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At the convent:
Sister Emina *is showing
Ava the convent she debates whether or not to tell her of her room. After a few
minutes of showing her around Emina decides she may as well show she hasn’t got much to lose.* Ava I know this is boring, but if you want I could show you something better than this something that I
have never seen before in my life.
Ava: *smiles* Sure Emina why not.
Emina: Good please follow
me *smiles* we must hurry we don’t want to get caught *smiles again* It’s nice to have someone my age here Ava
you seem very nice
Ava: Thank you Emina your
very nice too *smiles*
Emina: Thank you now you
must not speak of this to any one only I and Father know about this. *Smiles* Father must not know that you know. *leads Ava through some darkened corridors and down some stone stairs before they finally reach the room.
Emina opens the door and she leads Ava in* Here it is Ava it shows you what your
heart desires most
Ava: Really so if I was to
look in their I could see my nearly might be ex husband
Emina: Yes if he is what
you desire *smiles and blushes* When I look in, I see a man he is beautiful so gentle and kind he’s going to save me
from this place I know for sure.
Ava: *smiling* your in love
that’s so nice what does he look like can you show me
Emina: *blushing some more*
sure I’ll give it a go *she crouches down to the pool and she starts to chant to him again* Good afternoon my love lets
see if this works shall we now we are closer. *She starts her chant* as I think of you please think of me. As I call to
you will you move to me? As I send you my name will you send me yours? Let us be together. Together in love.
Ava *watches her as she sees
Emina’s mystery man she recognises him she’s seen him in town before. Ava doesn’t know his name but she
is sure that it has worked* Emina this time I am sure it has worked just give
him some time, he will arrive trust me *she smiles as she puts her hand on her bump which has sprouted somewhat overnight*
Emina: you think so?
Ava: I know so Emina trust
me *she lets Emina have her privacy with her images as she looks for her own. Ava stares into the pool she cannot believe
what she is seeing her husband in skinny jeans and a t-shirt and waistcoat. He is riding a skateboard that’s when
Ava backs away * Oh dear I married to a man who uses a skateboard oh sweet Ava of DeMarco. *she summons up the courage again
to look into the pool this time the image is much different. She can see George and the twins playing she laughs a little
as she can see George trying to show Sam how to walk. * Oh George you’ll soon learn Sam too laid back to learn that
just yet.
Emina *looks at Ava: whose
George and Sam Ava if you don’t mind me asking?
Ava: Oh Sam is my son I have
a daughter she’s called Ava *sighs* George is a lost love he is a fine man indeed and a great father.
Emina: You have children,
that’s nice I am sorry to hear about your lost love Ava *pauses* did you see Don?
Ava: I did he was on a skateboard
Emina a skateboard ….
Emina: I am sure he’s
just experimenting Ava *smiles* Ava look have you seen him isn’t he a doll *smiles* I have never met him but I am in
love with him. Do you know he has a cutest little routine in the morning and when he sleeps he looks like angel. *Laughs*
You should see him when he gets a little annoyed he scrunches up his face a little *stands up* We best be moving it’s
nearly time to start making cookies I love baking. *leads Ava out of the room
and up to the kitchen where the baking has already started*
At the Raineys’:
Mary
*in bed next to Mort, who is sound asleep; she stares at the ceiling. Finally
she goes downstairs to get a drink. She thinks she hears something in the living
room when she reaches the bottom of the stairs.*
Gypsy voice: Mary come
to the mirror, the voice sung. Come now before he awakens. *Mary walks to the mirror and kneels down and slowly touches
the surface. She has no control over her actions.* What do you see? Do you remember? Look harder.
Mary: I see a woman.
Gypsy voice: Yes, yes. Do you see who the woman is?
Mary: Why, she looks
like me.
Gypsy voice: She is you, don’t you see? *Suddenly the mirror clears and the voice is gone. Mary looks startled
to find herself at the mirror.*
Mort: Mary! Mary, where are you?
Mary: I’m in
the living room Mort. *Mort rushes
down the stairs and sees her once again kneeling in front of the mirror, but to his relief she isn’t transfixed like
the last time.* I’m sorry Mort, I didn’t mean to awaken you,
go back to bed and I’ll be right up.
Mort
*walks over to her, leads her to the stairs. She starts shivering uncontrollably.* Come back to bed before you
catch cold. You know, I don’t think I want to keep that mirror. We really don’t need it, we have that huge rustic one over the fireplace. Why don’t we sell it at the antique store omorrow? I’m
sure someone would love to have it. It really doesn’t match the décor anyway.
Mary: I’m too
tired to think about it now. I’m not feeling well, I’m really chilled.
Can we talk about it tomorrow?
Mort: Of course we can darling, now get into bed. *he holds her until
she falls asleep; but it isn’t a peaceful sleep. Finally, he too drifts off to sleep, only to be awakened by a loud crash.*
Mary: My God Mort,
what was that?
Mort: I don’t know. *jumps up, runs down the stairs, yells
back* Stay up there. DO NOT come
down until I check it out. *runs to the
living room, sees glass everywhere; calls up to her* It’s the rustic
mirror. It fell down from the fireplace. Don’t
come down, I don’t want you to get cut. Go back to sleep and I’ll
be up in a few minutes. *he cleans up the glass, glances around the room, his eye rests on the silver mirror leaning against the wall. He
silently curses it. As he turns to go back up the stairs, he could swear he hears
laughter.*
At the factory:
*Willy, Manouche, and Blake
pull up to the gates. They wait as four oompas run over and open them. After they stop in front of the factory,
Willy hops out and stares up at a large crane lifting a huge window to one of the top floors.*
Willy *an oompa stands next
to him and Willy yells above all the construction* When did the windows start
going up?
