ‘ere if it weren’t fer his
assist. *smirks* He’s a rogue,
that can’t be denied. But if th’ price is right, he’ll work
fer ye … jus’ be sure another better offer don’t come along an’ distract ‘im in th’ midst
of it all, savvy? *she thinks for a moment*
I … I remember he had a book, an’ we ‘ad t’ return to th’ place where – where it
all ‘appened … *Blake stands up, fetches the brandy bottle, pours another round for himself and Hanson* …
we did a chant, I spilled a bit o’ blood, an’ … I reckon it sounds crazy, but … we had t’ trap
Mr. Blake’s soul, an’ that’s exactly what we did. He were trapped
in a squirrel. Y’see, I don’t know if this situation is th’
same as Isabella’s. Mr. Blake weren’t dead, it were more like his
soul were in limbo, as it were. *frowns*
Corso actually ran out on us before it were solved. It were Delano who resolved everythin’
to our great joy. In return, I gave ‘im heads-up on local spots where he
could find Corso. He didn’t like th’ blighter’s attraction
to his beloved Loralee. *leans toward Hanson, puts a hand on his arm* Another who can be helpful is Gili, mate. He knows a great
deal about these things, as well. But … I hate t’ say it, an’
I can’t believe th’ words are comin’ outta me mouth … Dean Corso is prob’ly yer best startin’
point, snake though he be. *smiles slightly*
Per’aps he’s mellowed since he took a wife.
Hanson: *listens to them and his hope falters slightly at the mention of how many people were involved; although he
has people helping him Grace is the only one with any real power – no gypsies or native Americans with mystical powers.
He lowers his eyes as Manouche explains about Blake not really being dead. Looks at Manouche* When we thought that Isabella
was simply missing Grace tried scrying for her and…and she couldn’t sense her at all. I think…I think that
means she’s gone. *Frowns and looks at Manouche in surprise* Delano? He helped you? But…OK, I don’t know the details of what
happened, but I would guess that he’s the one that…that did it. *Sighs* Isabella has a past with him…long
time ago when she was just a kid really. *Smiles slightly* I really know how to pick ‘em, don’t I? *Shakes his
head a little* I don’t care what kind of man Dean Corso is as long as he can help. Maybe Sarah has a rare book or two
to use as payment…Donnie is there now telling her and James about it all. I…I just couldn’t do it. Any idea
where to find Corso?
At Elliott’s house:
Ava: well if there is one
thing Don taught me and that was disguise always works. Now your a man and I am a woman right *smiles*. And I just happen
to be with child and wear a wedding ring and well you don’t but that can soon be sorted out. *Ava goes into her bag
where Dons spare wedding rings are* You know must woman carry spare keys I carry spare wedding rings catch. Don Francisco
Da Silva has never met Emina and well Emina is a gentle spirit. So what I propose is this we pretend we are married and if
he wants to take me then I will go. *smiles* I can handle myself Elliott. That way Dawn wont get hurt and maybe you'll still
be able to love Emina *she looks away* don’t worry about me Elliot I have nothing to lose *she puts her hand on her
bump* he's a chance I am willing to take. For once in my life I have seen true love work its wonders and it's a good sight
to see. And I don’t want to see two people who love each other break up *still unable to look at him* you'll end up
like me and Don, one denounces love, the other is left heartbroken at her stupid mistakes. *wipes her eyes* either that or
you two break up that way Emina, will be out of your life and you and Dawn can live as if she was never here. And I will take
her to Georges and I will try to set her up with a new life.
Elliott *stares at Ava, startled
by her offer* Oh, Ava, I couldn’t let you do that. What would happen to you? You say you can take care of yourself,
but … how do you know? You don’t even know what you would be up against
with this man. *pauses, sighs* At
the same time … your other idea … you say Emina would be gone and Dawn an’ I could live “as if she
were never here.” But … we’ve already gotten so accustomed
to havin’ her here. Dawn’s crazy about her, too, and I … *his
voice trails off, he looks at Ava* Isn’t there some other way? I wouldn’t feel right about you going off with such a cruel man, and I’m sure Emina wouldn’t,
either. *shakes his head* Maybe
we should pull the trick they tried in Romeo and Juliet … make her father think she’s dead. Then maybe he would leave, and never come back, an’ she could live her life free from him.
Ava: *sighs* that could be
a good idea Elliot but.....*Emina enters the room* but I don’t think it will stop the water from coming
in.
Emina: *smiles* Sorry to
interrupt but Dawn and me we used the last of the milk so we are going to Grapes to get some more *kisses him on the cheek*
bye Elliot. *Laughs* I got the map and cell if I get lost and I have Dawn too.
Ava: Bye Dawn bye Emina *waves
as they watch her leave* maybe that will work Elliot you are genius …*there is a screech of car tires, a door slam and
then a rather heavy knock on the door*.
At Mort and Mary’s house:
Mary: *runs into the
house, glad to be home* Mort, where are you? *he looks down from the loft and smiles*
Mort: Up here Sweets!
Mary: * she runs up
the stairs to give him a big kiss and hug * Oh Mort, I'm so proud of you. Do you have to go to New York because of the best sellers list?
Mort: Actually, Mrs
Rainey, I'm going to meet with the heads of the publishing company. They are signing me for 4 more books! *grins ear to ear*
Mary: Oh my God that is wonderful
*kisses him again* . Maybe you will get a movie deal out of it too!
