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At Vice
Mayor Lisa’s office:
Lisa *her head spinning from
all the information Charlie is telling her* Okay, Charlie .. slow down here. I need a moment to process all this! So,
you are telling me that you have proof of this Missoni woman's murder, yet there's no case against Abberline? Where is her body now? Charlie, I realize Abberline has issues
with drugs, and he seems to have a taste for questionable women, but that does not prove he's a murderer. And this Lady Ainsworth? She's Fred's sister, isn't she? It seems a bit odd that the case has been closed after she met with Portsmith. *thinks a moment* Charlie, luv, could
you bring over the pictures and copies of the reports? Something's amiss here. Also, I'm going to need you to locate that Missoni woman's body. Can you do that for me? *suddenly realizes his last comment* I don't think Miss Missoni's clothing is that important. *rolls her eyes* Just bring me over all the notes and photos
as soon as you can, okay?
Charlie *collects the papers
from the lowest drawer where he hid them under the Pirate Wench magazines. It took
such a time to compile the reports and order the pictures, and then Commander told him to rip them. Vice-Mayor will be pleased with him. He gets up, stretches
his magnificent body and walks to Portsmith's door* Commander, I am off for lunch,
if it suits you.
Portsmith *mutters, annoyed by the intrusion* Suits me
fine. Get out.
Charlie *flashes a smile* Thank
you, Commander! *he goes out and struts towards the City Hall, when I thought
occurs to him and he makes a stop at the hospital.* Andrew, will you see to that
someone hides the body of that woman found slashed, eh? Missoni was the name.
Andrew:
I don't think there are much places to store a body in. And they are nowadays very strict at the morgue, after the incident with that Salome.
Charlie: This is very important. Vice-Mayor has
promised us a reward if we can handle this case well.
Andrew *resignedly* I'll
see what I can do.
Charlie *cheerfully* Good! *He walks up the stairs of the City Hall to the foyer, where he checks how he looks* Bond. Charlie Bond. In
her Majesty's service. *he grins at his reflection and walks in to the waiting
room.* Hello Cory. The Vice-Mayor
is waiting for me. It is very urgent. The
stakes are very high, and I may hold the future of the town in my hand.
Cory *looks up from his work;
gives Charlie a smirk* Yeah, she said to be expecting you. Follow me. *He leads Charlie to Lisa's office, taps on her
door* Vice Mayor, Charlie is here to see you.
Lisa: Come on in, Charlie. *she stands and shakes his hand. It's impossible not to notice how gorgeous he is.
She takes a deep breath, and shakes it off.* So, what do you have for
me today? I assume that Portsmith has no idea you've come here. It disturbs me greatly that she's trying to cover up a murder. And
I'm still not buying that Fred could have done such a thing. Did you find out
anything about the body yet? *She takes the papers and photos from him, sits
down at her desk.* Have a seat Charlie.
Now, let's see what you've brought me. *She begins to look through the
disturbing pictures of the crime scene.* Now, what exactly went on between this
Ainsworth woman and Portsmith?
Charlie *bows respectfully. *Bond. Charlie Bond at your service. * I
told the Commander that I will be out for a while and she didn't mind. Inspector
Abberline would certainly do no such deed when he is sober, but ... you know his drug abuse.
*he shrugs* Anything can happen.
The only fingerprints found were his. The razor was his and nobody else
has used it. Nobody else has been seen to enter the house, and the nanny, Candy
as well as the housekeeper Marta haven't seen or heard anything. All evidence
points to him. *he frowns* As for
the conversation between Lady Ainsworth and the Commander, I did not quite hear everything, but it seemed to me that she was
threatening the Commander. I don't know anything about her motives. When she was leaving, she opened the door and turned back to say one word to the Commander. *he looks very serious and important when he puts on a pair of glasses he definitely doesn't need and,
takes his note and reads the word* BIT-TER-FELD. I can also tell you accurately what Lady Ainsworth was wearing ...
Lisa: *finds his bow a bit
silly, but cute just the same* Charlie, wait. If
Candy or Marta saw no one enter the house, then that means they didn't see Fred or Jeanne enter the house,
either? It just makes no sense. He would have had to bring her in the house
in order to kill her, correct? This is all too strange ... *she sits and thinks
for a moment. How did Jeanne get in Abberline's bedroom undetected? And why did no one hear a struggle if she was killed there?* Of
course Fred's fingerprints would have been on the razor if it was his. That doesn't
prove anything. I'm sorry, but this almost sounds like a setup, Charlie. Someone who knows Fred's issues with drugs. It
would be the perfect way to set him up. He's always so inebriated. *she reads through Charlie's notes* Charlie, I see no connection
with Fred and Jeanne. However, I do see that Jeanne had ties to Portsmith. Do you know any more about the relationship between them? *shuffles through some more notes, then looks up to see Charlie put on some reading glasses; which he clearly
doesn't need. He can be so serious, even though it's silly.* Bitterfeld? I wonder what that means?? *rolls her eyes* Charlie, Lady Ainseworth's clothes are not
important. *she takes all the papers Charlie has given her, and puts them in
her desk, locks the drawer.* Charlie, I need to find out more information. I need to know the connections between Lady Ainsworth and Portsmith. I also need you to find out what was going on between Jeanne and Portsmith. Can
you handle that for me? *she comes over to him; kisses him briefly on the cheek*
Thanks so much for all your hard work. I
appreciate it. Get back with me when you find out more information, okay? *smiles at him* Now, if you don't mind,
I need to take care of some other business. You have my cell number, so call
me when you have any new information for me.