Oompa *checks his clipboard* Approximately 2:00 P.M. yesterday, Master Wonka.
Willy *nods with approval* Excellent. We're moving quite swiftly now. *he turns, giving his eerie
grin to Manouche and Blake, and gestures to the doors with his cane* Shall we? *They slowly walk inside, making
sure to move around oompas who are placing more screws in the doors. The entrance reveals a grand, long hallway, just
like before, except red drapes line the ceiling. Two statues stand on either side, one of Willy and another of Madame.
Willy nods yet again, still grinning, as they walk down the red carpet in the middle of the hallway* Well?
Manouche *she
and Blake exchange a grin, she turns to Willy* Well, it’s … it’s
quite stunnin’, mate. Lovely, of course, an’ a fine tribute t’
yerself an’ Madame as well. An’ anyone who knows half a thing about
decoratin’ an’ such would be able t’ tell at a glance that yer workin’ with th’ finest of everythin’
when it comes t’ yer choice o’ materials.
Blake *nods
agreement* It’s all really beautiful.
But …
Manouche *looks
at him, then looks at Willy again, continues* But … ‘ave a care,
luv, don’t make everythin’ too grandiose, savvy? Remember, Madame
loves th’ fine things, but she’s also a down-to-earth girl. Ye don’t
want t’ make ‘er feel she’s in too much of a museum, as it were. Yer
wife is a fun-lovin’ lass who’s keen on ridin’ horses an’ makin’ messes in th’ kitchen
with ‘er children. Keep some o’ th’ poshness, but don’t
ferget th’ whimsical fun side o’ things that made th’ first factory so special. An’ make sure it’s warm an’ welcomin’ to children, they’re yer biggest fans. Yer own children, as well as many children all over th’ world. *looks
around again, nods* It is comin' along right smart, an' fast, too. 'Course I knew ye'd been at it longer'n you're
lettin' on t' Madame, but I weren't about t' give it away. *winks, brings her arm around Willy, squeezes him*
Blake:
It'll sure be good to have the factory goin' again, Deppville hasn't been the same. *to Willy* Show us more!
Willy *smirks* This is just for show. *they walk down the hallway and into
the Chocolate Room, which, even though rebuilt, looks exactly the same* I couldn't find anything to change here.
*he leads them to a grand stairwell and frowns at it, then smiles again* Sorry,
guys. No elevator yet. *They climb five long flights of stairs and make many turns. By the time they get
to the main room doors, Manouche and Blake are breathless. Willy, however, stands in front of the gold doors*
Call this part of the factory my gift to her. *he opens up the doors and reveals the grand living room, standing back
as Manouche and Blake tour it. Manouche turns and gives a slight frown to him* I know, but like I said.
A gift. *he leads her to Madame's office and opens the door to the pastel green walls and black furniture. The
frames still hang* See? Nothing too overdone. All the bedrooms are the same way. I think you'd get
a real hoot out of Cole's. And the baby room is done too. Also, Madame is being given her own personal kitchen
down the hall. Just so she can cook whatever she pleases. *he smiles at the pictures* I want to spoil my
wife. But not make her unhappy.
Manouche *gazes around, smiling* There ain’t nothin’ ‘ere that’ll make ‘er unhappy, brother. It’s all jus’ lovely.
Blake *nods* She’ll love it, Willy. We sure appreciate you showin’
it all to us first.
Manouche *looks at Willy
carefully* Ye wasn’t really worried that she wouldn’t like it, were
ye? She loves everythin’ ye do fer her an’ th’ children, you
know that, don’t ye?
Willy *glances down at the
floor, then back up with a rather serious smile* I have been married for two years to her, Manouche. And yet every
morning I still wake up with the fear that I'll mess up somehow. I fear that she'll walk out of my life. *his
smile fades, he looks down again, back up, and then smiles again* There are times
when she should have walked out. And she didn't. It just makes me wonder how much more she can take. *he looks at the picture of her and Chase on the mantel piece and shakes his head, laughing at himself*
But ... I wouldn't be a good husband if I didn't have that concern right? *he grins at them* So. How would
you like to see the next room. Perhaps one of the best rooms in the factory?
Manouche: Th’ past is gone, luv, best t’ let it go. Forgivin’
each other an’ movin’ on, that’s what a successful marriage is about.
*shrugs, grins at Blake* Among other things.
Blake *smiles at her; to
Willy* Madame’s a sensible woman, Willy.
If the good didn’t outweigh the bad, she wouldn’t still be here.
You’ve had your ups and downs, but you always come out of everything together, there for each other. That’s what counts. *pauses* Okay, let’s see that best room in the factory. *smiles*
Willy: *smiles and nods.
Then he grins* Okay, let's go. *they leave and Willy closes the doors carefully. They walk down three different
halls and come to another set of doors, these with a beautiful wood finish. Engraved in fine lettering is the word 'Blake'.
Willy gestures for them to open the doors. Manouche and Blake open the doors and are welcomed by a breeze. The
living room is a light tan color. The breeze entered through the open doors on the balcony, where an ocean view can
be seen. The table are the same as the doors. The sofas are white as snow. The fireplace is marble.
On the mantel piece stand numerous pictures. Above it, two swords are positioned over top one another. Willy watches
them carefully* Told you it was one of the best.
Manouche *reaches
for Blake’s hand, stares, mouth open* By th’ powers … *she
and Blake enter the room, looking around as if they’re in a wonderland. They
go to the balcony, admire the stunning view, run their hands along surfaces of the fine furnishings, then Manouche turns to
Willy, eyes shining* Blimey, me brother … it’s beautiful beyond words. I … I don’t know how t’ thank ye … *she comes up to him, embraces
him tightly*
Blake *looking
at the pictures* Honey, look, here’s a picture of us with the triplets
… and remember this one, from that night at Chez Roux …
Manouche *keeping
her arm around Willy, brings him over to the mantelpiece and looks at the pictures*
An’ that one! From th’ beach. I didn’t even
know either o’ ye had a camera that afternoon. *she hugs Willy again* What a lucky day th’ day our paths crossed, mate.