Mort: That would be very
interesting to be sure! *they walk downstairs to fix lunch*
Mary: Sweetheart, Inspector
Abberline is stopping by after lunch, he wants to talk to you about something.
Mort: Really, what does he
want to talk to me about?
Mary: He's really a nice
man and he knows of your innocence. Do you want another sandwich?
Mort : No thanks, I'm full.
*gets up and goes to the sink with his dish and here's the doorbell ring* I'll get it.
Abberline:*decides to skip
the lunch with DeeDee, what she has to say can't be interesting or important. He pockets both the guns, his own and the one
intended for Mary, both small and easy to carry and heads outwards*
DeeDee: *who has been keeping eye on how long that
lady stayed in his room* Inspector, the lunch!
Abberline: *glances briefly at her over his shoulder* Later. I have
important matters to attend to.
DeeDee: *grimaces at his back* I bet you do...
Abberline: *calls a cab,
gets in and lights a cigarette* To Rainey's house.
DeNiro: When you put out that cigarette, Mister.
Abberline:
What!
DeNiro: No smoking in my cab. That's Commander Portsmith's new laws for you. She has started an anti-drug campaign.
Abberline:
*incredulously* And since when is a cigarette considered as drug?
DeNiro: *grins* Since Portsmith's orders. And she
specially stressed that the officials have to be a good example.
Abberline: *mutters* Bloody Hell *but he puts out
his smoke and the car starts. A moment later, he stands at the doors of Mort's house, glances anxiously at the field, and
knocks at the door*
Mort: *Goes to the door and
opens it* Inspector Abberline? *offers his hand* please come in. Mary told me you would be stopping by. Sweets, *he calls*
Inspector Abberline is here.
Mary: *Walks in from the
kitchen* Hello Inspector Abberline. Please come in and have a seat. Would you like a refreshment?
Abberline: *shakes his hand
and follows Mort in* Thank you. Coffee would be fine if you don't mind. He fumbles after his cigarette case but as he sees
no ashtrays he sighs heavily and turns to Mort* Have you already talked with Mary - er your wife? She told me about these
intruders and I do think that you should on no account leave her alone
Mary: *she sees him
with his cigarette case* There is an astray in the drawer right next to you Inspector. *smiles* I’ll go put the coffee
on *leaves the room*
Mort: *looks at the
Inspector with surprise. He didn’t know Mary had told him about the other night. * Well actually I am very concerned
about that incident. *looking into the kitchen to see if Mary was anyway near* I found her fainted in the yard. She had taken
a butcher knife with her! I woke up to a strange man singing out there *glances at the window*. The song was terrible.
It was about me killing Mary. *shakes his head*. I don’t like leaving her alone while I’m away.*taps his
upper lip* These meetings are important and I can’t miss them and she won’t go with me because of her fear
of flying. Do you have any suggestions?
Abberline: *sits down and
draws the ashtray closer* Yes, she told me about some trespassers she was afraid of, but she didn't tell me all the details.
It's worse than I imagined. It might be just a prank, but you never know. I have learned to take these kind of things very
seriously. *he looks at Mort* I do have a suggestion. You can't leave her alone in this secluded spot, especially after that
nightly incident. I could take her in my house for the time you are away. She hardly knows anyone here. *he sees suspicion
in Mort's glance at him* I am a married man with two children, and there is our nanny and housekeeper, too. My wife is not
at home for the moment, but I am expecting her home any day. And *he smiles wistfully and sighs* I am very devoted to her.
I just felt that I had to protect your wife, she felt so vulnerable. *he shrugs, picks a cigarette, lights it, then offers
Mort one*A smoke?
Mort: *looks at the cigarette
with longing* I don’t smoke! But thanks anyway. * He weighs what the Inspector has told him for a few minutes
and realizes he doesn’t have much choice. What if that man came back and she had to hear those awful things again? *He studies the Inspectors face and determines he is sincere. * Well, Inspector, I
can’t thank you enough for your kind offer. It would mean a lot to me to know she will be safe. She does have her way
of getting herself into trouble *laughs*.
Mary: *enters the room with
the coffee tray and sets it on the coffee table. She asks the Inspector how he would like his coffee and fixes it for him.
She gives Mort a cup and then settles down in the chair across from them. * Did the Inspector tell you why he is here Mort?
Mort: Yes, he has.
I think it would be a good idea for you to stay with him while I’m away, that is if you are comfortable with it Mary?
Mary: *smiles at Mort* Yes,
in fact I’m relieved to not have to stay here alone after that crazy man was here the other night. *she looks at the
Inspector and smiles* Thank you, Inspector Abberline for your generous offer.
How would you like me to get to your home, shall I meet you somewhere? Mort will be leaving tomorrow morning at 6am to catch his plane.
Abberline: *takes his coffee
cup* Very well, Mr. Rainey. But there is one more thing, Mr. Rainey... *he is interrupted by the phone ringing*
Mort: *excusing himself,
went to the phone to answer it and walked into the kitchen to carry on his conversation*
Mary: * could feel the Inspectors
glaze upon her as they waited for Mort to return. She had pulled her hair up on top her head so the curls cascaded
down in a riotous mix surrounding her face. It made her eyes even darker. She looked up and caught his eye and felt herself
blush over his scrutiny, she gave him a smile as they waited for Mort to return
Mort: *enters the room*
Well, there has been a change in plans Mary. The publisher had a death in his family and I won’t be leaving until next
week, which is really good in a way. I’ll be sure to be here for the wedding this weekend.
