DEPP SHADOWS 3
Part 197
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Fair enough.  You're in.
 

Being where Elliott and Emina have more of a spiritual awakening at the convent than they bargained for … Malachi helps promote Constable Crane to the kids at la Maison de Paradis … Portsmith gives Willy advice on not regretting one’s actions (and indeed who better qualified to do so?) … Martin spikes a few apples at the Rainey household and sits back to watch the results … Mark Johnson and Crybaby compare wheels and attitude … Candy is left to browse the library while Father Lovejoy takes Mercy under his wing … Kat brings berries to Abby and promises to fetch Chiana … George laments Ava’s absence to a sympathetic Shane … Manouche, after having left gifties for Kat at Bournemouth House, finds herself swept away in a most unpleasant and mysterious manner … and Netta enlists Captain Jack’s help, making it clear that this is one moment to do the right thing that he won’t merely wave at as it passes by.

 

At the convent:

 

Mother Lovejoy *approaching Emina, Elliott and Dawn*  Emina love you’re needed for a couple of seconds *smiles at Elliott*


Emina: Oh *waves Sister Lisa over* Lisa would you be a doll and take this gorgeous patient girl into the kitchen and start to make some more cookies I had a little accident with the last lot. *Smiles* Dawn this is Lisa, Lisa this is Dawn *winks at Dawn* you'll love her she's so funny and if your real lucky she might even make you a milk shake what ever flavour you like just ask.

Mother:  Don't worry about your guest I will see to him until you arrive *nods her head* Go you won’t be needed for too long I swear he'll be here upon your arrival.

Emina: *her eyes turn sorrowful* Ok good-bye Elliott I will see you soon.

Mother *to Elliott*  Hello there my name Mother Ana Love-Joy please feel free to call me Ana *smiles* Now that I have you alone Elliott there are some things that you need to know *smiles* Don't worry I assure you it's nothing bad honest. *Smiles* why don't we take a little walk? Your daughter will be fine Lisa has a way with children. What I want you to know is that this is not your normal convent we do not worship a God we worship love and we help heal those who have been hurt by love. We have many women here you have lost there love either through death or they have given up hope of finding their true love. Now what we do is we help them rediscover their love again we teach them to love again *smiles*. And once they find their true love they fledge so to speak, they are not kept here against their own free will we allow them to leave whenever they want to. *Sighs* Sister Emina was abandoned here as a child we have raised her up here so she has never had the chance to experience love. *She stops dead in her tracks* Elliott if you do not mind me asking do you believe in love at first sight? *She starts to walk again*  I heard that you didn't know how to act around us *smiles* Well just us like any one else we are all the same it's just a group of women coming together to heal. *Smiles* but if you wonder how to treat Emina just treat her the way your heart tells you to do so, do not ignore it, let it beat freely. There is one rule that you must follow at is follow your heart it will lead you to your bliss *Smiles* Well I think that is every thing do you have any questions or if you wish I could take you back to Emina.

 

Elliott *waves goodbye to Dawn, listens carefully to Mother Love-joy as they stroll the pretty grounds*  So, this isn’t like other convents at all.  I thought … the reason I wasn’t sure how to act was because there are a few things I do and don’t know about nuns.  Usually, they have no romantic relationships, they have chosen to devote their lives to God.  But … *waves a hand around, indicating the convent* this, I see now from what you tell me, this is quite different.  Yes, Mother, I believe in love at first sight.  I’ve seen many fantastic things, so in comparison, love at first sight doesn’t seem so impossible at all.  *he looks back in the direction that Emina went, then turns back to Mother*  I’m gathering from what you’re saying that, if I were to invite Emina out for a cup of coffee, or dinner, or somethin’ like that, she would be allowed to say yes?  *he smiles at the thought*  I’m very glad to hear that, ma’am, because I gotta say, she’s the prettiest little lady I’ve met in a long time.  I’m sorry she’s had a hard time of it, but … I can promise you, I’ll treat her with respect.  I wouldn’t rush into anything with her, ‘cause not long ago I came out of a bad marriage, an’ I swore two things to myself if I ever found someone to love again – one, that she would have to get along great with Dawn or I won’t even bother.  Two, I would take my time and court her proper.  *he looks at her, suddenly feeling rather shy*  Do you think Sister Emina would like to go out with me?

 

Mother:  Please call her Emina she prefers Emina makes things less uncomfortable *smiles* I believe she’d be very happy if you were to take her out *smiles* I have never seen Emina smile that before it’s like she has started to blossom before our very eyes. And I believe that it’s you who has started it all. *Looks up at the window and sees Emina looking out of the window* if her looking out the window has anything to go by I believe you have her smitten ah the that darn love bug has gone a bitten another one *laughs and turns serious* Your heart will heal Elliott and now you have some one to heal it with now Emina has never been with a man in her life so you’ll have to show her the way as such... but with Emina she learns pretty quick or sometimes it just comes to her straight away … *winks*  If you do discover a love for her you got yourself a real good catch she is an amazing cook. *Turns away* now why don’t we head back I don’t want to keep Emina waiting do we *slowly they make their way back they are approached by Lisa and loud giggling can be heard*

 

Lisa *to Elliott* don’t worry Emina is with your daughter they hit it off immediately as you can hear *laughs* crazy never in my whole teaching life have I seen a child come out to somebody so quickly it’s amazing. She has bit of flour on her forehead and little Dawn is pointing where it is and Emina is totally missing it and she has more flour on her face.

 

*Meanwhile in the kitchen*

 

Emina *laughs* Dawn where is it *sees Dawn pointing*on my nose where here *touches her nose and Dawn laughs even more* I give up *laughs* Dawn you have yourself a very nice daddy *pauses she doesn’t know how it say what’s she about to say, Emina not knowing that he is standing at the door* Dawn your daddy is really nice he's really nice indeed *blushes* what I wanted to ask if its ok with you of course, Dawn would you mind if I asked your daddy to come to dinner with me *smiles* and would it be ok if I took you and your daddy out for breakfast maybe pancakes or something it’d be your choice of course.

 

Elliott *stands at the doorway of the kitchen, speaks up before Dawn can answer*  I think Dawn’s daddy would like that just fine.  *enters the kitchen, smiles at Dawn*  Havin’ fun, sweetheart?

 

Dawn *nods, giggling*  Emina is so funny!  She got flour on her face.