Blake *turns
to Willy, puts a hand on his shoulder* Willy, it’s all amazing. We thank you, so much. *he grins* We’ll have a more, ah, tangible expression of our affection,
very soon. But … *winks at Manouche, adds mysteriously* … you’ll
just have to wait a little longer, till it’s ready for you.
Manouche *laughs* Aye, jus’ a little somethin’ we’re workin’ on. Ye’ll like it, I promise ye.
At Tropical Breeze:
George *eagerly awaits the
return of his children while he waits he packs all his drugs and paraphernalia into a cardboard box. George takes the
box and dumps it into the trash he takes one look back and he walks away for one last time. Now he is free from that world
once and for all. He makes his way back into the house where he waits for his children. A voice can be heard shouting out
side and then a knock at the door. George jumps to his feet and he opens the door to let Shane with his babies.
Shane: Hello George I am
Shane Ava’s nanny and here are your children *he lifts them out of the push chair and they both stand uneasy*I’ll
leave you three to it I need to pick up some things from the house *smiles* have fun *with that Shane heads back to the Casa
Del Amor (the house formally known as the DeMarco’s)
George: *wrapping his arms
around the twins he breathes in deeply and exhales, he whispers in their little ears* I am never letting you two out of my
sight again daddy’s here now and that’s the way it’s staying no one is tearing us apart never. *he takes
Sam and Lola’s hand and the take a very slow walk into the living room* Hey Sam not so steady on your feet are you *smiles
and he picks him up while Lola steadies herself and she takes a few steps by herself.* Lola come back here
Lola: *looks at George with
her brown eyes as she flutters them at him* Da Da
George: You just look like
your mommy when you do that *sighs* Where is mommy I wonder. *Sam pulls Georges hair* Hey that isn’t funny *Sam starts
to laugh* Lola come on honey this way *Lola falls to the floor and cries* Oh dear what’s happened this is why you don’t
go wandering off *he puts Sam down on the sofa as Sam gazes at the TV. George picks up Lola and comforts her* There, there,
daddy’s here now shh*Lola lets out a little yawn as she falls asleep on his shoulder. George lays her down in the travel
cot* Well little guy it looks as though it’s just you and me now. *Sam looks up at George* what *laughs*
Sam: ‘im ‘im
*he taps the remote*’im ’im
George: Oh I see you want
the TV on lets see what’s on *he takes the remote out of Sam’s hand*
Sam: *getting excited he
squeals* ‘im ‘im *As George turns over he starts to cry*
George: OK *smiles he turns
it back over to the Fimbles* I get it now ‘Im means Fimbles *George picks Sam up and puts him on his knee. Sam and George
both watch the Fimbles* so that’s green and yellow thing is Fimbo, that purple and blue thing is Florrie, and that green
and pink thing is baby Pom. *Sam just looks up at him* so what’s that frog called oh he’s called Rockit so what’s
that mole thing oh he’s called rolly mo. And what the he… is that thing oh it’s a bird she’s called
Bessie *he looks down at Sam. * This is very bizarre Sam, and Daddy has seen some bizarre things.
At Rartigillichal:
Madame *comes back out after
a while, Cole follows by her in a grumpy mood* Now go play and try to keep your face clean, dear. *Cole runs off
to join Raven. Madame arches a brow at Alifi alone cleaning the table* Where'd everyone go?
Alifi: Oh, well, let’s see … Willy took Manouche and Blake to see the work he’s done on the
factory … *smiles at Madame’s impatient expression* Don’t be
miffed, dear! Your husband just wants to give you a nice surprise, is all. *she glances around* Raven and Chírilo took Chiana to put her down for her nap, then I think they were going to do some drawing. *she glances over to the playpen, sees that the triplets have dropped off to sleep* And it looks like the other children are giving you a little break for awhile! *she waves toward the table* How about
another glass of lemonade? Or would you rather have some coffee, or tea?
Madame *can't help but allow
a smile to creep onto her face. Alifi's calm and warm expression had always made her feel ... settled. She feels
herself relax more, clears her throat.* Hot chocolate?
Alifi: Of course! That’s the best choice of all! Come inside to the kitchen, dear, we’ll talk while I make it.
*they both pick up some of the dishes and linens and walk back to the main house, enter the kitchen. They set everything on the counter near the sink, then Alifi motions for Madame to sit at the big table* Have a seat, Madame, hot chocolate coming up.
*she looks through the cabinets, brightens as she finds it* Oh, look,
I believe it’s Willy’s favorite kind, too. *looks over her shoulder
at Madame* Manouche once told me she wanted to always have it on hand for whenever
you and Willy would come by, she knows how he loves his hot chocolate. *she starts
preparing it, soon brings two steaming cups to the table, joins Madame, sits down* Here
you are, love. *she pauses as they taste it, then continues* Madame … I’m glad the children are occupied, ‘cause I need to tell you something. Manouche wanted to talk to you herself, but she didn’t want to bring it up with
everyone around, and … she wanted to tell you before she told Willy. *she
pauses again, sees the interest in Madame’s eyes, goes on* You see, dear,
Manouche is … well, she’s pregnant. She’s carrying a surrogate
child. She wanted so much for it to be hers and Blake’s child, but …
it isn’t. It all happened under very bizarre circumstances, we still don’t
understand exactly how it happened, we may never know. But it happened. She’s going to a very fine Rom doctor in Three Rivers, someone I’ve known
for many years. He also specializes in … unusual situations involving the
otherworldly, or the supernatural, or what have you. *she takes another quick
drink of the chocolate, sighs* The father of the child is Inspector Abberline,
and … the mother is Kat’s sister Metrea. Manouche and Blake know
all this, Abberline knows it, Raven and Chírilo know about it.