Mary: Oh that’s right,
the wedding. I’ve been looking forward to it. Inspector, will that be a problem for you, I mean if I come next
week instead of tomorrow? I don't want to be an imposition.
Abberline: No it's fine..
*he stares at Mary but doesn't really see her anymore as Mort mentions the wedding* Yes, the wedding of Manouche and Blake....
I and my wife, we are going to do the same thing later, a proper wedding... *he stops suddenly, noticing that he has been
speaking out his thoughts, hurriedly returns to the topic* Yes, that fine, it suits me as well. Keep the doors and window
locked in the meantime, and you should get yourself a mobile phone. Cords can be cut out. So. I think we should anyway choose
the shovel and have some practicing using a gun unless you have other plans for today.
Mary: *gives Mort a questioning
look * I think that will be fine, don't you Mort?
Mort: *walks over to
Mary and puts his arm around her shoulder* Yes, go ahead with the Inspector. I have more work to do with
my book. *reaches his hand out to shake the Inspectors*. Thank you again Inspector Abberline, I'm sure she'll be safe in your
hands.
Abberline: *shakes Mort's
hand* Will you call the cab, I don't own a car. But it's better be someone else than DeNiro* He lights yet another cigarette
when they walk out with Mary. He glances again at the cornfields* Say, don't you find those fields depressing?
Mort: No, I don't fine them
depressing *laughs* . We always have enough corn. I'm make sure to send some with Mary when she comes to stay with you.
Mary: You don't have to call
a cab, I'll drive my car. *Mort gives Mary a kiss as she turns to get into the car. The Inspector gets in the passenger
side.*
Mort: Be careful with that
shovel and gun Sweets. I'm not crazy about weapons. *he looks in at the Inspector* Thanks again Inspector * shuts
the door, gives them a wave and goes into the house*
Mary: *starts the car and
looks over at Inspector Abberline* . Well, where should we go first?
Abberline: How about driving
first to the shooting rink? I am not crazy about weapons either *he'll never forget when Kat clubbed him down with her shovel,
or the time when he tried to shoot her at the hospital...* but there are circumstances when you just have to use one. Or at
least think that you have to use, but what is ion my opinion more important is the feeling of power you feel. If you have
a gun and know how to use it you don't have to be so afraid. It gives self-confidence *he smiles slightly at her* Do you have
an aversion to guns as you requested a shovel license? What kind of person is your father?
Mary: *her expression
is sad as she looks over at him* Oh, I don't know. I figure to use a shovel you just have to pick it up and klunk someone
over the head with it and be done . . *laughs* no, I don't have an aversion to guns and I'm looking
forward to learning how to use one.*they drive in silence for a few minutes* My father? My father is a heartless man. * she
reaches up to push her hair behind her ear and he sees her hand shaking . She reaches over to the radio and turns it on just
as the reporter says " I'm telling you Dave, when I asked Lucchaini about his daughter
Maria Christina, his eyes were cold as ice. He said she runs away for no reason and he has some good leads he is following. It will be a matter of time he said before she is found and brought home to him. Back to
you* ....Mary reaches over to turn the radio off then pulls off to the side of the road. She turns in her
seat to look at the Inspector. * They were talking about my father. I am Maria Christina and my father wants me home to kiill
me or torture me because of what I have done. He makes those who cross him disappear. * the fear on her face cannot be mistaken
and her eyes are so sad they could break your heart.
Abberline: Your father, he
is a mafia boss? *he looks at the windshield* Believe me, I have known men like that. Very close to me. *and he thinks about
Kat's father Marchand who is ready to kill his own children and his grandchildren to get what he craves for - life, and his
own father, a respectable man in the eyes of the society, a cold heartless and cruel man to those who had the misfortune of
having to be in his family. He stares at the windshield and he recalls the visions he had, when he did not yet understand
that it was himself as a small boy, and coughs, fumbles for another cigarette and then he turns to look at her* I have visions
you know. I can see you and Mort in your house amid the cornfields. He can't reach you. I really do see things.
Mary: *also stares out the
windshield and starts the car, the shooting range is just down the road* Yes, that would be an appropriate title for
my father. You have visions? *she glances over at him* How do you know for sure he can't reach me? He's a powerful man. *she
smiles at him because he is so good at putting her at ease* tell me Inspector, about your wife.
At the convent:
Don Francisco Da Silva
*marches into the convent he passes the nuns who shout abuse at him. They snarl at him as he passes and then they look away.
He makes his way into Father Love-Joys office startling him. They stare each other out as they size up each other* Where is she where is my daughter
Father:
I don't know where she is at sorry *picks his book back up*
Da
Silva: You do know *knocks the book out if his hands*
Father:
I might know
Da
Silva: SO where the hell is she *draws his sword* I will gut you if don't tell me Aaron.
Father:
*looks down the sword* I don't know where she is but Ava did and she went there.
Da
Silva: Well get this Ava here right now and she can take me to her
Father:
Sorry I cant do that I need her back here
Da
Silva: No way is my daughter coming back to this place this place of hell *Shakes his head* Worshipping Don Juan DeMarco *clinches
his fist* what an idiot when I get my hands on him I will have his guts for garters *snarls* That beast had it off with my
wife… he will pay
Father:
Ah yes but you had your way with his mother
Da
Silva: So what she practically fell in my arms I had to honour her request
Father:
Don't speak of Ana like that
Da
Silva: Like mother like son….