 

Elliott:  So she does.  It's rather becoming, don't you think?  *he walks up to Emina, puts a hand under her chin, tilts her face up, wipes the flour off her face with his other hand*  Emina, I’d like it very much if you would come with Dawn an’ me to Chez Roux for dinner tomorrow night.  *smiles, gazing into her eyes*

 

Emina *turns into a big puddle of mush*  I … I ... I like that a lot *shakes a little and smiles back at him* would you like that tea now I bet your pretty thirsty *smiles as she puts the kettle on, Emina feels a lot more comfortable now she is in her normal clothes* Oh I am going to have a word with Aaron why must he always put the tea bags on the top shelf *reaches up * Dawn could I borrow that chair just for a moment please *she watches Dawn jump off the chair* thank you Dawn *smiles* Right tea bags I am going to get you your no match for me.. ah hah got ye your no match for Emina.. Oh did that come out loud *blushes* Dawn would you like something to drink a milk shake, hot chocolate, or some squash what would you like. *pauses* wait we have the new Captain Jack Sparrow fruit punch *looks at Elliott* of course non alcoholic just pure fruit juices

 

Elliott *laughs*  I figured as much!  Dawn’s a big fan of fruit punch, I’m sure she’d love some of that.  And yes, tea sounds great.  *he starts to offer to help, but Emina and Dawn seem to be having so much fun together, he changes his mind and sits down at the table, just watching them*

 

Emina *winks* well then punch it is *she heads into the fridge and she bends down to find the punch* Ah ha there you are *she takes the bottle and pours it in to a lilac beaker* Here you go Dawn *smiles* enjoy. *the kettle boils* Ah tea’s done *she places the cup in front of Elliott* Enjoy sir *smiles* would you two like a muffin I baked these just before you came or maybe you'd like a crispie cake. *smiles at Elliott* would you like to try something Elliott close your eyes trust me it'll be good.

 

Elliott *arches a brow at Dawn*  You think I should trust her?  *Dawn, sipping at her drink, giggles, nods.  He grins*  Okay … *he looks at Emina, nods, closes his eyes*  Ready …

 

Emina:  open your mouth *she places a small chocolate covered strawberry in his mouth* now chew ... you can open your eyes now .... what do you think isn't it divine *looks into his eyes*  you can tell me the truth I'll understand.

 

Elliott *opens his eyes, nods*  Delicious.  *he smiles at her, then glances around*  You know, you could probably make money catering.  You should get together with a lovely lady here in town named Miranda, cooking is her passion, too.  The two of you could start your own restaurant.  *he feels a tug on his sleeve, looks at Dawn, who’s raising her eyebrows at him*  Oh!  I know that look.  *he turns back to Emina*  I promised Dawn I would take her to the beach today, and it’s gettin’ late.  Would you like to join us?  Could you get away for a little while?

 

Emina *blushes* you think so but I cant while I live here in the convent maybe when I do eventually leave *looks down at her feet* when I find the one who'll take me home *looks back up and blushes she smiles* You would like me to come *blushes again no one has ever offered to take her out* if it's ok with Dawn I would love to come with you two *she looks at Dawn* you don’t mind do you Dawn i'll provide the ice cream.

 

Dawn *grins*  You can’t take ice cream to the beach, silly, it’ll melt!  *she finishes her drink with a noisy slurp, jumps down from the table, runs to Emina, hugs her*  Thank you for the snack.  *looks up at her, smiles*  When we get to the beach, I’ll show you where all the best shells are.  *quickly looks at her father*  Let’s go, Daddy!  *she turns, bolts from the kitchen, runs outside*

 

Elliott *laughs*  There she goes, my daughter on a sugar high!  *he turns to Emina*  I’ll go outside with Dawn, we’ll wait for you while you tell … well, whoever you need to tell … that you’re going out for awhile.  *he looks at her steadily for a moment, then leans in, gently kisses her lips, just a quick, sweet kiss.  He looks at her again, laughs softly*  Can’t believe I did that, I don’t usually … *he studies her face again, smiles warmly*  We’ll be waiting.  *he turns, leaves her in the kitchen, joins Dawn outside, unable to stop smiling*

 

Emina: *unable to move she smiles to herself with the biggest grin ever she is on cloud nine* Emina move you can move now you can walk you've done it millions of times before.

 

Mother Love-joy *walks into the kitchen* Emina are you ok?

 

Emina: Oh Ana I am super I am in heaven he kissed me *mother smiles* you don’t understand he kissed me on the lips he asked me to go to the beach with him he asked me.

 

Mother: well wait are you waiting for go Emina.

 

Emina *walks out of the kitchen she hasn't been able to wipe that smile off her face. She walks up behind him and whisper in his ear*  I cant believe I did that either but I am glad that you did *she smiles at him* are you ready *she watches Dawn who has run ahead*  Dawn don’t run to far ahead I wouldn't want to lose you when I have only just met you *looks at Elliott* sorry Elliott she just a sweet angel you have raised her so well *pauses* would you mind if I took your hand?

 

Elliott *says nothing, just smiles at her; takes her hand, brings it to his lips, kisses it.  He holds her hand and brings his other arm around her shoulders, she leans against him.  He murmurs*  Let’s go, we’ll stay an’ watch the sunset.  *they walk away from the convent, following slowly behind Dawn as she runs ahead, and they set out for the beach*

 

At la Maison de Paradis:

 

Ichy: *with his hands clasped behind his back, starts to walk slowly along the line of children*  Thank you, Dylan.  *He paces to and fro, a bit jumpy but composed anyway.  Suddenly he stops randomly in front of one of the boys whose names he can't recall.*  Right.  *he coughs*  Ray, I think.  *he smiles when he notices he got the name right.*  Do you love to play football?  Do you ever read?  *he turns his attention to the boy beside Ray*  What are your goals in life, young man?  *then he addresses all the kids*  You all have probably heard of me.  Besides my duties at the Security, I am also an inventor.  A lonely one.  *he adds hastily, afraid he's sounding too harsh.*  I have no family.  Both my father and my mother are dead.  I have no siblings.  But I do have a good home that for most of the time stands entirely empty - and cold.  I .. *he looks at Malachi* .. am here to find me a family.  *he looks sternly at the boys*  I value intelligence and a curious mind.  And neatness.  *then he again notices he's doing it in the wrong note*  I do also own a very impressive laboratory.  *he eyes the boys with trepidation but outwardly cold.*

 

Malachi *looks at Ichy, rolls his eyes*  Bloody hell.  Crane, let’s hope the mucky-mucks at the Security office don’t put you in charge of recruitment.  *he pushes Ichy aside, steps forward, looks at the children*  Kids, Constable Crane is being far too modest.  How would you like to watch him in action while he’s trying to solve mysteries?  *the children’s faces go from apathy to interest; Malachi continues, his voice full of suppressed excitement*  Did you know he investigates crimes?  All sorts of crimes … robberies … kidnapping …

 

Robbie *eyes wide*  Murder?