Charlie *stunned, loses his
dignity, blushes and stammers* Vice-Mayor … I will do anything to - to
please you. *he looks at her with admiring eyes like a puppy, then he straightens
himself* With your permission, may I say one more thing. Both Candy and Marta are used to Abberline returning home in the wee hours, so they must have slept soundly,
and he has his key so he can let himself in without noise. A stranger might have
not been able to enter the house so silently. Unless he had a key. *A new idea dawns on him* And unless it was a she with a key.
Kat! She has all the reason, as
you probably have heard he dumped her because he is going to marry Manouche. He
knocked her up, everybody knows, and you know how Kat is. *solemnly* Therefore, it must be Kat if Abberline is innocent! But I will
do just as you requested, Vice-Mayor. I shall not leave a single rock unturned
to find the truth! *and then he realizes that he has probably taken up already
too much of her precious time. He bows again* Good
day, Vice-Mayor! I will report immediately when I find out something, Vice-Mayor!
Have a nice day, Vice-Mayor! *finally,
he gets out, walks past Cory throwing a triumphant look at the poor sod.* She
thanked me - in a very special way.
At Stratford Castle:
Corso *feeling very nervous
in Mistress Fiore’s presence, but the library is too tempting. It would
turn Portsmith green with envy* I am very impressed with your great collection,
but, to be honest, what do you expect from me? If you want to sell anything,
I can do it for you. I have the right connections and I know the market values. Some of these books are just incredible ... There are many who would sell their souls
to the devil to get some of them. *he starts to feel even more uncomfortable
when she locks the door* Oh, brandy would do fine, Mistress Fiore.
Mistress *Mistress signals
to Morgan to pour Corso a brandy as quick as she signals for the brandy it arrives in front of Corso. Mistress is pleased
with the effect she is having on Corso within seconds Morgan has disappeared* What I expect from you Mr Corso is for you to
help me gain some very rare books for you see I need the eight other books to complete my collection. *she caress the
book as the room grows colder* However, only a man like yourself could help me Mr Corso *still she caress the book* I
will pay you handsomely indeed *she writes him a cheque and pushes it in front of him * look for yourself.
Corso *raises an eyebrow
and whistles when he sees the sum written on the cheque* Those books must indeed
be very rare. *the room feels icy cold and he shivers, both of cold and fright. Mistress goes on staring at him, and he has to avert his eyes. She must be insane. But the offer is too tempting.* I will accept the cheque. Can I now hear what the eight books
are?
Mistress: Good. *smiles evilly*
You will only know one name at a time *staring* when you bring that book back to me then you will be given the next
name. *she enjoys the bitter cold for a moment* I want you to find me Secreti Del Reverendo Donno Alessio, the book is very
rare and it must be handled with great care Mr Corso.
Corso: THAT Secreti? But
no one has seen the book for a long time. It's presumed missing. *his voice trails off when he looks into Mistress' icy eyes
and at the cheque, and he starts to ramble* I am the best book detective there is and I am sure that I can obtain this book
for you, but it may cost a little, you see, such a delicate matter... And the book is reputed to be bad *he smirks to himself,
that explains why the Mistress wants it..* It's a perilous book and... but I do trust that you can handle it and *he continues
to himself 'and there can't be single demon who wouldn't flee just looking at her once* and.. I think that is all. May
- may I go now? *he rises up nervously looking at the locked door. Comapred with this Mistress, Portsmith is cordiality itself*
Mistress *hands him a card*
thats where you will find it do anything to get it Mr Corso *she slides a gun across the table* you may need this too *evilly
smiles* now if you speak of this to any one are deal is off and you will get no money at all.
Corso *carefully takes the
gun and slips it into his worn bag* So you know where it is! *he glances at the card and goes pale* Oh my .... I swear I
won't say a word!
Mistress: Good. *waves her hand* Now
go Mr Corso. *Corso shoves the card into the bag and darts out of the room*
At the park:
Sergeant Godley *wanders
homeward through the park, feeling a little blue watching the happy families having picnic and the children running about
playing and laughing. It's on moments like this that he misses his family. And he misses the close relationship between him and the Inspector, who seems too
busy a man to remember his old trusty companion. He has not seen Manouche in
ages. It would be fine to get those years back when he was the father of the
household with five kids ... But all his kids are grown up and have their own families, he is already a granddad, but all
the children live too far away. Suddenly a ball hits him in the back, he spins
around, yells to the nearest boy* Watch it, young man!
Dylan: Come on, Mister, it wasn't Robbie. And it was just a ball,
nothing to get in a frenzy over.
Godley: Sergeant Godley, lad. I presume that Robbie has a real name too, or are you just Robbie?
Dylan *shoves Robbie behind his
back* Just Robbie. Leave him be.
*Robbie and the two other boys step farther, and soon they break into a run and
vanish.*
Godley: Perhaps it was you then who punched me with the ball?
Dylan
*defiantly* And what if I did? This
is a public park and I've got a right to play here.
Godley: Judging by
your miserable aim, you are not much of a player. You are one of those Maison
de Paradis boys?
Dylan *bitterly, spitting out the words* Bloody orphan
you mean. Yeah, and I am not ashamed of that!
Godley: And next you are going to say that you don't need anyone.
Dylan *mouth open, stops when Godley recites
exactly the same words he was going to say* Look here ...
Godley: You have an attitude, and a temper and spirits. I've
heard that before. So very much like you ... You don't have to play tough with
me. *he takes the ball, bounces it a few times* How
did you happen on board that ship?
Dylan *looks at him with suspicion* I
ran with the pirates when I was 12.
Godley: Then you had a home? Why are you not going back to your parents? I
am sure they are very anxious of you.
Dylan *sullenly* I'd rather dance
ballet in pink. You don't know anything. I
don't have any parents. Just Malachi and Miranda.
Godley *shrugs, pats
him on the shoulder* If you say so. I
take that you don't want any parents, but how about a benevolent old fart as an uncle? I
have some chocolate croissants at home that need eating up. Not probably as good
as Manouche's nor as tasty as Miranda's apple pie.