I’m happy to say that everyone is being completely supportive to my little bird.
Abberline is quite beside himself at the idea of another child on the way, and Blake … well, Blake is a prince,
he loves her so much. He believed her completely, without question, even before
the doctor provided proof of all this in writing with the test results. *reaches
over, squeezes Madame’s hand* You’re her dear sister, she was bursting
to tell you about it. She said she remembered when you told her about your first
pregnancy, even before you discussed it with Willy, and she said now she understands more than ever how you felt. Oh, my dear, she has really missed you! I’m so glad
you’re both back, she needs you. *pauses*
I can tell she’s a little nervous about how Willy will react, though she hasn’t said as much to me. She still remembers the last time he lost his temper over her – her unusual
abilities and how they often get her in wild situations. She knows you came to
her defense, she remembers how he finally came to her and asked for her forgiveness for his sharp words, and of course she’s
forgiven him. But … well, she’s still nervous. Just another reason she wanted you to know first. You’ll
help her, won’t you dear? She’s gone from thinking she couldn’t
have children to finding out she’s bearing a child that’s not really hers, one that has a troubling lineage. *smiles a little anxiously* Though Raven
and Chiana are plenty of proof that the heritage will be a fine one, despite Metrea.
Madame *puts her cup on the
table and stares at it, her hands still wrapped around it. She lets go when the heat warms up her gloves too much.
She clears her throat, lifts her hat, and scratches her head, still trying to find words. After straightening her hat,
she smiles at Alifi* Alifi, I have five children. Four I have given birth to. Three on the same day.
One on my kitchen floor with the help of my ten-year-old son. And I am still taken by complete and utter surprise.
*she sips her hot chocolate again and finally asks the only thing she can think of* How far along is she?
Alifi *has
to laugh a little* It’s one for the books, isn’t it? Leave it to Manouche. *she takes a sip of chocolate* She’s not far along, just the tiniest bit of weight gain. We’re all wondering if it’ll be like it was with Kat … remember the sudden acceleration
she had in the stages of her pregnancy? And of course, the doctor is keeping
a very close eye on it all. With Metrea as the mother, who knows. If something starts to look like it’s going horribly wrong, they may be forced to … to terminate. But we’re hoping it won’t come to that.
Of course, we’re all wondering, was this some strange accident in space and time, or did Metrea make it happen? And if she’s done it on purpose, why?
And why Manouche, of all people? But … for the time being, it does
no good to dwell on such things. For now
*smiles a happy smile* Manouche is basking in the knowledge that she’s carrying a child. Something she never thought she would be able to experience. Bless
her heart, I hope it all goes well for her.
Madame: *she drinks so hot
chocolate* I feel so ecstatic about it, Alifi, like the times when I found out I was with child, or children.
But... I believe Manouche too. Only, I don't know how Willy will react. He so bull-headed, he may never believe
that she hadn't done anything wrong. If it comes to that...how do we convince him?
Alifi *smiles
warmly at her* Thank you Madame, I knew bird could count on you. *her smile fades, she looks down at her cup, frowns* If Willy
really loves Manouche as much as he says he does, her word should be enough for him.
If not … he may as well quit calling her ‘sister,’ because it means nothing. *she pauses, takes another drink* We have the doctor’s
paperwork, it spells everything out quite clearly. *she nods at Madame’s
cup* Would you like more, dear?
Madame *she hands her
the cup and while Alifi gets more, she continues* I'll admit I have to agree
with you there. But Willy can be just so ... uptight? I guess is the word
I'm looking for. I remember when I first met him. I told him about my night with Don Juan *Alifi arches a brow
at her* Long time ago, Alifi. *she smiles*
He was so upset because Don is such a lover that he made sure I wasn't given any STDs. *laughs* I guess
I'm trying to say what I was thinking back then. Willy will hear it. But will he listen?
Alifi *finishes
making the chocolate, returns to the table with their cups* I hope for his sake
that he will. Otherwise, he’ll be missing out on a lot, and he could lose
Manouche. She and Blake have already decided they’re not going to have
much patience with people who don't believe them, or who spread rumors about all this.
You know how this town is, I’m sure the rumors have started already. Blake
even ran into some bad gossip all the way up in San Francisco. They’ve both told me they intend to explain the situation once, to anyone who asks, and if the person
doesn’t believe them, they’re not going to argue the point. Because
one, it’s nobody else’s business. And two, they feel – and
I agree with them – that as long as all involved parties know the score and believe it, such as Abberline and the kids
… and you … *she pats her hand, smiles a little* … and Malachi and Miranda, and Godley, and other dear friends
and loved ones … then that’s all they really care about. She's not
worried about friends like Grace and Donnie, or Perhan, she knows they understand the unbelievable supernatural things that
can happen. Manouche will be heartbroken if Willy doesn’t believe her …
but she’s not going to beg and plead with him. She has rather a fierce
pride about this whole situation, which is good, ‘cause she’s going to need it, and I'm proud of her for that. *pauses* I know Manouche won’t
mind if you bring this up to Willy later, when you’re alone with him. If
you decide you’d rather not, that you’d rather she tell him, that’s fine.