 

Malachi:  I was just getting to that.  *pauses for effect*  Do you know, sometimes he can figure out amazing things just by examining a dead body?  *smothers a grin at the children’s excitement, especially the keen expressions on the boys’ faces*  I hear tell he once figured out the exact angle of a decapitation by sprinkling a little powder of his own creation around the cauterized wound on the neck.  *the boys murmur to each other, impressed, look at Ichy with new respect.  Bonnie and Cyndi are a little less interested, and have started paying more attention to a doll that Bonnie holds; but Erin, with her love of mysteries, listens raptly along with the boys.  Malachi continues, stepping closer to Ichy*  ‘Course, one very important thing that Constable Crane will tell you is, you must never move the body.  Another thing he would tell you is, there’s a place for science, and … there’s a place for magic.  *he looks at Ichy, lowers his voice*  Show ‘em the bird in the cage, mate.  *Ichy arches an eyebrow, then brightens; reaches in his coat, takes out the little round piece of cardboard with a red bird painted on one side, a cage on the other, and a string on either edge.  He takes the string in both hands, suspending the card before him, and spins it until the images blur together, creating the illusion of one picture of a bird in a cage.  As he does this, Bonnie and Cyndi snap to attention once again, and all the children watch, entranced; Malachi has to smile as even Dylan shows interest.  He addresses them all again*  There you are.  So you see, kids, there’s more to Constable Crane than meets the eye.  He wouldn’t have you know that right from the beginning, because he downplays his natural gifts, which suits a man of his profession.  If you're going to solve mysteries, it makes sense that you be a little mysterious.  Oh sure, he may seem simply mild-mannered at first … fussy … a milquetoast … whiny … even annoying sometimes.  *he stops as Ichy glares at him; quickly recants*  But that’s just part of being a good sleuth, savvy?  And if you're going to do work like this, you have to be orderly.  Especially if you're going to work in a laboratory, like he does.

 

Len *to Malachi*  Is his lab like the one you have here?

 

Robbie:  Or like Manouche's lab?  She let us see it once, where she makes stuff.

 

Malachi *shakes his head*  Not quite.  Manouche and I, what we do is called alchemy.  Besides, she and I just dabble *motions to Ichy* whereas Constable Crane here uses his lab all the time, for very important crime-solving activities.  *leans forward*  So if you're all real good, and show him around today, and answer his questions, then maybe he'll let you come see his lab sometime.

 

Ray *excitedly*  We'll be good!  *to Ichy*  Const'bul Crane, ya wanna play baseball with us?

 

Erin *wrinkles her nose, nudges him*  No, he doesn't wanna play baseball!  He wants to tell us about crime-solving, don'tcha, Constable Crane?  Maybe even a demonstration.

 

Dylan *impatiently*  Why would he wanna do that, brainless?  That's his job.  That'd be like askin' Commander Portsmith to come over an' arrest somebody.

 

Malachi *stifles a laugh*  I'm not sure that's the best comparison—

 

Dylan *to Ichy*  Would you like to see the library, sir?  Or we could show ya around the place ...

 

Ray:  Yeah, let's take him to the woods!  *he goes up to Ichy, stands before him, grinning proudly*  I have a pet prayin' mantis I keep there.  His name's Albert, I'll let ya hold him if you want.

 

Ichy *looks first a bit offended at Malachi, but when the children start to group around him and ask questions, he has to admit that Malachi's approach really worked, a bit confused, he listens to them not knowing where to direct his attention.*  Do you want to hear about the case of the Headless Horseman?  I can relate it to you while we walk to the woods to meet the praying mantis Albert.  On the way back you may ask me questions, and then we will check the library.  How does that sound?  *he starts to walk slowly, talking to the kids who gather around him*  It began this way.  There was once a soldier of fortune who took part in the independence war .... *his voice fades off as they disappear round the corner.*

At Chateau Blanchefort:

 

Willy *stands outside, makes sure he looks decent, again shaking his head as the images come back, and knocks on the large door.  He places his cane in front of him, both hands on it, and waits, mumbling to himself*  Why did I decide to do this?

 

Wilson *opens the door*  Welcome, Mr. Wonka.  I will immediately inform Commander Portsmith, just follow me, please.

Portsmith *on her way to the lizard, crosses the great hall and stops, hearing the name of the visitors, and her usual welcome speech telling how busy she is and maybe she gracefully can give the visitor a few moments, dies on her lips without the first syllable having a chance to get out, and her expression changes.  She adjusts her top and is thankful for the brand new wonderbra she chose for today, and goes to Willy*  What a pleasant surprise this is, Mr. Wonka.  What can I do for you?  Would you mind if we take a quick peek at my new pets, I got two beautiful new beasts.  You will just love them when you see them!

Wilson:  Do you wish your tea in the French Empire drawing room?  *he retreats, noting that Portsmith doesn't pay the slightest interest in him*

 

Willy *smiles with only a quick glance at her obvious cleavage.  He slaps himself mentally, then takes her hand and kisses his properly.*  How are you this morning Commander?  Swell, I suppose?  I would love to see your new pets *grimaces on the inside* and I'd also like to discuss a matter with you.

 

Portsmith *walks ahead to a room where the lizards are still in the cage*  Wilson is going to redecorate this room so that it will suit better the needs of Nancy and Sid.  *turns to Willy*  They are very fascinating animals, I must say.  And very imposing, aren't they?  *absentmindedly*  So what was it you wanted to discuss?

 

Willy *stares at them with intent disgust, then looks at Portsmith*  Would you mind if we had a seat?  I'm afraid this discussion will make my knees go out if I don't.  *he smiles shyly as they sit*  Portsmith, I was wondering if you could help me interpret a dream.  One that involved you.