Dylan: What should
I need an uncle for?
Godley: You don't need an uncle, but I need a nephew,
at least for a while. But if you wish to go with your pals … *he shrugs
again and turns to go*
Dylan: Okay. But
only for the croissants, savvy?
At the town
centre:
Malachi *riding in a taxi, watching carefully, cries out, knocks on the window that separates the passenger seat from
the driver* There, there they are! Stop
the car. *driver pulls over, Malachi jumps out, runs to the group of children
standing in front of a candy store* Where the hell have you kids been? *tries to hide his overwhelming relief to find they’re safe*
I mean … Miranda’s been worried sick about you. Why didn’t
you … *his voice trails off as he does a quick head count, frowns* Where’s
Dylan?
Len *notices that the others look at him and Erin, since they’re the oldest after Dylan. He looks at Erin,
then to Malachi* He went with the big guy.
We were playin’ ball, an’ Robbie—
Robbie *protests* I didn’t do nothin’!!
Malachi: Okay, okay … *looks at Len, concerned* What big guy, what did he look like?
Erin *pushes up in front of Len* I’ll tell him! You won't tell it right. *looks at Malachi* He was a big fat guy, real tall, dark hair, an’ I heard him talkin’, he talked sorta like Mr.
Abberline. *she colors a little as she remembers Abberline’s handsome dark
eyes* I heard him say somethin’ about chocolate kwaa … kwaaa …
*frowns*
Malachi *listens, thinking carefully* Chocolate … *brightens* Croissants? *he grins; Godley*
Erin: Yeah! That’s what
he said. He said Dylan could come over for some chocolate … that thing.
Malachi: I see. I’m
sure it was Sergeant Godley, he’s our friend. I’m surprised he didn’t
invite all of you.
Erin: He prob’ly didn’t see all of us. *looks at Robbie* ‘Cause we were all playin’ in
the park, an’ Robbie threw the ball—
Robbie *tearfully* I didn’t mean it!
Malachi: It’s okay, no worries.
*he looks at them all sternly* You’re late, you know. You should’ve been back to the house two hours ago. And
Dylan’s in trouble for leaving you alone when I put him in charge. I’ll
talk to him later.
Len: W-we’re sorry. *they
all lower their heads a little. Cyndi, the little four-year-old, steps up to
Malachi, wraps her arms around his legs*
Malachi *looks down at her, arches an eyebrow* All right, Miss Cyndi, cut
it out, stop workin’ me. *she looks up at him, smiles bashfully. He shakes his head, looks at them all* Right, we better get
back home before Miranda calls Security. *he starts to lead them to the waiting
taxi*
Ray *pipes up, innocently* Um, Malachi … *glances toward the candy
store* … maybe we should take some sweets back to Miranda. *adds quickly* I mean, she’s gonna be mad at us. It
might make her happy if we have a present for her.
Malachi *smirks* Um-hm. *he
looks at the window, reconsiders* Well, y’know, that’s not a bad
idea at all. *he sees a big heart-shaped box in the window, nods to himself;
looks at the children* Right, we have an accord.
C’mon, we’ll all pick a few things out for her.
Bonnie *excitedly, points at the heart-shaped box* Oooh, let’s get
her that one!
Erin *scornfully* That's stupid! Malachi
should get that for her. Us kids'll get her some other stuff.
Brian *pressing his face against the window* They have Wonka bars, let’s
take Miranda some Wonka bars!
Malachi *can’t help but laugh as they all start chattering all at once, pointing out different treats; he brings
his hands up* Right, let’s have at it!
C’mon. *he opens the door to the shop, the children race inside;
he turns, signals to the taxi driver to hold the cab; mutters* Aye, mate, I’m
sure you’re all too happy to keep the meter running. *shrugs, enters the
store behind the children, his eye on the heart-shaped box*
At Pirate’s
Cove:
Abberline *some hours later,
gently pulls apart from Kat, finds his clothes that are scattered here and there across the small room, dresses in the wrinkled
shirt, pulls the trousers on, shivering from the cold he still feels, like when fever is going up. He adjusts the blanket on Kat so that she keeps warm, lights one cigarette from the box Kat found for him
and silently walks to the door, opens it and looks around. He doesn't feel well
at all, but at least his head has cleared out. He can't just sit here and wait,
he has to find out what really happened, and if he isn't behind the murder - he is still not sure about that - then who it
was that framed him up. Portsmith?* ‘Bye,
Kat, and thank you for helping me ... You do understand that I have to do what I have to do.
*he closes the door after him and looks around. There is not a soul in
view*
At Godley’s
house:
Dylan *taking yet one chocolate
croissant though he has had a fair share already* Sergeant, I must go home. I should not have left the kids on their own.
See, I am kind of responsible for them, being the oldest and all ...
Godley:
I didn't realize that. It seemed to me that they ran away and left you
to deal with me. Miranda must be getting worried.
You could, of course, tell that everything was my fault, or Robbie’s fault and whine away till she has tears
in her eyes out of compassion for you and your hard lot .. *Dylan opens his mouth to protest, but Godley stops him with a
gesture of his hand* I knew you wouldn't be like that, Dylan. What are you going to do?
Dylan *defiantly, looks Godley straight in the eyes* I will tell them that I was lured away by an old fart.
Godley *laughs* Boy, you really are something. But you understand, that you
can't blame it all on me. It was your choice, remember? You chose to follow me.
Dylan *his face going dark* Are
you accusing me, sir? I had to sort out what Robbie did. *then he stops, getting a thought* Is this all about making
a man, as you told me?
Godley *snickers* What do you think?