But if you do decide to talk to him about it, first you could tell him that there’s documented proof of the fact
that the baby is not Manouche's, that she's a surrogate. Then, perhaps you could
remind him of all the unbelievable, mystical things that have happened with Manouche, good and bad. Remind him that, though he gets tired of that side of our lives, it’s also those abilities that saved
a few Wonka lives from time to time. Remind him of all that, and then maybe he’ll
decide to be a good, supportive brother and believe her, and be there for her. You
could also tell him that she wouldn’t lie about this, to him or anyone else. Manouche
may be a pirate, and she may play close to the vest at times, but she’s a firm believer in honesty with all things concerning
children. If this baby were a result of her and Abberline messin’ about,
she would admit it. It would most likely come out sooner or later anyway, so
why deny it?
Madame *nods with satisfaction,
drinks more* Now that is what he would need to hear. You think if I told him the way I usually tell him things
he'd believe? I don't know, it seems like if he feels that someone is lying, the only person that can convince him otherwise
is me. And I sure as hell credit Manouche. Not only to stand up to the public eye, but also to Willy Wonka if
he didn't believe her. *drinks some hot chocolate, closes her eyes and feels
it run down her throat, then smiles at Alifi once more* I think that Manouche should tell him. And if he has a
problem, after he's done showing his anger to her, who is he going to turn to? Portsmith? I don't think so. *she scowls* Not until I roll over in my damned grave.
*she clears her throat* I'll make him understand. I can swear on my marriage that Manouche will not lose her big
brother, Alifi. If he does get mad at her, I can gurantee you within the next day he will talk to her and apologize
up and down, left and right. Because, after all, you are right. There are many things in our lives that involve
... miracles, I guess you could call them? Many are so unexplainable. Willy
is still looking into it, trying to figure out what causes what. He may spend late nights trying to figure out why we
were given the power to speak to each other through thought. It stopped with this nightmare of his, but I'm sure eventually
he'll look into that, too. Find out what it means. But I'm working on slowing him down, making him realize that
some things in this world can't be explained. Even the most important things. Like, for nine months, a third baby
hid behind the other two. For nine months no one saw it. At all. How can he explain that. *she drinks*
Alifi, Willy will retire at an early age, once Will is grown enough to run the factory himself. About 20 years from
now. Willy will be in his mid-fifties. And by then, I want him to stop all this fuss that everything needs to
be understood or he will obsess over it in his late years. I think eventually he'll understand that you CAN'T explain
it, but for now, its just a ton of convincing and those every-so-often arguments.
Alifi *laughs* Well, Willy’s an amazing combination of cynic and wonder-mind, of naysayer and
mad scientist! I know Manouche has always found it rather touching, how Willy
tries so hard to explain the unexplainable. How he wants to believe in miracles,
and often does, but he seems to need reminding every now and then. *she arches
a brow* I remember what got you both started on the shared thoughts … it
was that stuff from Malachi, I heard all about it. The intriguing part is that
it seemed to trigger a natural ability in you both. Usually, when Malachi has
offered that stuff to people in the past, it wears off after awhile, and that’s it.
But you and Willy obviously have a little special talent in that area. *takes
another drink of chocolate* Madame, I’m so glad Willy has you, to keep
reminding him about the miraculous side of life. After all, there are scientists
who said some of Willy’s creations are impossible, and yet here they are. Funny,
isn’t it, when the magician needs to be reminded that magic is real. *she
smiles, pauses for a moment, then continues* Right, then it’s settled. Manouche will have a talk with Willy, she’ll tell him. I’m inclined to agree with you, that’s best. I
think Blake should be in on it, too. But she wanted to make sure you knew about
it as early as possible, in case it should come up in conversation with someone who knows, or in case you should hear some
bad gossip in town .. *frowns* This way, you’re armed with the truth. And if Willy should hear something before Manouche and Blake have a chance to talk
to him, you can tell him everything we’ve discussed. *she glances over
at the counter, grins at Madame* I know we just had a big meal, but damned if
I’m not already wanting a snack. Manouche made some of her dangerously
good chocolate croissants, she should never leave them lying about unattended! Would
you like one?
Madame *gives a sly grin,
gets up, brings them over to the table. She immediately grabs one and indulges.
She looks out the window at the children doing a mini art show. Cole holds up a piece of paper with a drawing of Angel.
She smiles* You know, if you were there when Cole delivered Angel, I think you'd be truly amazed.
Alifi *nods* It’s phenomenal, the things children can pick up, you just never know. Raven’s always been remarkable that way, too, dealing with situations that many adults wouldn’t
be able to cope with as well. Of course, he learned many things from True Dreamer
at a very early age. *bites into a croissant, sighs blissfully. She starts to say something else, then stops as she hears a strange sound from the front of the house. She looks at Madame, they frown, stand up to see what it is. They go toward the front door, stop short at the sight of Chírilo, on the bare
back of one of the horses, which is now stepping into the foyer* Chírilo! How in the world—
Chírilo: I’m sorry, Alifi! I was gonna show
Gaston to the other kids, an’ he was obeyin’ me for awhile, but then he wouldn’t listen to me an’
he came right up to the door, opened it with his teeth! *she pulls on the reins,
pleads with the horse* Whoa! Stop! Go back outside! *she groans, exasperated,
as the horse completely ignores her and walks up to Alifi, snorts lightly, shakes its mane*
Alifi *laughs* It’s all right, dear, no harm done. I
seem to recall a story about one of the other horses running right up the stairs of the factory to see Mr. Wonka! *she grabs the bridle, pets Gaston’s nose; she turns to Madame*
Madame, this is Gaston, remember? He used to be the baby of the family,
but he’s grown a great deal since you saw him last.
Madame *laughs, remembering
Willy's face when that horse came inside. She walks over and pets him* Oh my my my how you have grown, big boy!
Oh he looks wonderful, Alifi.