 

Portsmith:  Sure, we can go to my study.  Goodbye, Nancy, goodbye Sid!  *she leads him through the great hall to her cosy study and gestures at the sofa, where she sits beside him, trying to glance whether he looks at her fishnet stockinged legs.  She already had in her quick mind concluded that the only thing that would make Willy's knees weak was to confess that he's leaving his family for her, so she is a bit disappointed to hear about just a dream*  A dream?  I am no gypsy fortune teller.  But go on and tell me.  *with renewed interest*  I was in your dream?

 

Willy *sits calmly, taking a deep breath and preparing to see the haunting images again*  Portsmith, I am aware you are no gypsy, but this must mean something ... *he pauses again*  In this dream, you stood in a dark room and pointed me towards a door.  I went inside and you locked me inside this dark room which was barely lit by a candle.  I had hit the door for a while, thinking you'd unlock it, but three doors across the room caught my attention.  I opened one and saw the most horrific thing ... my absolute worst fear ... *he quickly buries his head as the images begin to reappear.  He forgets how to speak as he sees Madame*

 

Portsmith *her curiosity kicks in*  I wonder why you saw me in your dream unless you have been thinking of me.  And what is your worst fear?  I am sure you will feel a lot better when you have got it out.  *she moves a little closer, frowning and genuinely concerned*  You have to tell about the dream, Willy.  Not that I think they are more than figments of imagination, and being a creative person yours must be very vivid indeed.  What can be so bad? *she tries in earnest to think what would be horrible for him*  Oompas on a strike?  An accident at the factory and problems with insurance?  They are a tricky lot.  Loss of money?  Disrespect from reporters?

 

Willy *lifts his head up and rests it on his knuckles*  The death of my wife and children.  *he continues as Portsmith stares on in silence*  I saw ... this .. woman *he hesitates to mention who because of Portsmith's status* ... she cut off my wife's head and held it in her hand, laughing.  *he shudders*  When I looked down, I saw her body.  Next to it, all of my children.  Their body parts had all been severed.  *he hides his head again*  It was horrific ...

 

Portsmith *almost puts her hand on his shoulder*  Oh.  *contemplates the scene for a while, but decides that he would be no fun if his all family got murdered.  He's kinda emotional in that way.  Then she brightens up*  But I have heard that there is always some truth in dreams.  I mean, they somehow relate to events or emotions or thoughts ... It was that case with the horrible wench who tried to do something to your wife but ended up somehow dead.  By her own hand *she adds, not wanting to recall that Willy killed her - nor wanting to remind him that Captain Jack visited the castle*  She must be haunting you.

 

Willy *looks up*  It was her.  It was.  And she was laughing.  The dream has been coming back every night since.  And I can't figure it out.  Madame keeps asking me what it was about, but to tell her of those images ... they would destroy her ... *he stays quiet for a bit*  I'm sure you have other things to do, knowing you rather well, but I had to tell someone.  This is one of the very few things that break me down this way.  To the point that I can't close my eyes.  I can't even think.  When I try to come up with a new invention, all I see is blood and her face in a terrified expression.  I can even hear that girl laughing ... *he looks at Portsmith*  It couldn't possibly be Annie coming back to haunt me, Portsmith.  She deserved what happened.

 

Portsmith:  I agree.  She got what she deserved.  But the dead don't come back.  That is just superstition.  I am sure it is your guilt over having killed someone ..er, sorry, I meant, maybe caused her demise ... that haunts you.  I never have any nightmares, because I have a clean conscience.  And don't tell to Madame.  She would get nightmares herself from such gory details.  You did right in telling to me. Don't go talking about this dream to anyone else.  That would just mean trouble.  Take off some time so you will get your mind off and forget it.  *looks at him sharply*  This is what you are going to do. I got a priest to my chapel from the new convent.  You will go to the confession booth and relieve your mind, get an absolution, and that's it.

 

Willy *looks up with a calm smile*  For once, Portsmith, I agree.  I'll go and do that.  Guranteed it will make me feel peaceful at the very least.  *He nods with a smile*  I mean, my court date is coming up, but I will feel much bettter.  *he places a hand on hers*  Thank you very much.

 

Portsmith *thrilled for his attention*  I am always ready to help you, you know.  Would you like to see the feeding of Nancy and Sid?  Did you know that they are called dragons, it looks like they are blowing out steam from their nostrils.  It's very fascinating!

 

Willy *shudders at the thought*  No thank you.  I best be on my way, Portsmith.  *he stands, removes his hat, and bows in front of her*  Thank you for all of your help.  *he places his hat back on and makes his way out, eager to get back home to his wife.  It seemed like a spirit or pressure of sorts had lifted off his shoulders.  He suddenly felt ... free*

 

At Mort and Mary’s house:

 

Martin *finally sees Mort's car pass his watch place by, and he creeps in back into the house.  Mort has never been the one to invest in proper locks, and Martin himself has learned quite a lot from his business relations to the underworld, so he has no problem to pry open the back door and enter the house.  He takes a beer from the fridge and sits down at Mort's desk and starts to search the drawers. There is still one pack of cigarettes, and he finds some crumpled notes and pockets them.  He takes a quick peek a the laptop, but he isn't very interested what  Mort writes.  He can't understand why someone spends his days writing rubbish instead of doing something useful.  Like scientific research. He goes back to the kitchen and notices a small basket filled with apples.  Probably Mary's pitiful attempt at trying to change Mort's eating habits ... She believes that someone can really influence his stubborn brother.  He shrugs, takes from his doctor's bag a needle and injects a dose of his own invention, the medicine that would solve all addicts problems for good, and prevent them from going in and out of rehab.  The final solution to the drug problem.  Only if he could conduct his research into an end.  But now he is totally out of funding after the Salome incident and the shooting of Grace O'Malley Brasco, and what is even worse, he has to hide from the authorities until ...  He hears the car engine and quickly injects two more apples before he takes a seat and starts to read a most boring mystery magazine.*  Hello, Mort.  Mary.  Did you have a nice evening?  The house you told I could use was just a shack.  How can you treat me so badly?  We are brothers, after all.  Doesn't it mean anything to you?