Father:
Stop it
Da
Silva: I'll only stop if you tell me where the hell my daughter is
Father:
*rolling his eyes* All I know is she is in love with a man called Elliot that's all I know
Da
Silva: Now that wasn't too hard was it Aaron *moves his sword away* Now where does this Elliot live?
Father:
That I do not know only Ava knows
Da
Silva: Argh this place is run by idiots *pauses. * What did you tell this Ava woman about me?
Father:
she knows a lot about you as is married to Don Juan DeMarco
Da
Silva: Argh so now she going to tell her I am a father killer what else
Father:
That you are going to take her to Mexico to marry her off to some pig *shrugs* and she will tell her about your goings on with Don Juan
I suppose
Da
Silva: What *scowls and draws his sword again* I swear I will kill you Aaron you piece of dirt. How could I marry her off
when I don't even know what she looks like *anger fills him* even if I was to do that I would find out about her find her
the right suitor for her. Any way if she is in love what can I do about it only respect her wishes.
Father:
*shocked at his reply* Well you sharp changed your tune
Da Silva: I had a mid life
crisis on the way here *shakes his head* But that is not the point. *snarls* Now I will find her before you kill her with
those lies *backs away to the door with his sword still pointing at Aaron* I'll come back to finish you off. *disappears out of the convent*
Outside, near Cavalcanti’s:
Da Silva *bumps into a familiar
face. That face is a one he will never forget he never got to kill him in Mexico
now is this time he will. This time he will pay for touching his wife he will castrate him*
DON JUAN DEMARCO we meet again *he looks at his funny looking clothes* You soon let yourself go didn't you *laughs*
The great Don Juan reduced to a the worlds greatest slob.
Mark: *looks up astonished
holding a brand new skateboard under his arm* Huh? Who? Look, granddad, will you just step out of my way. *looks him up and
down* Looks like your fashion sense is somewhat outdated, eh? Hi, Crybaby, come and take a look at this old impostor!
Crybaby:
*steps out of the shadows slowly. His hair is slicked back and he has a worn leather jacket and very tight jeans and sharp
boots* You escaped from a circus, uncle?
Da Silva: *laughs* Oh so
the rumours are true you denounced love *grins at the many possibilities this can offer him* So if your not Don
who are you? *turns to crybaby* you must have come from the same place then
Crybaby: What are you talking
about? I am the coolest juvenile delinquent. *looks on his own outfit. The jeans he borrowed with every intention of returning
are a perfect fit*
Mark: I am not called Don, my name is Mark Johnson and I don't know what you are talking about.
Crybaby: Come on, Mark, he's just a jester.
Mark: *glares at the guy* Or from the looney bin. *they both laugh*
Mercy: *hearing noises looks
out of the window from the drawing room where she has been concentrating on a very intricate embroidery pattern* Why can't
people have any manners. Everybody is so loud here in Deppville. *She rises with a sigh, wishing for a moment to be back home
in their modest country house, surrounded by her sisters, but she knows there will be no return. Mama will have it much easier
when one of her poor daughters has married off. She walks to the window and looks out at a group of three men but she can't
really make out what they are doing, whether they are arguing or having fun. Two of them are clad in the way she has been
used to seeing here, the other one has loose jeans that seem to be dropping any minute and an ugly oversized hood, and the
other young man has so tight jeans that Mercy's eyes widen when he turns his back to the window, and she blushes at the indecent
sight. Both those young men look like the scum everybody has warned her about. Why don't they stick to their natural surroundings
and keep themselves at From Hell Court? She shudders. When she dares to peek again she has time to evaluate the third man.
He seems to be a true gentleman. Her mouth set, she calls in the guard* There is some trouble on the street, will you see
that the gentleman will get to no harm in the hands of those - those criminals!
The guard: *yawns, puts aways his own
little embroidery, the first he's ever tried to do during his entire life - it is a very simple pattern but he just can't
seem to make it right. He walks to the window* That's just Crybaby, Miss, with some skater boy. They are both totally harmless.
Mercy:
They are insulting that gentleman. Will you tell them to go away.
The guard: Sure. *he casts a longing glance at the
embroidery as he goes out on the street* Sir, *he turns to speak to Da Silva* is there some trouble here?
Da Silva: I dont think so
*grabs the pair of them who beigin to kick and moan like toddlers* I need you to help me MARK ... *he holds them up* oh so
Mark did you know you have sister *he still grips the pair of them *He looks up at the Guard he is still holding Mark and
Crybaby up in the air* We are all good ain't we boys as you can see we have every thing under control. For you see I am a
man of Mexico and a excellent fighter. They assume I am a wussy chicken because of the clothes
but I am not. Now if you excuse me I have some business that needs attending to with these two fine upstanding gentlemen.
*watches the man leave* Hey did you know this one was Don Juan and he tried to
kill me and now look at him. *laughs* Now I will let’s say repay him for his kind pleasure...
Mercy: *who has been following
the procedures is astonished by the change and starts instantly feel sorry for the boys. She throws the window open and screams
at the man* Please, don't do anything or I'll faint! There must be another way to settle scores!
The guard: *hearing
her squeal returns back* Mister, I don't mind what you do with these two good-for-nothings, but if you are a gentleman, this
little miss here is very sensitive. She doesn't stand watching violence at all *and he adds in his mind - I get the blame
and Cavalcanti will fire me* What have they done to you? Have they stolen something from you?