Cole *darts inside, tugging
on Madame's coat* MOM! Can I ride
him?
Madame: Later, boy, let's get him back outside first eh?
Alifi *sees the disappointment
in Cole’s face; smiles, crouches down, picks him up, places him on the horse in back of Chírilo*
There you are, Cole, just hang onto Chírilo. *she looks at Chírilo* Give me the reins, child. How’s
Chiana?
Chírilo *grins,
hands her the reins* She’s okay, Raven’s checkin’ on her. He said she'll prob'ly wake up soon.
He always knows that stuff before it happens.
Alifi:
Good. *she leads the horse back outside through the front door, Madame following closely behind, then she speaks to
Cole and Chírilo* How about I walk the two of you around on Gaston for a few minutes, then we’ll take him back
to the stable. *looks at Madame* Madame, you check on the triplets while these two have their ride, and then we’ll
all meet back at the guest house, where Chiana’s sleeping, and see about getting some lunch ready for the little ones.
I don’t know about the triplets, but I know Chiana usually wakes up noisy and famished, as if she hasn’t
eaten in a week. *laughs*
Madame
*nods with a laugh* Alright that sounds fine by me. Cole, behave.
Cole: Awww mom. *they ride off*
Madame
*watches them for a minute, then goes to the crib where the triplets are playing. Jacob and Chase sit together, playing
with toy cars. Will sits alone, scribbling with a blue crayon on a piece of paper.*
Will, son, what're you up to?
Will *he
looks up with a toothy grin and points to the blue blob* Guma CHINE!
Madame: Chine? Machine?
Willy: GUMA! *he points again*
Madame: Ahhh Gum Machine. *laughs* You best not let your daddy see that. *Will scrunches his
nose up like Willy does at the sound of gum* Exactly. Come now let's go
to the guest house for some eats. *she takes them out and Chase and Will reach
up to take her hands. Chase carefully takes Jacob's hand and they slowly walk to the guest house, one step at a time*
At Bournemouth House:
Candy *unloads her shopping
basket on the kitchen table* Here, Marta. I
think I got everything you put on the list. Gilbert was so nice to ask if he
could deliver them at home because the basket will be too heavy, but I declined. *she
stops, staring at the product in her hand. Marta nods, smiles, begins to put
the things in their proper places, then she looks questioningly at Candy* You
always know when something is wrong. I heard some terrible rumors. And the ladies, they all were avoiding me like I was a leper, but I saw them staring at me, and they whispered
to each other in that loud theatrical whisper, you know what I mean ... Oh sorry, Marta. I
mean, they are pretending to be whispering but they actually do it so loud that everyone can hear them.
Marta *sits
down beside her and pats reassuringly her hand*
Candy: Marta, they said
that the Blake has thrown out Manouche because she is pregnant to the Inspector, and that he is going to marry her ... And
someone said that he's going to marry a young girl of good standing, and that he denies he has any children on the way ...
And some of them told that the Inspector murdered a young woman under the influence of drugs - and, still some others say
that it was Kat who murdered the woman, because she was jealous, and that she must have killed the Inspector too because she
has vanished. I don't know what to believe.
*Marta shakes her head, indicating that all is just rubbish and that Candy should not care about rumors* I wish there wasn't any truth in any of those, but they both are gone, and I don't know where they are
... Why are they both gone? And there was that *she shudders* the body in the
bedroom ... Maybe it's better to let the children be with Manouche. But what am I going to do?
Marta *smiles and rises up, takes her hand and leads her to the laundry
pile waiting to be sorted and washed.*
Candy: Go on as if nothing has
happened? *she sighs heavily and starts to sort the laundry, Marta nods approvingly*
At Mort
and Mary’s house:
Dr. Rainey *looks at the
house from the safety of the high corn stalks with binoculars stolen from Grape's, and what he sees makes him very displeased.
Mort has a woman in the house, and she has been all the day and all the night
and doesn't seem like living anywhere. Now he can't just march in and demand
that Mort hides him for a while till he gets his research finished, and till they find Dr. Marbury and shut him in jail
for all the crimes he has done. He wraps his leather jacket a little tighter
to protect himself from the cooling air and with a slight rustle of cornstalks he moves a little closer to inspect the woman
with his brother. He creeps near the veranda when he suddenly stumbles on a shovel
left lying and falls heavily with a loud crash against the wall*
Mort
*inside, in bed, staring at the ceiling. Mary had fallen asleep as soon as he
climbed back into bed. He couldn’t get the sound of that laughter out of
his head. God, he hoped he wasn’t starting to imagine things again. He looks at Mary; he must protect her. Tomorrow
he’ll go see Constable Crane and see if he could help him*
At From
Hell Court:
Granny *shouts from the living
room after Don Juan’s mother has left* Was that your Ma? She still crazy?
Mark: Yeah. She wants me to be some Mexican dude like Zorro.
Granny: Never
forget that you are just Mark Johnson, the World's Laziest Man, we're out of money and food, and you are crying after a skateboard.
Mark:
Okay, okay, don't get excited ... *he slips out, tired of her constant whining.
He goes to Chez Roux to see if he can pick any leftovers, when he is stopped
by a girl.*
Sheila: Don Juan? You
are Don Juan, but why are you in disguise? Oh, to be near you, to hear you speaking
of love .. *and she leans closer to him shutting her eyes, waiting for the magic
of the World's Greatest Lover to kick in.*
Mark *pokes her in the chest* Hey,
you all right? You got a funny stare. I'm
Mark.
Sheila: What has happened to you, Don Juan? Is there a way I can help you? Is this some sort of punishment
you inflict on yourself for your beloved?