 

Mort *standing in the entrance way, puts his hands in his pockets*  Actually it was a wonderful evening and I plan to have many more of them!  *smiling, he sees the scowl on his brother’s face so he pauses, making up his mind what to say*  Martin, I didn’t want you to stay at that house, I only asked you to go there while the Constable was here.  It wouldn’t have been good for Constable Crane to find you here if they are looking for you, now would it?  *looking over his shoulder he meets Mary’s eyes*  Mary, come over here with me.  I told you I would help you Martin.  *takes Mary’s hand*  I know what it is like to be wrongfully accused.  I don’t expect the Constable to come back. 

 

Mary *anxious to get away from Martin’s stare*  Martin, I’ll go prepare the spare bedroom.  Would you like me to make you something to eat, perhaps an omelet.  And I think we have some fruit?

 

Martin:  So what was that wimp doing here?  *imitates him in a high squeaky voice*  Have you moved the body?  You must NEVER move the body.  BECAUSE!  *he laughs at his own joke*  I'll have to stay low until the Law catches my wicked colleague.  He made me do everything.  *smiles at Mary very pleasantly*  Oh yes, being a fugitive makes one hungry.  An omelet would be fine.  But no fruit for me.  I can't digest fruit.  *he glances sideways at the apples*

 

Mary:  Great, well let me go prepare your meal then.  Mort, I can’t imagine you are hungry are you?

 

Mort:  No, I couldn’t eat a thing!  *goes and sits by Martin *

 

Mary:  Ok then, I’ll go make your omelet Martin.  *she goes into the kitchen *

 

Mort *looks at Martin, wonders how he’ll take hearing the truth*  Well, it’s really a strange situation.  *pauses, looks to the floor then to the mirror leaning against the wall with a blanket over it*  Mary got that mirror *points to it* from an unknown source.  It was delivered here one day and we have no idea where it came from.  The mirror is haunted.  Mary hears a gypsy’s voice call out to her to come to the mirror and once there she will see a young woman.  Mary is terrified of it.  It has control over her and she cannot stop it.  I went to the Constable since he is an expert in such matters.  *he catches Martin smiling as if to say Constable Crane wasn’t an expert in anything*  Martin, you know yourself how he has helped this town, you need to keep an open mind.  Anyway, he took care of the mirror and broke the hold it has on Mary.  That is why we went out to celebrate tonight.  The Constable said it was a temporary tranquilizer effect but I’m hoping it doesn’t start up again soon.  Well, that about sums it up.  Things are back to normal and I’m glad of it.  So tell me Martin, what did your colleague make you do?  *he relaxes against the couch thinking it's good to be able to talk to his brother like this*  What kind of trouble are you really in?

 

Mary *in the kitchen, hears Mort tell Martin about the mirror.  He doesn’t know about the man in the mirror and is afraid to tell him.  How would I explain it, she wonders?  The man said he was once my love.  I feel like I know the voice.  Mort wouldn’t want to hear about that because he tends to be jealous.  Ha, she thinks, yes he would even be jealous of a man in the mirror.  She smells the bacon cooking and it brings her back to the task at hand.  She sets the table, calls*  Martin, your dinner is ready.  

 

Skateboarding:

 

Crybaby *stops his half rusty bike, humming the tune 'King Crybaby', watching idly the skaters while waiting for his date.  One of the guys tries to jump on the railing of the stone steps for the tenth time and misses again, Crybaby gives a sneer*  If I'd drive my bike like that it would be a wreck.

Skater guy *snatches his skateboard and approaches him*  It looks to me that you already did.

Crybaby *getting agitated*  Listen you brat!  This bike was burned by the Squares and I am keeping it like this that I never will forget, just like I am wearing this tear.

Skater guy *sarcastically*  So that's why you don't drive a Harley.

Crybaby *glares at him, moves closer, scowls*  Yes, that's why.  I am the King Crybaby.

Skater guy:  Hey, I've heard of you, the World's Most Famous Juvenile Delinquent, cool!  I am Mark Johnson.

Crybaby *suspiciously*  I think I have seen you before, but the name doesn't ring a bell.

Skater guy:  I am here every day, dude.

 

At the convent:

 

Father: Of course Mercy we can do what ever you wish *smiles* I am sure she wont mind at all I am of course a man of religion how could she not trust me. *grins* Well this way ladies *they all start walking* you smell that ladies that the smell of home baked cookies smell good dont they *points* thats where do our cooking and thats were we store the food. Now shall we head to the great hall *smiles* this is were we hold weddings pretty isn't it  we also hold balls too of course they are respectable gatherings, why dont you two come to the Valentines day ball we all dress up and wear masks. Now Mercy a lady such as your self do you have a husband and what about you Candy have you found your true love yet?

 

Mercy *blushes at the question, but she doesn't find it intrusive or strange at all.  After all, he was talking about weddings*  Oh no, I don't have yet a husband, but I soon will have ... It is not official yet.  What a wonderful place this would be for a wedding indeed!  Oh I can see the hall in its full pink roses and ribbons of pink and gold.  *she sighs, imagining how grand her own wedding will be*

Candy *frowns*  No.  I have my work, I don't have time for any romances.  Why do you ask?

 

Father: Sounds divine Mercy I’ll book you in *turns to Candy* just out of curiosity I find it interesting how some people can live life with out love. *smiles* now I understand that work may give you all the love you need but can you survive on that alone I wonder. *shrugs* who knows I am not you and I am not here to judge you I am sorry if you feel that I am Candy.  Now Mercy please tell me more about your future husband.

 

Candy:  I manage.  And I love my little ward, isn't that enough?

Mercy *smiles secretively*  It is not official yet, and I haven't even seen him.  They told me that he has an assignment which has forced him to travel, but he will soon be back.  But I believe that I am allowed to reveal the name - he is Inspector Frederick Abberline, and his sister, Lady Ainsworth who has been so kind as to act as my chaperone and instruct me, says that he will soon be promoted to Chief Inspector.  He has been married before, and he has two children.  I am very excited about it all!

 

Father: What if that was to disappear lets just say they were to leave with out you what would you have then. *Turns to Mercy again* Oh it has a certain ring to it doesn't’t it Mrs Mercy Abberline I’d bet he’d be real happy to have a woman like you. *looks at Candy* now why don't we check the library

 

Mercy:  Thank you, Father.  I am really looking forward to it.  Don't you agree that a wife can save a man's life, being besides the loved one a trusty companion and a helpmate.  I suppose that all the town will be attending our wedding.

Candy *irritated looks down listening to Mercy.  Poor girl, she doesn't yet know that she will be just Miss Mercy Clyde for the rest of her life*  Oh yes, why not.  I like libraries.