Dylan
*proudly puts down his tea mug* Sergeant Godley, I have learned my lesson. I will go home now and relate what happened and I will accept my punishment of Malachi.
Godley: By all means, Dylan. In truth, it was
not my intention to get you into trouble. You see, I have felt rather lonely
lately. It seems to me like I have lost a good friend, and I have been thinking
of my family overseas. When one gets old, one starts to wish that grandkids would
come and visit you at least now and then, but mine are too far away. Will you
be seeing the old fart another time?
Dylan *nods bravely* Sergeant, I
would be honored to.
Godley *smiles* Off you go then. *he picks the ball and tosses it to Dylan* Don't forget the
ball. *Dylan catches the ball and salutes him in a half formal way.*
At the DeMarcos’:
Don Juan *slowly lowers his
sword; to Edna* You are either mad or a liar! My
mother does not have a new husband! She is a nun in a convent, because she loved
my father too much, and she still loves him. And she did not have any affair!
That's a damn lie too! *he brandishes
his sword and hits a flower pot and sends it flying over the room, but then he hesitantly puts the sword away and looks at
the book.* Are they really worshipping me? They
are carrying on my message of love? *And then he turns to look at Ava* Are you trying to tell me that she is carrying my child, and that she has been sleeping
around? The World's Greatest Lover can't have a cheating wife, what will that
do to my reputation if word gets out, eh? Why is the World's Greatest Lover not
enough for his wife? Is there something wrong with him? Oh no, that would ruin me. Ava, what do you have to say? You will understand that there can not be any living with you after this?
Edna: *plucking up the courage*
I am neither Don your mother is married and you’ll just have to be a big boy and accept that your mother has moved on.
*Her eyes glare and she lets out all her pent up anger* Listen hear if you do not allow her to do this then your child will
cease to exist and the blood line will end. *Points to Ava* you see she is in pain because he is fading Don he is dying what
he needs is her to feast on another man. *Edna gets right up to his face* Ava cannot sleep with you when she craves, she does
not mean it, she cannot help it, your child cannot take from the worlds greatest lover he must take from others. For you see
there will only be one lover like you Don your son will foster his own way. Now is that what you want your unborn child
to just disappear for him not to carry your name so be it. *Turns away* your mother will be disappointed in you Don she did
the same thing when she was with child with you. *Pauses* and your father stood by his wife. *Looks back*
Ava: So be it Don *still
in pain she climbs up off of the sofa* but don’t think you will ever see him. *Staggering* I cannot help it Don I don’t
want to do this do you really think I want to sleep with men I have just met. No I do not I don’t like it. Don I feel
dirty and disgusting I scrub myself until my skin bleeds. Now how do you think I feel when you sleep with other women Don.
What I want to know is do you ever think about how I feel how I feel when you sleep with these things *pauses she fails to
her knees* what is good for you isn’t good for me Don *shouting* Don how many today how many abominations have you slept
with. *Looks at him* HOW MANY answer me I can smell them on you Don. *All Ava wants to do is run and cry like a little girl*
Don do you know each time you sleep with one of them you kill a tiny part of me and do you know what’s worse Don. *Her
eyes start to brim with tears* I know that you don’t think of me at all *she starts to cry* to you I am a piece
of meat when you can’t get a woman you come to me. Don not because you love me because I am a easy target for you *she
sniffs*
Edna: You must not separate
he needs both his parents by his side *looks at Don* He needs you to teach him how to seduce a woman how to hold a woman *starting
to blush* how to make love to a woman. *Edna turns to Ava* He also needs his mother by his side to show him what true beauty
is he needs her to nurture him with out her guidance he would be. *She looks back at Don* You don’t know it yet Don
but Ava gives you strength if you separate you’ll lose the connection and you’ll lose your power to love. *Edna
smiles at Ava and holds her* She is the reason you live Don she is your reason to love if you give up on her then you bring
shame on that title of yours. *She cradles a crying Ava* Hush my child hush. *With one glance she looks into his eyes her
eyes are filled with sorrow* Don this want you want do you want to lose your wife and your unborn child it’s your choice
Don. A life without love or a life with love what is it to be they are fading.
Don Juan *drops the sword* My mother is not like that! She would
not forget my father so soon! They loved each other! *looks frantically around as if to ask for help* She didn't
behave like a tramp, she loved my father too much. She would not! She would not ... *he sinks down on the floor and covers his face with his hands* Ava, I slept with three women today. And with two yesterday,
and I did it because of you! Oh, I should have not listened to Abberline but
dropped down in a honorable fight with him or that weird pirate. And have you
slept with him too? He didn't do it for me, he did it to get your attention and
to seduce you. I wish he had died. And
the other men whom you let touch your body. I slept with those women because
you have ruined my world. The only woman I ever loved, the only woman I took
to wife so that we would be together forever, what did she do? *he takes the
hands off and starts to yell again* I'll tell you why I have been with all those
women. The woman who I believed to be in love with me, what did she do? Listen, Edna. She loved another man,
and she loved the other man so much that she wanted to have his kids! Yes, Ava,
don't give that innocent look on me. I know that those twins are not my children
and I know who the father is. Are you calling that love? What do you say
now? Answer me!
Ava: Don I have not slept
with him nor will *looks away* this is your fault, I’d rather die than bring him into this world knowing that his father
will always be a cheat, who will find some way to place the blame on to me. *Looks back* Don some day you will have to face
up to your responsibilities and when you do I wont be here. *Her anger grows as he speaks about George with all her mite she
picks herself up* Listen here it was never my intention to fall pregnant with the twins. Don and do you know what I wasn’t
even dating you when I slept with him, so don’t be bringing this into the argument. Don I love you so much and
to this day I die I will always love but you broke my heart when you slept with that tart you call Dee Dee. *her eyes fill
up again* you shattered my world Don and now I don’t know any more *pauses* the only good thing that comes from sleeping
with the few men I have done for that split second Don I feel as though I am loved they worship the ground I walk on they
love me for who I am Don. *Don looks away* Look at me Don! Look at me! I can never forgive you for what you have just done
Don you killed the last part of me. You have let a man believe that he has no one in the world and when he has two children
waiting no wonder everyone hates you.