Da Silva: Oh yes they have
*shakes Don* This one here slept with my wife. And this one here *grins* is a royal pain in the backside *rolls his eyes*
Hey boys why dont we take this some where else we dont want to scaring the pretty lady do we. *moves his head a little* Whats that yes we should come on then. we dont want to keep this fine man from doing
his work.
Mark: *slams his skateboard
at the man's knee, freeing them both* Hey, i don't even know your wife and anyway I am not after old hags anyway.
Crybaby:
*uses the moment of confusion and dives straight into the window almost falling on Mercy who squeals, the guard stands baffled
for a while and then he runs in. Mercy is the one who he has to guard and it is all the same what happens to that stupid skater
boy.*
Mercy: *backs into the corner of the room with her hand on her heart, ready to faint as she threatened* I must
beg you to leave immediately.
Crybaby: Hey, you want me killed by the guard or that nutcase out there? Is there anywhere
to hide. They hate the kind of us! Miss, please? *he looks at her with his beautiful dark eyes and she can see a single drop
of tear running down his cheek.*
Mercy: *points to a wallpapered door leading to a closet, and Crybaby is in an instant
behind it. A man who can cry cannot be entirely bad, but her heart continues to beat irregularly, and she starts when the
guard rushes in* He jumped in through the window and ran off! It was horrible!
Guard: *grunts* Don't worry, he won't
get far. *and he runs out again*
Mercy: *carefully and as
silently as possible raps the door* You know you can't be here. It is most impertinent of you to rush into a lone lady's rooms,
you know. Lady Ainsworth is going to kill me if she finds out!
Crybaby: *opens the door to a small crack* She has to
get into the line, then. I ain't afraid of anyone, babe!
Mercy: *shrugs* Thank you, but I am almost 18. I am not a
baby anymore. And if you are so brave why are you still in that closet?
Crybaby: *grins* I kind of like it here. Reminds
me of the cell I was in at the prison, and it seem that I am as well guarded as there. I managed to break free from prison!
Mercy:
Oh, are you a convict *she suppresses another squeal* Please don't do anything to me, I will not hinder you in any way...
*she slowly backs*
Crybaby: Hey, miss, don't go yet! I need to get out of here, and I was imprisoned without any reason,
just because I am poor and look the way I do and those damned Squares, they set me up! And that graffiti, they found out it
was me...
Mercy: *turns around* Oh you poor boy! *her eyes start to water* How you must have suffered. Your poor mother,
she must have been devastated.. . What is graffiti?
Crybaby: I am an orphan, Miss. And graffiti, it is kind of wall
painting.
Mercy: You are a painter? You are an artist who is poor and orphaned? *she sniffs. How romantic - a poor
misunderstood orphaned artist, chased by everyone, alone against the world* But Lady Ainsworth says that artists like painters
and poets are all Bohemians and Decadent. You don't look like a Bohemian. What style do you paint in? I love the pre-Raphaelites.
Crybaby:
*not understanding much except that she started feeling sorry for him* I paint tags, but I am not really a painter. I am a
musician, I am King Crybaby!
Mercy: *impressed* I can play the piano a little.
Crybaby: Hey that's all nice
but are you going to let me out?
At Stratford Castle:
Mistress *carries yet another
tray of food down to Johanna and Lucy this time she brings them an extra special gift. Mistress checks to see if she isn't
being followed as she enters the dungeon. The dungeon has a foul smell to it today some where must be leaking she shrugs as
she heads to the cells. When she arrives she hands over two meat pies to Johanna and Lucy who snap it out of her hands.* Sweeney helped in the making of these pie enjoy *grins*
Lucy: Benjamin made these
Johanna: Father made this
mother
Mistress: No Sweeney and
Mrs Lovett made them
Johanna: What is it *taking
another bite* what's the filling
Mistress: Human
Johanna: *spits it out as
she throws up* You're a sick woman
Mistress: I know. *She walks out of the dungeon and back into the castle with an evil grin on her face.*
At the shooting range:
Abberline *to Mary* I don't know for sure, I just can see you there at the house. In the future. *he starts
and looks at her astonished while she stops the car and they get out* My wife? *a bit suspiciously - perhaps she has heard
al kiond of rumors that fly around* What about her?
Mary: *looks surprised at
him* oh, I heard you tell Mort you have a wife and two children. I was just curious about them. I'm sorry if I was being too
personal. *they walk into the shooting range*.
Abberline: *takes the gun
and inspects it not looking at Mary* I guess I have just become so careful, with all the trouble we have had. Kat, she's a
pirate *he smiles and looks at Mary* she's a real pirate, with ship and all, a wild pirate. And a beautiful one. And she has
a temper... Try to hold this gun.
Mary: *smiles back at him*
A pirate? Well, you must live an exciting life! *she senses he doesn't want to discuss his wife so she turns her attention
to the gun in her hand. It feels like it fits perfectly but her hand shakes as she holds it out. *am I holding it right Inspector?
Abberline: Don't try to hold
it out, just hold it in your hand and get aquinted to the feeling. And you don't have to grab it so hard. I know that you
are nervous, but you must never be nervous when using a gun.*he takes her hand holding the gun in his hands *Try to relax,
Mary. *he smiles at her encouragingly and once again, he has to note what a beauty she is, her eyes wide and anxious, her
lip trembling and her hand in his shaking slightly*
Mary; *jumps at his touch,
feeling the jolt go thru her as it did before in his office. He is so very close and his eyes are once again hypnotic
to her. * I'm not nervous * she says as his hand continues to hold hers. She cannot tear her eyes away from his and she
feels her heart pound in her chest.