Mark: Huh? What are you talking about? Yep, you could help me. You don't happen to have a dime on you? And my skateboard is
stolen. *he shrugs*
At Mort and Mary’s house:
Mort
*in the kitchen, as he and Mary are drinking coffee* Can you think of anyone who would send that mirror? Any
relatives?
Mary: No, I can’t think of anyone. You
know Mort, I really think the mirror is beautiful and we need one now that the rustic one broke to smithereens! I don’t know what to do with those clothes though. Maybe a museum would want them. They do look quite old. What do you think?
Mort
*in a measured tone* I
think you should give the mirror away if you don’t want to sell it. I don’t
know how to say this, but I have a bad feeling about it. I’m sure the museum
would love to have it as well. I’ll tell you what. I have to go to the Security Office to see if I can speak to Constable Crane. I would like to find out who sent those items to you. Would
you go with me?
Mary:
How can you have a bad feeling about a mirror sweetheart? I don’t understand. And do you really think it is important
enough to find out where they came from. I mean, I would like to know the answer
to that myself, but should you bother the Constable with it? I’m sure he
has more important things to tend to!
Mort
*upset* YES! I do think it is important enough! *slams his hand on the table; after a long pause* Please … be patient
with me about this. I know it sounds strange but I feel strongly about it.
Mary: Alright love, but I’m
going to stay at home if you don’t mind. I didn’t get a lot of rest
last night and I’m really tired. I would like to go back to bed.
Mort
*not happy about leaving her but doesn’t know any way around it* Well, ok but only if you promise to go to bed and stay there until I come home.
Mary
*laughs* Yes, in fact
I am going up right now.
Mort
*kisses her goodbye and watches her go up the stairs. Then he heads off to the
Security Center; he doesn’t see his brother, Dr Rainey, lying on the ground as he drives past the corn stalks.*
At Sacred Mists:
Ava *leaves the convent to
check on how things are going at Sacred Mists. Ava makes a mad dash there she promised Father Love-Joy she wouldn’t
be long. She enters sacred mists Romany and Sam are doing very well the place is nice and tidy. Ava lets them go on
their lunch while Ava looks after the store. A van pulls up at Sacred Mist and Mike the mailman steps out of the van and into
the shop.*
Mike: *he always greets Ava
with a smile* Good afternoon Ava how are things?
Ava: Good afternoon to you
too Mike *smiles* things could be a better
Mike: Ava I am sorry to hear
things aren’t so good but *smiles* Here’s some letters they don’t look like bills. *smiles again* bills
always come in brown envelopes and they are all white.
Ava: Well then Mike today
is good then *smiles* Thanks Mike
Mike: No thank you now I
must be leaving now. *he climbs into his van and waves good bye to Ava he can’t
get over how nice she is. Mike starts to like Ava even more what’s not to love about her. Mike smiles to himself and
he drives off making his way back to Deppville Post Office; he gets only half way and he turns the van around and
drives back to Sacred Mists. Whilst making his way there he by passes Romany and Sam walking away from Sacred Mist.
Shortly after seeing Romany and Sam he pulls up to Sacred Mists. The curtains are drawn and he starts to doubt that it is
open but just for luck he tries any way and the door is open. Mike enters Sacred Mists and he locks the door behind him he
can hear Ava singing to herself he just follows her little song.
Ava: *hearing somebody she
knows it’s Mike and she knew he would come back to her * who is it
Mike *smiles* It’s
Mike
Ava: Hi Mike *But before Ava can finish he pushes her against the wall and passionately kisses her of course she returns
the kiss. From the passionate kiss her carries her down the stairs to continue their own little party with out Ava knowing
it she starts to sing her song again:* Ya llegan las monjas, Caminito de Peronja,
No pueden pasar, Por el río de la mar, Pase una, pasen dos, Pase la madre de Dios, En su caballito blanco, Alumbrando todo
el campo, Campo mayor de San Salvador, Ya llega Perico, Tocando el pitico, Si no lo toca bien, ¡Que le den, que le den, Con
el culo de la sartén! *they both lie on the therapy bed Mike holds Ava for a
while and then he lets her go. Ava jumps off the bed and gets changed Mike watches her dress and then he starts to dress himself.*
Mike: Ava I best be off I
have to get back or I’ll get fired
Ava: yes you best be leaving
I have to get back myself and Romany and Sam will be back soon. *Smiles* Thank you Mike but you must never speak of this you
promise
Mike: *grinning* No thank
you Ava I promise I wont this is between you and me good-bye Ava.
Ava: Good-bye Mike *with their final goodbye they both head back to what they were doing, Ava unpacking her goods and Mike
heading back to the post office. Ava opens the curtains to let the natural light back into the shop.*
At the Security office:
DeeDee *looks up as Mort
approaches the receptionist desk; smiles at him in her most seductive way, feeling fortunate that she did bleach her hair
yesterday. She flutters her long lashes at Mort, the recluse of Tashmore
Lake* Hello, Mr. Rainey!
What can I do for you? *her voice is very suggestive and she tries to
show as much as possible of her cleavage* Don't be shy, I won't bite. *and she smiles with her perfect white teeth*
Mort *blinks and thinks,
oh brother, then clears his throat, smiles* Yes, well, I would like to speak
to Constable Crane if he's available.
DeeDee *disappointed* Crane? Oh, I suppose he is in his room.
*she gets up hoisting her mini skirt a little higher on the thigh.* I can show you where his room is. *she smiles again at him
and starts to walk* Follow me ... *She
stops at a door, knocks, then opens* Morning, Constable Crane. There is a visitor for you. *she brushes past Mort very closely*
Just call me if you need anything ...
Ichy *looks up from his tidy desk.