Edna: *she looks at him*
Don what about Ava have you spoke of all the other women who you have slept with. *Takes Ava’s arm. * With love Don
you must accept peoples wrong doings if you cannot then you do not love her at all. *Starts to walk with Ava* You have made
you decision Don a life with love it is *she supports Ava more* may you never love again. Don may your heart grow cold and
may you never feel love from anyone.
*Meanwhile in the convent,
all hell breaks lose as Father Love-Joy watches the happenings. With his mass panic, Don’s Mother watches her son fall
from grace and now it is time that she called her son. Mother Love-Joy picks up the phone and dials Don’s number as
the phone rings*
At the Corsos’ apartment:
Corso *doesn't stop running
till he is home again in his comfy apartment, where Capucine is reclining on the white sofa reading a magazine* Capucine, my dear! Will you pour me a whisky! I had a terrible encounter, but there is much money to be had. I
can't talk more or that icy hag will murder me, but I promise I can soon take you shopping wherever you want!
Capucine *looks
up, doesn’t show much surprise, puts the magazine down, stands; walks over to him, brings her arms around him, runs
her hands through his hair soothingly* Poor baby, sounds like you’ve had
a dreadful time of it. *she takes his bag, sets it down by the door, takes his
coat off, leads him to the sofa* Here, handsome, make yourself comfortable, I’ll
get you a drink, just the way you like it. *she slinks over to the buffet, glad
that she had changed into the blue silk slip-dress earlier, which she knows sets off her dark hair and her figure to perfection. She makes two drinks, comes back to the sofa, smiles as she sees from the look in
his eyes that he more than approves of her appearance. She sits next to him on
the sofa, hands him the drink, purrs* There you are, baby. Now I won’t meddle if you don’t want me to, but if you need any help with this latest little
enterprise, just let me know. As I’ve already shown you, I can be very
resourceful when it comes to book-hunts. *she laughs as he looks at her, surprised* Come now, darling, it doesn’t take a genius to guess that you’re about
to embark on a search for a valuable book. I know that’s how you usually
make your fortunes. *she takes a sip of her drink, leans closer to him, murmurs* And I’m more than happy to take your mind off any icy hags you’ve encountered. Mistress Fiore won’t be murdering you, not while I’m around. *she blows in his ear* Savvy, lover?
Corso *Very much distracted
by her appearance, as usual, barely listens, stares at her and not for the first time he has to admit that marriage has its
good sides* Ah, yes, it is a book I have to find for the Mistress, one very rare,
one that has been rumored missing, but she knew where it was. *he grins* As it happens, I do know this guy and I also know that he has an eye for female beauty
*eyes her now hungrily* as I do, too ... You could help me, Capucine. What do
you say about a little trip to the Vatican? But I need first you to take that
hag from my mind ... *his grin broadens as he grabs her and pulls her down on the sofa* We'll
go tomorrow ...
Mort and
Mary:
Mort *doesn’t know
what to do. He doesn’t have anyone he could call to help him. It has been
six hours since Mary left. He called the Wonkas but was told they were at their
new factory. Yes, the woman said Mary was there earlier, however, she left hours
ago and she was really quite upset. He was frantic as he paced the length of
the house over and over again. He should have never left her go alone. He should have told her about his trial when they decided to get married. He
couldn’t find the right words to do it. He was afraid of losing her so
he kept quiet. He was afraid she wouldn’t believe him innocent even though
Shooter confessed.*
*He has been estranged from
the people of Deppville for over two years now. His trial for the murders was
over long ago, for the charges had been dismissed but these people didn’t believe him innocent at all. In their minds, they put him on trial and convicted him before it was even in the courts then cast him aside
as if he never existed. The worst was their fear of him. No one ever spoke to him except of course Dave from Security, and nothing he ever said was worth repeating.*
He couldn’t stand it
any longer. Mary doesn’t know anyone here in Deppville. The only place they went to regularly was to the coast so he decides to start looking for her there. Mary loves the ocean. She jokes that they
better be careful in case there were pirates about. They made love on the beach
for the very first time. It was balmy and the sky was moon and star lit. The sound of the breakers was their music as it kept rhythm along beside them. He would remember that night until the day he died. He
never felt as complete as when he was holding her and they became one.*
*He drives to the beach as
fast as he can. When he sees her car parked there where they always parks, he
feels greatly relieved and he silently thanks God. He pulls next to their SUV
and turns his car off. She isn’t there but he doesn’t immediately
get out of the car. He waits a few minutes trying to decide what he would say
to her. Finally he gets out of the car and starts to look for her. He finds her sitting on the dunes with the breeze playfully moving her hair as if it were in dance. She’s looking out to the ocean as the incoming waves broke against the rocks
below her. He doesn’t know what to expect when he approaches so he just
stands watching until she feels his glaze upon her. Slowly she turns her head
as if she knew he was standing there, just a few feet away. To his relief, she
holds out her hand and softly calls his name. She has a look of peacefulness
on her face as he goes to her*
Mary: I don’t believe them, I don’t believe them at all.
Mort *so stunned he cannot
speak; instead drops to his knees and crushes her to him. He holds on to her
as if he was drowning.* Let’s go home darling and I’ll tell you all
about it.
Mary: Mort, do
you see those footsteps leading from the shore?
Mort *looks out, sees the footsteps leading up to them.* Yeah, I see
those, whose are they?