Mercy:  If you say so, Candy.  I've always found most books and especially all kind of wanton reading be a waste of time.  I rather do my embroidery or something else useful.  But I really can suggest some good books for you.

Candy:  Gee, thanks.  *follows Father and Mercy to the library*

 

Father:  Of course they would Mercy your wedding will be the grandest in town *pauses* how about after the library we do a bit of planning on cannot plan to early *smiles* Now Candy if you wish you can take a look around I believe me and Mercy have some plans to make *smiles before she can answer they have all ready left, grinning he takes her away*

 

Candy:  Thank you.  *relieved she strolls farther and disappears between the shelves.*

At Wilmot’s castle:

 

Wilmot *wakes up with a start.  Pushing back his hair he looks around to see where he is.  He never made it to bed.  He rises and bellows*  Alcock, where are you, Alcock!

 

Alcock *entering the room*  I’m right here, I was in the kitchen making your breakfast.

 

Wilmot:  Breakfast?  Yes, I think I will have a nice big breakfast.  Good man.  *Alcock looks at his master wondering if he heard him right and is surprised to see a smile on his face.*  Well, go on now, I have an appetite this day.  *stunned, Alcock goes to fetch his food before he changes his mind.  Wilmot sits himself at the table and waits.  He starts to remember what happened last night.  He remembers how alone he felt at Chez Roux even though the room was full of people.  He didn’t feel a spark of anything at all until Mary Rainey entered the room.  He was a full believer of love at first sight.  He certainly has written enough about it.  Of course Mort Rainey was there too.  That’s a problem, he mutters to himself.   He looks up to see the sun shining thru the windows and is so deep in thought he doesn’t hear Alcock at his side.*

 

Alcock:   Sir, did you hear me?  *seeing he has his attention, he places his breakfast in front of him then turns to leave*

 

Wilmot:  Wait, I would like your opinion on something.  What do you think Alcock, do you think a man could fall in love just by looking across a room at a fair lady?

 

Alcock *so surprised he can hardly speak*  Well sir, I imagine it could happen, I’ve heard it to be so but it’s never happened to me.

 

Wilmot:  Hmm, well I am thinking it could happen.  Prepare for a trip to From Hell’s Court.  *smiling, he starts to eat his breakfast with gusto*

 

At Bournemouth House:

 

Manouche *arrives at the house carrying a canvas bag, steps up to the door, rings the bell.  She waits a few minutes, then hears footsteps inside.  The door opens, she smiles*  Raven, Chírilo!  So this is where ye got off to.

 

Raven *smiles at first, then looks a little worried*  Are we in trouble?  We were just about to come back.

 

Manouche *enters the house, Raven closes the door behind her*  No, luv, I were just wantin’ some exercise, so I decided t’ walk into town.  Alifi an’ Madame are tendin’ th’ children.  An' Mr. Blake had left earlier t’ check in with Malachi an’ Miranda, see how th’ lil’ kiddies are farin’.  *she glances around, surprised*  There’s no one ‘ere, then?

 

Raven:  No.  Not even Candy or Marta.  *pauses*  I – I still can’t figure out where Mother an’ Father are.  But … I get the feeling they’re okay, at least right now.  *he looks sad*  Manouche, I … I think they wanna leave Deppville.  Somethin' about movin' us all to an island.  *scratches his head, troubled*

 

Manouche *looks at him sympathetically*  I reckon with all that’s ‘appened to th’ pair of ‘em ‘ere, I can’t say I rightly blame ‘em.  *she brings an arm around his shoulders*  Try not t’ worry ‘bout things that ain't ‘appened yet, savvy? 

 

Chírilo *looks at the bag*  What’s that, Manouche?

 

Manouche:  Oh, aye!  Almost fergot me reason fer comin’ in th’ first place.  *she carries the bag into the parlor, Raven and Chírilo following her.  She sits down, opens it, takes a few things out and sets them on the coffee table*  These are th’ gifties we ‘ave fer Kat’s birthday.  Raven, remember th’ pretty beaded bracelets ye made fer yer mum? 

 

Raven:  Oh yeah … *picks one of them up*  Chírilo helped me with ‘em. 

 

Chírilo *colors slightly*  I didn’t do much …

 

Raven *holds the second one up*  She did too, this one’s all hers!  *sets them on the table, sighs*  Wish I could give ‘em to her myself.

 

Manouche:  Well, she may still come home in time, who knows?  But jus’ in case she don’t, we’ll leave ‘em ‘ere, an’ then when she gets home, she’ll see ‘em first thing.  An’ then she’ll ring us, an’ we’ll ‘ave a celebration for ‘er.  Better late than never, ay?

 

Raven *nods absently, looks at the other items*  Oh, she’ll like these ..

 

Manouche *nods*  I figured she’d fancy th’ necklace, an’ that book were Mr. Blake’s idea.  Yer mum prob’ly already owns it, but this is an older edition.  He found it in San Francisco, it’s a bit valuable an’ it’s autographed, so it’ll be special.

 

Chírilo *picks up book, reads title*  She Had Some Horses, Joy Harjo.

 

Manouche:  Aye, she’s a Native American writer an’ musician, very fine.  *she arranges the gifts on the table, sets out a card in an envelope with Kat’s name on it, then looks at the children*  So what brought th’ pair o’ ye ‘ere?  *to Raven*  Were ye hopin’ to find yer parents?

 

Raven *shakes his head*  No, I knew they wouldn’t be here, but … I was just showin’ Chírilo around, an’ I wanted to get some of Sydney’s stuff.  *picks up a paper bag he’d brought from upstairs*

 

Manouche *smiles*  That owl o’ yers is becomin’ fast friends with Wilko.  Gonna ‘ave a hard time partin’ ‘em once ye come back home.  *she stands up*  I reckon we should get back before too long, get some supper ready.  Mr. Blake’s been gone most o’ th’ day, he’ll be hungry.

 

Raven:  We gotta get the boat an’ take it back.  Do you wanna ride with us?

 

Manouche *hides a smile at the look on Raven’s face, knowing he would prefer to be alone with Chírilo*  No … thanks all th’ same, lil’ mate, but it’s such beautiful weather, I’d prefer to walk.

 

Chírilo:  Manouche, can we all go to Three Rivers tomorrow, or the next day?  Raven’s never been there.  An’ I was hopin’ to get more Gypsy stuff for my room.