There is just a single piece of paper on it with some weird looking tool drawn
on it* How can I help you? *he eyes
Mort up and down suspiciously*
Mort *looking back at Dee
Dee and shaking his head, then turns to face the Constable* I'm afraid I
need your help. You may not know this but I married a short time ago. My wife, her name is Mary, thinks she saw a gypsy, in fact this very same gypsy sent her to the library
to read the article about my trial. It brought her to realize that I am innocent
of the murders because you see, she was hearing the rumors that won't go away even to this day, but I'm sorry, I don't mean
to go on about that. *looking down and thinking how he should explain this, after
all he hasn't had a lot of contact with people until he met Mary; clears his throat* Someone
sent her a large silver mirror and a chest full of clothing. They appear
to be from the 1600s. *running his hand thru his hair* She becomes transfixed
when she looks into the mirror. She doesn't even hear me call out to her. I had to physically pull her away from it the other night just so she would hear me.
*he starts pacing because the fear is crossing his heart again* Last night, I
asked her to sell the mirror to an antique store or give it to a museum just to get it out of the house. I used the
fact that we had a beautiful rustic mirror already. Then the damn thing
fell off the fireplace and crashed right after we went to sleep. I know this
sounds strange, but I think the mirror talks to her. *runs his hand thru his
hair again* Anyway, I know you have expertise in the supernatural and I am begging
for your help.
Ichy *shows a little more
interest* There are lots of gypsies here, and most of them dabble in mystics
and magic. You should not have moved the mirror. You
must never move any suspicious things. That is evidence. But *and he gets up and starts to pace the floor his hands
behind his back* we must consider these kind of things logically. There is always a good explanation for what we believe to
be magic. We just haven't invented it yet, so to say. *he stops and stares at him* Did you examine it thoroughly?
*he pokes Mort in the chest Because I hope you didn't. You must never never do
that. It is better that I come over with my equipment and have a look at your
mirror. *he stops* Mirrors. Mirrors can be extremely perilous. That
is, if you believe in magic, and your wife obviously does. An investigation is
of utmost importance and it has to be conducted in the proper way! *looks sternly
at Mort*
Mort *looking chagrined* I am so relieved to hear you will investigate this for me. *sitting down and watching him pace* Mary said the gypsy disappeared
in thin air, right before her very eyes, so I don't think its one of the gypsies in Deppville.
*catching a murderous look from the Constable* I mean of course it
is for you to investigate and decide. The only time the mirror was moved was
when Mary unwrapped it. It is sitting in the same location as when the delivery
man brought it. I'll make sure it’s not moved. Indeed, it’s quite heavy to move. *smiles* Well, Constable Crane, when shall we expect you and please, do not make my wife aware of your true visit
if that’s possible *standing and walking to the door* although you think Mary believes in magic, I'm not sure she's
even aware of what is happening. Should we expect you soon?
Ichy *with dignity but benevolently*
Yes, I will look into this little matter of yours. I have to do some research first, and then choose my equipment. I
will show you that everything has a natural explanation. Miracles don't exist.
All is just illusion and flawed perception. And
I will prove it to you. *but a little voice inside him reminds of the moments
when her mother danced in the garden, round and round, among the flowers, and then, then she started slowly to rise, still
spinning ... He brushes the thoughts aside resolutely* Expect me later today.
And - you must not move anything!
DeeDee *who in her usual fashion has
been listening at the door* Dear Mr. Rainey, wouldn't you like a cup of coffee
before you leave?
Mort *looking back at him
before he leaves* Thank you so much Constable Crane. I will not move anything, you can be assured. *smiles and
exits the door* Ah Dee Dee, *blinking again and trying not to roll his eyes*
thank you for you offer *smiles* but I must get back to my wife. *turns, walks
down the hall*
At
the Corsos’:
Capucine *much later, having made their way from the sofa to the bed, leans over and kisses her husband’s
cheek, smiles* There, now, I bet that old hag is an extremely distant memory. *she presses against him* Or do I need
to do more to drive her from your thoughts? *she nuzzles his neck, grins as she
hears him moan* Or there’s that third option, though this doesn’t
seem the best time or place to mention it … you said something about a trip to the Vatican? *looks at him, laughs*
Corso *half asleep with a
very content smile on his face, pretends to think* I believe - I believe that
there's still some vague memory of her that you should help me get rid of *catches her and holds her close* Like here ... *and he points at his chest, grinning* We'll
talk about the Vatican later.
Capucine *smiles, nods* Whatever you say, lover. *she starts
kissing him slowly, caressing his chest … *
Director DuBois *urgenly* CUT! CURTAIN! *rolls his eyes*
At Bournemouth House:
Candy *lights a candle on
the kitchen table and Marta puts out the lights. They sit in the semi dark with
their tea cups and some fresh cinnamon rolls, but neither of them is hungry* I
am starting to like darkness more. It kind of hides everything under it. It feels comforting.
Marta *nods thoughtfully
and looks sadly at the little flame*
Candy *abruptly* It's going to be
like this from now on, isn't it. You can feel it too. They are never coming back, because ... because ...
Marta *shakes her head, tries to calm Candy
down, hands her a cinnamon roll, strokes her hair*
Candy: They are both
dead! He would not stay so long from Chiana! *tears
stream down her face, but she tries to control herself and takes the cinnamon roll with trembling fingers and bites into it.
It is delicious, but she could as well be eating sawdust* I don't know if I want to stay here. The children can stay
with Manouche, they both love her. And the Inspector would have wanted it that
way. I am going home to Dad. But
what about you?
Marta *shrugs resignedly. The darkness deepens around
the house, and the candle is just a stump, but still they sit in the kitchen holding their tea cups. It's like the world has stopped at Bournemouth House; it is like everything has been swallowed by the darkness*
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