Mary *excitedly* You are not going to believe this. I was sitting here trying to make some sense of what Madam and Mr Wonka told me, now Mort let me
finish. I heard a voice and when I looked up, I saw a woman dressed as a gypsy!
She said “hush child, you are Mary Rainey and I’ve come with news.
Do not listen to the locals and their rubbish. Leave
now and go to the library. Look up the Alabaster
Times newspaper article dated Wednesday, September 23, 2005, and you will find
your answers. Do not be afraid for you are about to begin a journey. Yes, yes I see darkness, but at the end, where your story matters the most, is where you will find the light.
You were destined to be at this place, at this time. Do not fear for I will be with you along the way. When you
are finished at the library, come back here and wait. Your true love will come
for you.”
Mort *looks at her, thinks he’s driven her to imagine things, but
how could she have known the date of the article?* Mary, are you
feeling okay?
Mary *laughs* I have never felt better. But Mort, after the gypsy told
me to wait, she was gone. I blinked and she was gone! I went to the library and read the article. *throws her arms around him* Mort, I know the
locals will accept you. I’ll help you, you’ll see. This is the beginning of OUR time. We will make a mark on this
world I just know it.
Mort: I believe
you! *he smiles, not too sure about really believing her but cherishing her love* Let’s
go home now, for I have other things on my mind.
At Tropical Breeze:
George *sitting alone in
tropical breeze he is just about to do line of his life numbing medicine when he is disturbed by a phone call. The phone still
rings consequently he picks himself up off of the chair and picks up the phone, all he needs right now is to have the Duke
call him. The voice sounds familiar he recognizes it but he can’t put a face to it. The voice speaks quietly but shouting
can be heard in the background.* Hello who is it.
Shane: It’s Shane I
am Ava’s nanny.
George: Shouldn’t you
be calling their father?
Shane: I am it has just come
to light that Don had the results changed he
George: WHAT that rat bastard
Shane: They are having a
marital argument at the moment I am bringing them to you where it’s safe they are uneasy.
George: *his heart feels
as if it’s beating for the first time again* Bring them here straight away they need to be away from that mad man. *His
heart sinks at the words that Ava is having a rough time* Ava
Shane: I will be on my way
straight away George do you have things at yours.
George: *he nods even though
no one will see him* I do their rooms remain the same since Ava left. Shane please hurry I need to be with my children
please hurry
Shane: I am on my way I’ll
be 15 minutes.
In an undisclosed
location:
*In a darkened
room, Metrea sits gazing into the blazing fire she'd kindled in the fireplace. Reaching into each of three bowls,
one after the other, she sprinkles the contents in the flames. Chanting*
Through
sight and sound and faceless terror, Through endless corridors, by trial and error, A head of blazing light does burn--and
One door leads to the point of return. *The window flies open, wind tearing at the drapes. A wolf howls in the distance. Metrea smiles* Soon, very soon, it begins.
At the Mill
House:
Willy *after a long day of
settling into the Mill House, he and Madame finally fall asleep, he holds her to him like every night. His mind becomes
cloudy in his sleep.*
Willy stands alone in
a cold, dark room, lit by a single candle. He looks around and sees no one. Suddenly, right in front of him is
Portsmith standing silently and staring at him. He goes to speak but no words come out. Portsmith motions for
him to follow her, so he does. She stops at a door and opens it for him. He looks oddly at her, but walks in,
expecting her to be right behind him. Portsmith abruptly slams the door, leaving him alone inside. His heart
begins to race and he pounds on the door. After a few minutes, he gives up and turns around. In front of him are
three more doors. He cautiously walks to the middle door and takes a deep breath as he opens it. Sound has suddenly
come back and he lets out a terrifying scream. Behind that door stands the woman he killed. Only, she is very
much alive. However, she holds in her hand the head of Madame, her face stuck in absolute fear, her mouth open as if
she was screaming. Her body lays on the floor. He screams again as he sees all of his children around her body.
They are cut up and dismembered, their parts strewn all over. He stares fearfully at the woman and goes to yell, but
he is interrupted by a noise. He looks over her shoulder and sees a wave. He lets out one last scream as a wave
of blood hits him.
Willy *jumps up in his bed,
screaming bloody murder. He digs his fingers into the mattress so tight*
Madame *jerks awake and sits
up, quickly trying to calm him down* Willy! Oh my god what?! Willy!!!
Willy *his screaming lowers
as tears flow like a river down his face* Kim ...
Madame: I'm right here, amore. It's okay. Everything's okay.
Willy *breaks down and Madame
holds him tight, his head resting on her shoulder* Oh god ....
Madame: What is it Willy, what happened? *she strokes his hair calmly,
her voice soothing*
Willy *shaking uncontrollably*
A nightmare ... the worst I have ever had, Kim. The worst.
Madame *continues to calm
him down, his shaking still bad* What happened in your dream, love?
Willy *sits up and looks
at her in the eyes. He dare not tell his wife what he saw. The haunting memory of her beautiful face in that distorted
position ...* I ... I ... can't.
Madame *knowing his fear
of recalling the memory, she nods* Okay. It's all okay now okay?
Nothing has happened. *Willy nods, still shaking. Madame smiles, stands
up, puts on her robe and takes his arm* Come on, lets take a bath, it'll help
you calm down and get back to sleep. *Willy gives a small smile and takes her
hand. They walk to the bathroom and shut the door. But the image is still
in his head*
At Chateau
Blanchefort:
Portsmith *returns home to
the castle and pushes past Wilson* Wilson, where is the brat?
Wilson *without blinking an eye takes her hat and puts it carefully on the rack straightening
the feather gently* Miss Netta? She
was designing herself a uniform when I last saw her. I have to say that I was
very impressed.
Portsmith: Wilson, I don't
care about your impressions. Find her!