 

Manouche *nods*  I’m sure we can, love.  I need t' go anyway an' check in with me doctor there, it’s been awhile.  *she looks at Chírilo, arches a brow, teasingly*  Ye don’t plan on settin’ up fortune-tellin’ shop in From Hell Court, now, do ye?  *Chírilo giggles, shakes her head*  Then we ‘ave an accord.  Now, how ‘bout th’ pair o’ ye set a course fer home, an’ I’ll be along directly.  I’ll leave a note fer Candy first.  *Raven and Chírilo both hug her, Raven grabs the paper bag, they run out the door.  Manouche smiles after them, then pulls a small notebook and pen from a pocket, writes a quick note to Candy, explaining the gifts and asking her to call so she can resume tending Chiana, either at Bournemouth House or Rartigillichal.  She leaves the note on the table with the gifts, folds up the empty bag, stuffs it in a pocket in her coat, leaves the house, shuts the door behind her.  She takes a deep breath of the crisp air, sighs contentedly, starts to head for home.*

 

At Pirate’s Cove:

 

Kat *Returning to Abberline with hat in hand.*  Abby, ye 'ave a choice luv.  *Offering him the hat which she'd filled with berries.*  A strawberry patch sprung up since last I took notice so there be huckleberries and strawberries there.  *Grins*  Pity there be no whipped cream.

 

Abberline *stares at the berries*  I do?  Strawberries or huckleberries ... Great, just great.  *he lights a cigarette*  Did you see anyone?  Any news?  I've never been away from Chiana such a long time before.  If I have to stay here, you have to bring her, Kat.

 

Kat:  Alright then I'll send word off te Raven te fetch 'er 'ere on the sly but only iffen ye give ye word that ye'll be stayin' 'ere outta 'arms way.  Least 'til I can ascertain that who e'er t'was tryin' te frame ye up for that killin' didna succeed, eh?

 

Abberline:  I promise.  If it really threatens your life if someone sees me, I will stay inside and wait.  Word of honor.  *he smiles at her and takes a strawberry, then he grabs a handful of them*  But you can't go to town looking like that.  Don't you even have a cape or something?

 

At Tropical Breeze:

 

George *has had the twins for some time now they are settling in well although they still look at the door for their mommy to return. Lola staggers over to the door and sits next to it.*

 

Lola: Ma ma

 

George: *walks over to the door and sits next to it* you miss ma ma too Lola, come here *he picks her up and cuddles her in* Ma ma will come soon *he puts on a smile for her* why don’t you look at this *he pulls out his wallet it contains a picture of him with Ava* There you go Lola Ma Ma and Da Da.

 

Lola: *grasps the picture with her little hands as she stares at it* Ma Ma, Da Da.

 

George: Yes baby girl there’s ma ma with a big smile and da da with a bigger smile *laughs* come on why don’t we go and have a cuddle on the sofa *he picks her up and takes her to the sofa and they cuddle* You still got that picture good girl *he kisses her head and sighs* Sam is awfully quiet isn’t he *looks at Shane who’s come down from upstairs*

 

Shane:  He’s passed out on the deck fast asleep.  How is Lola?

 

George:  Missing her mommy she hasn’t let go of this picture since I gave it to her it’s like she’s lost a piece of her.

 

Shane: was she at the door again?

 

George: Yes she was.

 

Shane: Poor baby *he touches her chin* where is your mommy he better have not *stops himself* I hope she’s ok.

 

George: *sighs* so do I, I wish I could tell her that’s it’s all right for her to come back …

 

Shane:  I know she would come back but she’s well she’s pregnant.

 

George:  Oh *sighs* Don’s baby.

 

Shane:  Yes I think she thinks that you wouldn’t want her because she is carrying his child.

 

George:  I don’t care if it’s Captain Jack Sparrow’s I would raise it as my own *looks down at Lola* did you hear that your going to be a big sister again?

 

On the outskirts of Deppville:

 

Manouche *heading home from Bournemouth House, walks for awhile, soon finds herself outside the city limits, is about halfway between town and her home when she starts to falter a little.  She stops walking, brings a hand to her belly, feels the very slight swelling of the baby.  She puzzles over a strange sensation; not terrible pain, but a discomfort.  She starts to weave a little on her feet, and she feels the blood pounding in her ears, as if she’s about to fall over in a faint.  Then she hears another thunderous sound over the blood roaring, as if something’s coming toward her.  She looks around, sees nothing, not a hint of wildlife, not even the squirrels she’d just seen playing in the trees a moment before.  All around her has gone unnaturally still.  The noise in her head increases, she brings her hands to her ears; she turns, her eyes widen as she sees a thick cloud of dust, as if it’s being kicked up by a stampede of horses or cattle, but she sees no creatures, no cause.  She starts to step out of the way, but her feet feel leaden, and before she can step off the road, the thick cloud envelops her, and she can see nothing but the reddish dust all around her.  She tries to make her way through the cloud, debris stinging her eyes, but everywhere she moves, there’s only more dust.  A new wave of fear washes over her as she suddenly becomes aware of the fact that she no longer feels the earth beneath her feet.  She looks down but sees nothing but the same thick dust.  Then the discomfort in her stomach becomes more of a pain, and she moans and doubles over, suspended in the strange cloud, clutching her stomach.  Despite the intensity of her plight, she finds herself fading into a state of unconsciousness that feels peaceful, but deceptively so.  Reminding her of a time long ago, when she was sailing through freezing northern sea waters for days – she recalls clinging to the wheel of the ship with icy fingers, the cold and fatigue working together to lull her into a soporific state.  It was all she could do at the time to keep awake; the thought of drifting off to sleep was overwhelmingly tempting but she knew it would be a deadly mistake.  This is how she’s feeling now … or worse, this reminds her of how she felt when she was trapped, shivering in the soul box.  The clarity of that memory shoots a terrible streak of panic through her to the core, and she tries to cry out, but she can’t; when no sound emerges, she tries dreamer-thoughts, to Raven, Abberline, Malachi, anyone who might pick up on it.  She soon feels herself slipping into unconsciousness, despite her struggle … while on the ground below her, on the road she’d been walking, there’s not a sign that she had been there at all.*

 

*And at Rartigillichal:*

 