Abberline: *feels how her
hand twitches* Your hand tells otherwise. Look at me. Relax *he strokes her hand, then releases his hold* Now try to lift
it up, straighten your hand, point the gun towards the firing range. If you want to aim, you have to have the other hand steadying.
Like this. *and he takes her other hand and wraps her fingers around the gun* How does it feel? Try to keep it steady.
Mary: *trying to concentrate
on what he is saying, she aims the gun and holds it like he told he to and pulls the trigger. The report of the gun
makes her jump and she drops it. Embrassed, she stoops to pick it up then look up at the Inspector hoping he won't yell
at her for dropping it in the first place. She gives him a grin * well, that won't do will it?
*Two people, a man and a
woman, suddenly appear, briskly approach Abberline and Mary from a distance. The woman is dressed in a very sharp suit,
sunglasses on her head, her brown hair swept up in a no-nonsense but flattering coif. She’s carrying a notebook
and a hand-held recorder, and she’s accompanied by a young, good-looking man with a camera, who starts snapping photos
and continues to snap away as they approach. The woman speaks to Abberline* Inspector Abberline, welcome back!
My name is Faline Jaye LePetomaine, journalist with the Deppville Tattler. Perhaps you’re familiar with my column,
“Deppville Tattler’s 8-Ball.” *she holds out a jeweled hand for him to shake; he shakes it uncertainly,
she squeezes his hand warmly, then releases, flashes him a broad smile* I hope you’ll allow us to ask a few questions
… now I want you to know, we have been with you every step of the way, we at the Tattler just KNEW you had nothing to
do with the death of that poor young woman in your bed! Now that your name has been cleared, we only want the first
opportunity to tell your side of this story to the public. *she stands next to him so the photographer can snap their
picture together; she leans close, sees that he’s sniffing her perfume appreciatively. To the photographer*
There, that’s fine, Percy. *glances at Mary as Percy continues taking pictures* Oh, hello, Mrs. Rainey.
*to Abberline* I know you’re probably busy, Inspector, but if you could please just grant us a few minutes of
your time … or perhaps you’d be interested in a more in-depth interview *she smiles, colors slightly as she sees
him eyeing her elegant legs* that we could conduct at another time and place of your choosing, of course. *she shakes
her head slightly, as if to clear it from his hypnotic gaze* I beg your pardon … of course, we would also love
to have your beautiful wife Kat join us for the interview, maybe get some pictures of fabulous Bournemouth House, even your
lovely children, if you don’t object. Mrs. Abberline must be as delighted as you are, to have your good name cleared.
*she reaches in a pocket of her suit, hands him a lightly scented card* There’s my contact information, please
let me know when we can get your side of the story. A Deppville Tattler exclusive! *turns to the young man*
Come along, Percy, let’s leave these two to … *glances around, notices with surprise that Mort’s nowhere
to be seen* Oh … umm … well, to whatever it is they were doing. *looks again at Abberline and Mary,
nods politely* Inspector … Mrs. Rainey … *she turns away, Percy follows her, they leave the area*
Percy *walking quickly to
keep up with Faline’s brisk pace, motions over his shoulder back at Abberline and Mary* Do you s’pose those
two’ll make another headline? *he grins slyly*
Faline *shakes her head,
laughs* My poor, dear, naïve Percy! With both of them married to masters of the shovel? *smirks* The
Tattler 8-Ball says, ‘Outlook doubtful.’ *she laughs as they head back to the office*
Abberline: What the Hell! Those bloody hyenas. I am sorry, Mary, prepare yourself for trouble ... I guess that is inevitable with me. *he looks at her apologetically, she still looks dazed about the gunshot and the sudden appearance of the
hyenas, he picks up the gun and hands it to her, this time holding his distance.* I didn't give permission to fire the
gun yet. You must get used to the feel of it. Take it, raise it and point it.
You see that white target over there? Take
aim and try to keep your hand steady. And pull the trigger slowly. *he looks anxious around, as if more photographers and scandal mongers were watching at them form the secrecy
of the plants and trees, and now he feels himself nervous. Kat is not going to like this, and just when they were getting
so well along. And now - everything is spoiled again. He refrains from cursing with an effort and looks at Mary with dark eyes. How
jealous is Mort?* I think there's better places to learn shooting. Keep the gun. You can practice on the yard. We are going to Grape's to get the shovel and then you can return home for now. *he is suddenly in a very bad mood*
Mary: *stunned by what
just happened, she takes the gun from his hand. Dead woman in his bed? This was the first she heard of it. She of course doesn't
even think of the photographer and why would she? She didn't do anything wrong, did she? Then she remembers how close
he was to her and wonders if they got a picture of it. She starts to feel very nervous and looks at him wondering what
she should say. She starts walking to the car and he follows. Once inside she turns to him * Inspector Abberline, I feel responsible
if this causes any trouble with your wife. *and then she thinks of Mort and tears start falling down her cheek. I don't
blame you for being angry with me.