*she goes to her office to switch on the cameras, but stops to look at something odd.
There is one of her greatest feathers on the floor. Frowning she picks
it up. She should have known that children are pure harm. They should all be locked up in concentration camps and released at 18.
And she gets even more mad when she sees her office. The surveillance
room is open. She turns on her heels* Wilson! Wilson!
WILSON!
Wilson *appears after a while as unperturbed
as usual* You called, Commander.
Portsmith: Indeed I did. Take a look at this. She has wormed into my office without my permission!
Wilson: I am sure that she intended no harm. She is just curious and
wants to take after you. You should have told her that your office is forbidden
territory.
Portsmith: Wilson, I don't
need your opinions. Shut up and tell me, where did Netta learn about Bitterfeld
in the beginning?
Wilson: I couldn't say, Commander.
Portsmith:
Find that brat. *she sits down in
an armchair and starts to go through all options. Lady Ainsworth is a wily woman,
but on the other hand there is Missoni and Bitterfeld … *
At Rartigillichal:
Manouche *walks through the main house the next day, her spirits lifted by the beautiful weather, the cool breeze wafting
in through the windows. The horrible dream is just a bad memory, doesn’t
seem nearly so scary in the light of a pretty day. And she knows it was utterly
absurd; Abberline would rather kill himself than kill any woman carrying his child.
She walks through to the kitchen, glances outside, nods satisfied at the long table under the tree, spread with a linen
tablecloth and laid out with everything needed for a nice brunch. She’s
decided to serve brunch al fresco today, for anyone who wishes to join in. She sees Blake and Chírilo arranging a few platters of food, smiles at Raven, who’s sitting in one of the chairs holding Chiana,
feeding her a bottle. He sets the bottle down as she finishes, brings her up
over his shoulder, pats her back. Manouche turns as she hears someone come in,
smiles at Alifi* Jus’ watchin’ Raven take care o’ his lil’
sister, it’s such a lovely sight.
Alifi *joins
her at the window, smiles* He’s really something, isn’t he? *they watch Raven stand up, carry Chiana over and gently place her in a playpen near
the table, with toys and her favorite blanket; she almost instantly starts to doze from her full tummy and the balmy weather. Alifi turns to the table, picks up a large bowl of salad* I think everything’s just about ready. Bring the lemonade,
will you dear?
Manouche: Aye, right behind ye. *Alifi goes out
to the table, Manouche picks up the phone, rings the Mill House, waits for Willy or Madame to answer*
Madame *sets phone down after
a short conversation with Manouche and smiles at Willy* Manouche invited
us over for brunch, darling, let's go.
Willy *sits in the lounge
chair, rubbing his temple, the images still stamped in his mind from his nightmare last night. He shakes his head and
smiles at Madame* Okay. *they gather the children and walk outside into the beautiful weather. He smiles at the beautiful
sky. Cole runs over to Raven and they start talking like crazy. Willy sets the triplets with Chiana and they all play
quietly* Hello, sis.
Madame: *cradles Angel in
her arms* The weather is beautiful!
Manouche *beams at them*
Ah, I'm so glad ye were feelin' like socializin'! I know yer busy with th' new factory, an' the kids an' all, but ..
*shrugs, grinning* .. we 'ave to eat, don't we? *she smiles at Angel, then turns to Willy, speaks to him quietly so
no one else can hear* What's wrong, brother? Somethin's botherin' ye, I can always tell. Ye don't 'ave t'
tell me unless ye want to, but ye know ye can tell me anythin'. We can talk later if ye'd prefer, savvy? Jus'
say th' word. *she squeezes his arm, then turns to Madame, smiling* I always dreamed of th' day I could pay ye
both back fer bein' so kind t' me in them early days. An' now, 'ere we are. Mr. Blake an' I are so pleased to
'ave th' Wonka brood 'ere fer an extended visit! When I first bought this property, I thought how grand it'd be
to 'ave lots o' children an' loved ones runnin' about th' place ... *she waves her arms* ... an' here it is, a reality.
Blimey, it's wonderful.
Willy *gives a small smile
and sits on the picnic bench quietly, watching Cole and Raven play a game of football. Why can't he get the image out
of his head? He feels goosebumps again and makes sure his red sleeves are
all the way down past his wrists*
Madame *grins at the triplets
and Chiana in the crib, babbling and playing with Megabloks* I've dreamt of having
the children playing like this too, Manouche. *her smile fades as she sees Willy sitting quietly. She leans in
to Manouche* Willy had a terrible nightmare last night, Manouche. Woke up screaming his lungs out. He won't
tell me what happened, but he hasn't shut his eyes since ... I can't figure it out. Maybe you can talk to him?
Manouche *raises
eyebrows* A nightmare! That’s
interestin’, I had a terrible dream meself. *looks over at him, then back
to Madame, winks reassuringly* No worries, we’ll put ‘im right. I already told ‘im I could see somethin’ were botherin’ him, an’
that per’aps we could talk later. Let’s leave ‘im be fer now,
talk of other things, maybe he’ll feel a bit better after he’s had somethin’ to eat. *she looks up, raises her voice* Right, everyone come sit
down, an’ we’ll start. *everyone takes places at the table, Madame
sits next to Willy and takes his hand; when they're all settled, Manouche looks to Blake, who comes and stands next to her
at the head of the table, and they smile at the others; they both pick up glasses of lemonade, Manouche speaks to Willy, Madame,
Alifi and the children* I’d like t’ welcome our guests, an’
I’d like t’ say how thankful I am fer me fine friends, this beautiful day, an’ th’ first of what I
hope’ll be a long line o’ pleasant gatherin’s at Rartigillichal. An’
I’d like t’ remind everyone of th’ NEXT planned gatherin’ on these grounds … Saturday, 6 October,
when Mr. Blake an’ I renew our weddin’ vows right ‘ere, rain or shine.