Alifi *smiles triumphantly as she watches Chiana heartily eat the baby food she’s spooning out for her*  There, my little beauty, it’s good to see such a healthy appetite on you!  You need more than a bottle once in awhile.  You're getting so big, we'll have to go shopping for … *her voice trails off as Chiana stops just as she’s about to take the last spoonful of food; her dark eyes widen, she stares up at Alifi, and her animated little face goes suddenly still and pale.  Alifi’s smile fades*  Child, what is it?  *she sets the spoon and jar of baby food down on the table, quickly picks Chiana up, holds her close.  Chiana reaches her little hands up to cling to Alifi, but she doesn’t make a sound, continues to stare over Alifi’s shoulder.  Alifi feels some relief that Chiana seems to be resting comfortably, she can feel the steady little heartbeat; but she knows something is amiss.  She stands up, still holding Chiana, goes to the phone, calls Bournemouth House, mutters*  Damn, the machine again.  *she waits for the tone, then leaves a message*  Hello, Candy … or if Kat is there, or the Inspector, please, whoever gets this message, this is Alifi, calling from Rartigillichal.  Chiana’s acting a little strangely.  She’s all right, be assured she’s safe and comfortable, but I think she needs you.  Please let us know when you get this message.  *she hangs up, takes Chiana into the sitting room, sits down, looks at her.  She seems fine except for the solemn, staring eyes.  Alifi hugs her close*  No worries, little love, your mama and daddy will be with you soon …

 

Spelunkin’ with Sparrow / a secret window:

 

Netta *crawling through a particularly tight space in the cave, turns, calls back to Jack*  C’mon, hurry up!

 

Jack *covered with grime, barely squeezing through the tunnel, scowls but keeps his tone light*  Patience, little leaflet, it’s a matter of leverage, innit?  *mutters under his breath*  Bloody children, should be leveraged and not heard.  *he stops short as he sees he’s caught up to her and she’s glaring at him; he smiles*  So, then, what is it you wish to show me?  Y’know, it’s not everyone I’d follow into a miserable little hole in the earth, so take that as complimentary as you wish to take it, if take it you will.

 

Netta *looks a little annoyed, starts to say something, then stops as she hears a sound*  Okay, we’re almost there, c’mon.  *she turns, continues crawling*

 

Jack *frowns, but follows her, and is relieved to see that the tunnel is becoming larger.  He catches up with her again, sees that she’s come to a tiny alcove with a wall of rock.  There’s room for her to stand upright, but he’s forced to crouch.*  Looks like we’ve reached a dead end, little guaca-mole.

 

Netta *brings her finger up to her lips*  Shhh.  *she turns to face the wall, carefully pulls at one of the stones.  It comes loose easily, the rest of the wall remaining intact.  She motions for Jack to peek through the little window, from which a dim light shines through*

 

Jack *squeezes around her in the small space, looks through the opening, eyes widen as he sees that he’s looking down into what appears to be a dungeon room.  He sees two women, one older, one younger, apparently prisoners; both look as if they’ve been locked inside for quite some time.  He starts as the older woman suddenly sits at attention, cries out*  Benjamin, is that you?  *the younger woman comes to her, tries to comfort her, murmuring*  Don’t worry, Mother, I’ll get Father back.

 

Netta *whispers to Jack*  See?  I told ya.

 

Jack *carefully replaces the stone in the wall, sealing the window; turns to Netta, whispers*  How did you find this?  Where are we?

 

Netta *shrugs*  I was explorin’ an’ found it.  I love caves.  I got this far, then I heard voices.  I started feelin’ around on that wall, an’ saw the loose rock, so I took it out.  You think someone made it that way on purpose?

 

Jack *glances at it, looks at her again*  Sod the bloody rock, do you know who those women are?  Do you know what place this is?

 

Netta *shakes her head*  Not ‘zactly.  There was another lady with 'em before.  She brought some stuff on a tray, an’ she was talkin’ about her husband, an’ that made those other ladies sad.

 

Jack *thinks for a moment*  Right.  Here’s what you need to do.  You need to tell some proper authorities about this, savvy?  There’s nothing we can do.  Talk to someone in Security, bring them here, show ‘em.  This isn’t work for a man such as your father, luv.

 

Netta:  D-don’t you care about ‘em?

 

Jack:  That doesn’t enter in to it.  I would require a point an’ purpose, preferably one with a bit of shine.  This … *motions toward the wall* … this requires rescue.  Courageous and selfless acts of derring-do.  Neither of which have been or are likely to ever be my strong suit.  *smiles slightly*  Your dad’s a buccaneer, darlin’.  For a man such as meself to engage in adventure of this ilk without profit – or at least optimal possibility of profit – could irreparably damage my reputation with me colleagues similarly engaged in the sweet trade.  Savvy?

 

Netta *looks at him carefully, disappointed*  Well … will you at least tell Commander Portsmith?  *adds quickly before he can respond*  I know about you an’ her.  She’ll be glad to see you.  She’s real mad at me right now.  If I tried to talk to her, she’d … *eyes wide* … she’d clap me in irons an’ ask questions later!

 

Jack *arches a brow*  Where do you get this flair for the dramatic, little Barrymore?  Must come from your mother’s side …

 

Netta *glares*  Will you tell Commander Portsmith?  *she reaches with both hands, grabs his hair in her fists, pulls his face close to hers*  You promised.  I got you rum an’ you promised.

 

Jack *gritting his teeth to keep from yelping in pain, hisses at her*  Easy on the coif, darlin’!  Right, you win.  I did promise.  *she releases him, he moves away from her*  Let’s get out of here, let's go back, I’ll make sure the proper authorities hear your story.  And I’ll do what I can to coordinate a rendezvous at this very location with you and someone in a position to put things to right.  Fair enough?  *smiles*

 

Netta *narrows her eyes, finally nods*  Okay.  *they start back through the tunnel, away from the wall, and she adds in a whisper*  What’re you gonna do when we come back here?  Aren’t you curious, don’t ya even wanna see how it goes?

 

Jack *struggling as the tunnel becomes narrow again; responds cheerfully*  I’ll mind the boats.  And once all’s said and done, it’ll be my pleasure, and a great honor, to share – as you deem appropriate, that is – any capacity of reward or feasible expression of gratitude for our combined good Samaritan-innity.  Savvy?

 

Netta *shakes her head, rolls her eyes*  Savvy.  *she continues on, leading their way back to the cave opening.  They finally emerge and make their way back to town*

 

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