Abberline: *sighs, tears
make him always go weak* Please, Mary, don't cry, I am not angry at you. I just hate those rumor mongers. *he shrugs* As I
said, my wife, she's got a temper, but I am used to it, I can handle her. I hope *he smiles, then frowns again.* I hope that
Mort will understand that whatever they write it is absolute rubbish, he has had his share of lies and framing. As I. *once
again he takes her hand in his, strokes her with his long thin fingers, she is so delicate and so tightly wound and he wishes
he could make her feel at least a little better - and then a horrible thought strikes him: What if someone of her father's
henchmen sees the issue of Deppville Tattler? He decides to call that journalist woman*
Mary: *trys to smile but it
doesn't come thru* I don't know what Mort will think if something bad is published. I know how it works. My friend Antonio
has had his share of bad publicity. *she lets him continue to stroke her hand because it comforts her. She doesn't know what
it is about this man but he lights a fire in her unlike she has ever known. She blushes at the thought because her husbands
love making is very good, excellent in fact, thank you very much.* you have been very kind to me. You know more about me then
my husband does Inspector and I trust you. I feel much safer knowing you are there if I need you and I'm sure Mort appreciates
it too. *she looks down at his hand caressing hers. She has the desire to lean over and kiss him and the desire upsets
her. She looks up into his eyes and clearly sees his eyes are smoldering the same as hers. She blinks and pulls
her hand away to start the car. * We better get to Grapes. *the thought of
the article being seen by her father never dawns on her, she is too worried about Mort*
At the Corsos’ apartment / Stratford Castle:
Corso: *helps out of the
cab his wife, who is clad in a very stylish trenchocat and matching pumps, and looks at her admiringly. She is one of the
most beautiful women he ever knew, but what is even more tantalizing in her is her ability to wield her female power. She
swept even the old celibate farts in the Vatican on their knees, all
he had to do was to grin and pocket the booty. He is very content with her and his grin just widens when he notices men looking
at her. He unlocks the door to the apartment and lets her go in first* Darling, I think that I want to confront the witch
first. Here is something for you to occupy yourself with in the meantime * and he grins again when the cab driver dumps all
the packages on the floor, the results of some wild shopping sprees in Rome, but every penny he spent is worth it. She is
going to be the queen of the wedding. She will outshadow Manouche and all those other wenches. She is definitely worth it,
he got the book at a ridiculously cheap prize. Not that he's going to tell the Icy Witch about that* I'll see you soon! *and
he departs towards the Stratford castle, shuddering when he sees the shadows of its towers.*
*Meanwhile in Stratford Castle Mistress is causing mass pain to Sweeney whom, may I say is enjoying in immensely. Mistress digs her nails
in his chest and drags them right to down to his stomach. She then licks the blood away and kisses Sweeney deeply. She digs
her nails into the same scratches; she scratches him even deeper causing more pain to Sweeney.* Sweeney Todd My Demon of Fleet Street. He likes to be bitten and beat. He loves his Mistress to cause him
pain *she digs her nails in his chest* my love soon we will be the same.
Sweeney: *removing her hand*
Together we will cause mass murder and show this place what hell is truly like *he kisses her but he draws away when the door
knocker is heard* Ah who could this be my Demon Daffodil of Pain.
Mistress: Ignore them
they just don't want us to play.
Sweeney: *Laughs* we
will play later *he stands up as his chest drips blood* maybe I can scare them off *he evilly laughs as he picks his razor
up. makes his way down the stairs and into the great hall. His chest still bleeds
as he approaches the door he opens the door and looks Corso up and down.* What
do you want?
Corso: *pales and staggers
a step back* Eh, just go on what you were doing, don't let me disturb you, hehe, I was just passing by, as it were.... *back
still farther*
Sweeney: What are you scared
of a little blood *evilly laughs* Oh no I don't want to carry on *grins* I want her to get a hell of a lot more angry and
you my friend well justify her anger.
Mistress: *heads down the
stairs with some of Sweeney blood on her chin. She has become angry as she has been kept waiting. In a icy voice* CORSO WHERE
THE HELL DO YOU THINK YOU ARE GOING.
At Portsmith’s office:
Portsmith *kicks Jack in
the leg so that he falls down, tears the remains of the shirt, but then she stops and frowns:*
Business? *she pushes her off with a thud and rises to a sitting position.* You are here for business? Not me? *she starts to look around for something to hit him with*
Jack *eyes wide as he sees
her glare and her search for a weapon; quickly sits up, holds his hands up defensively*
Business is merely an aside, my Commander cornucopia of love! Just a simple
bit of information that’s been brought to my attention, which I wish to pass along to you, as a public service, in a
manner of speaking. *he moves closer to her, brings a hand to her face, murmurs* Expedition of tasks and tedium only more quickly and expeditiously brings one to pleasures,
savvy? Not to mention that my mention of business proved sufficient ruse for
*nods his head toward the door, and Charlie’s desk outside the office* the poor man’s counter-espionage out there,
who seems convinced he’s guarding your workday domain from blackguards such as myself.
*he grins, pulls her close, kisses her deeply, and as he kisses her, he looks over her shoulder, sees several heavy
books setting on a chair near her desk, books that appear to be potential weapons. He
moves her away from the desk as he continues to kiss her*
Outside Cavalcanti’s:
Da Silva: *grabs Mark again
as he kicks his skate board* Now that wasn't very nice was it Mark. *fills with more anger* Never speak of her like that she
is a beautiful woman Mark and you know it. *he begins to wonder if Don is really in disguise or he has actually given up on
love. Now he knows he heard the rumours and he even told Mark that but a part of him wasn't quite sure* Now what do you say
about this why dont we take a walk *he still grips Mark* what’s that Mark *pauses as he whines* Oh its a good idea your
glad I thought of it *he starts to drag him* Now there is something in this for you.
Mark: *whines* Hey, let me
go you ape! I told you I ain't Don and I don't know you and don't touch my skateboard or... *he knows he is no position to
make threats but you can always try* Are you mad what? I ain't going anywhere!
Da Silva: Oh but you are
*drags him as he hails for a cab* Right Mark I bet you haven't had a woman in a while.. *The cabs pulls up and he opens the
door* Please lock all the doors so he cannot escape his mother is worried about him *he throws Mark into the cab*
DeNiro: Where to *as the
locks go down*
Da Silva: Elliott’s.
De Niro: Everybody wants
to go there.
Da Silva: Yes we do no get
a move on *he drives off* Now Mark there is a woman in that house that you can have your way with any time of the day
you want. Now if you don’t stop whining you won’t get that woman.
Mark: Are you a perv, hey!
That's disgusting. I am so gonna report you to the Security. *the he starts to sulk*
Da Silva: Oh this is too
funny Mark ...
At Rartigillichal:
Manouche: I’ll get his address, mate. *she
leaves the room, goes to the small writing desk in the sitting room off the kitchen, finds an address book. She scribbles the address to Corso’s apartment, returns to the living room, hands the paper to Hanson* ‘Ere ye are, th’ love nest o’ Mr. an’ Mrs. Dean Corso. He has other hideaways scattered about, but yer most likely t’ find ‘im
there, if … *her voice trails off, she leans forward slightly. Blake quickly
jumps up, comes to her side. She reaches for his hand, braces herself for another
random vision* B-by th’ powers, speak o’ th’ devil …
*her eyes widen at the confusing mix of images and sounds … *
CORSO, WHERE THE HELL DO YOU THINK YOU ARE GOING??
Umm, I can wait for my money her on the yard, if it suits you... It's the fresh air after all that
incense smoke, you know. They use it a lot there. You can just send me the check by mail, thank you so very much!
Sweeney, what did you do to him?
Nothing, he just prefers not to see a man bleed maybe I should let you teach him a thing or two
... I am sure his wife does all the work.
Poor is the man whose pleasures depend on the permission of another...
Manouche *starts
to drop, Blake catches her. She looks at him, a little dazed, then grins* It would appear our mate Corso has troubles of his own. *she pushes her hair back from her face, Blake helps her sit back down on the sofa; she turns to Hanson* Tom, if ye want t’ find Corso in a hurry, ye’ll need t’ go scoutin’
fer im at Stratford Castle. Ye know th’ place, don’t ye, on th’ far side o’ town, gloomy
lookin’ pile o’ rock … *she pauses, grins again despite her headache*
Word o’ warnin’, though … ol' Dean appears t’ be experiencin’ a role reversal, as it
were. Th’ mistress of th’ castle is hopin’ fer a bit o’
fun with ‘im, an’ he seems a sight reluctant. If ye go, jus’
wait outside fer ‘im, he’ll be along directly. But be prepared t’
tell yer story runnin’. *laughs*
Blake: Wait, Tom, don’t leave just yet .. *he jumps up, leaves the room for a few minutes,
soon returns with a leather-bound volume, gives it to Hanson* This is Basilica Chymica, by Oswald Croll, 1609, first edition. Very rare. Manouche is the book collector in this house, but I’ve had this one for a long
time, I got it as a gift before I came out west. I’ve always hung onto
it, but … I want you to take it, to offer to Corso for his services. *pauses,
lowers his eyes* After what I went through at the hands of vampires … well,
if there’s something I can do to help someone else in that sorta trouble, then I want to do whatever I can. *looks up, smiles slightly* That should buy Corso’s
loyalty at least for awhile, hopefully long enough to save your lady.
Hanson: *looks on a little baffled as Manouche has her vision, although he knows that she has visions. All these mystical
things are strange to him, even though he’s lived in Deppville for some time now. He folds up the note with Corso’s
address and places it in his pocket* Thanks Manouche. I’ll look for him by Stratford Castle. *He takes the old book Blake hands him and looks up at him in awe* Thank you! If I weren’t
so desperate, I’d refuse to take it. *Smiles slightly* But I am desperate, so I will take it. *Rises and shakes hands
with them* Thank you both, I really appreciate it.
Blake:
Don't worry about the book, I hope it works out for you.
Manouche *takes
his hand in both of hers, squeezes it* 'Ave a care, savvy? S'dangerous stuff yer about t' mess with. *hesitates*
I know ye may not be much in th' mood, but .. Mr. Blake an' I are 'avin' our weddin' this Saturday, renewin' our vows, as
it were. Yer welcome t' join us if ye feel ye'd like some distraction. If ye don't, no worries. Nobody would
understand that more'n me. When Mr. Blake were missin', I didn't want t' see anyone. But if yer keen when th'
time comes, consider th' invite open. *she leans close, kisses his cheek* Best o' luck t' ye, luv, let us know
if there's anythin' else we can do.
Hanson *smiles slightly* Not sure I’d make very good company…but
we’ll see. Maybe it’ll be nice to get away for a while. *Turns and leaves. He carefully puts the book down on
the passenger-seat of the Mustang and drives off toward Stratford Castle.*
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