Champagne buffet reception’ll follow. Cheers, luvs. *she taps her glass against Blake’s, they drink*
Madame *raises her glass*
And we are guaranteed to be there.
Willy: Indeed. Rain or shine. *he taps his glass to Madame's and they drink.
Cole looks at the tapping glasses, he and Raven look at each other, pick up their plastic cups, and bang them together,
spilling some out. They laugh and drink*
Madame: Oh Manouche! Willy was out yesterday. He put down the first dig for the factory, he said!
Willy *nods quietly*
Should move very nicely.
Manouche: Well, there ya go, another reason t’ celebrate! A brand-new factory, bigger an’ better than ever, I don’t doubt. *she feels a tug on her sleeve, looks down, sees Chírilo* Ahh, what is it, darlin’?
Chírilo *shyly,
glancing at Willy and Madame* Can I go see the factory when it’s ready?
Manouche: I’m sure ye can. *nods toward Willy* Mr. Wonka, he conducts th’ most wond’rous tours ye ever seen. An’ knowin’ him, he’ll ‘ave a grand openin’ ceremony that can’t be
beat. *raises an eyebrow at the expression on Chírilo’s face* What is it, love?
Chírilo *glances
at Willy, then back to Manouche, trying to keep her voice down but her curiosity has gotten the better of her* If he’s got all that good stuff goin’ on, an’ he has a pretty wife an’ kids …
why does he look so unhappy?
Blake *startled,
looks a little uncomfortable* Chírilo, honey …
Manouche *puts
a hand on Blake’s arm; glances at Willy, then back to Chírilo* Ah. Why, that’s easy t’ explain, sweet.
Y’see, Mr. Wonka, he don’t do things halfway is all, savvy? He
works hard, he plays hard … an’ his mind’s goin’ twenty-four hours a day. *she motions toward him, continues* Y’know why he looks
that way today? He didn’t get proper rest last night, pure an’ simple. He were so busy thinkin’ about new ideas, new inventions … *smiles at
Willy* … or else he were so busy countin’ his many blessin’s … *looks back to Chírilo* … well,
it all kept ‘im up too late! *looks at her sternly* Now, y’see why I try t’ keep ye on a schedule fer a regular bedtime?
Chírilo *nods,
looking very serious* Yeah, I see. *she
lowers her voice more, Manouche bends down to hear her* Will Mr. Wonka be okay?
Manouche *smiles* ‘Course he will, love. We’ll
get ‘im fed good an’ proper, an’ he can ‘ave a nap later, then he’ll be right as rain.
Chírilo *nods
again, then turns, walks over to Willy; feels shy but she’s determined to speak*
Mr. Wonka … when you’re ready to take a nap, I’ll tell you a story, if you want. Manouche an’ Mr. Blake tell me stories all the time, an’ sometimes when I fall asleep I have
dreams about the stories they tell. It’s a real good way to sleep. *she smiles, impulsively wraps her arms around him, hugs him. Then she pulls back, suddenly overcome by shyness, quickly returns to her place next to Manouche*
Manouche *smiles, she and Blake sit down* Right, let’s ‘ave
at it. *grins at Willy* Alifi’s
made th’ chicken salad ye love so much, brother. It’s right next
t’ ye, help yerself.
Raven *observing everything, knows something is bothering Willy, wants to do something to cheer him up. He suddenly remembers the first time they all went to Chez Roux together, long ago, before he even knew
who his father was … how Willy and Madame actually were the first to notice his resemblance to Abberline … and
he remembers how he and Willy connected so well that day. He brightens a little
as he remembers more, and he picks up a piece of parsley from his plate, tosses it so it lands on Willy’s plate; grins
at him*
Willy
*looks down at the parsley and can't help but smile. He stares at it for a while, gives a small funny glare to Raven,
and quickly eats it* Okay you win. *he reaches over and scoops spoonfuls
of chicken salad onto his plate, then begins to eat like the Willy Wonka he is.*
At Arizona Dream Studios:
Netta *wakes up, sits up in the small bed, rubs her eyes. Looks around
in confusion at the unfamiliar, sunny room … she sees pretty wool wall hangings with colorful Indian designs, a similar
style of wool rug on the polished hardwood floor, unusual stringed instruments and drums against one wall, some books and
papers on a rectangular table. She hears the river rushing outside, and remembers
the two houses she had approached by the river. She looks at the window, the
soft breeze drifting in, and she sees something strange hanging in the window; frowns, wondering what it is. It has string, feathers, beads … her thoughts are interrupted as she hears someone coming; she fearfully
pulls the covers up to her chin, watches with wide eyes, feels a slight relief as Gili enters the room, smiling*
Gili: Ah, you’re awake. I
hope you rested well. *he comes over, sits on the floor next to the low bed.* Do you feel like talking, can you tell me where you came from?
Netta *slowly brings the covers down as she starts to relax, though she still eyes him warily. She points up at the window* What’s that?
Gili *looks where she’s pointing* Oh, that’s a dreamcatcher. See that web part in the middle? It snares
bad dreams while you sleep, and it filters the good ones, lets them through. The
bad dreams disappear with the light of day. Did you have any bad dreams last night? *she shakes her head*
Well, there you are, it worked. Would you like to see it? *Netta nods,
he stands up, takes the dreamcatcher down, brings it over, hands it to her and sits back down*
My nephew Raven made it, didn’t he do a fine job? I bet you and
he are close to the same age.
Netta *examines the dreamcatcher, nods* Raven … I seen him. I seen him at the … *she hesitates, keeping her eyes down, mutters* …
I seen him someplace.
Gili *watches her carefully* Someplace … someplace near here?
Netta *shrugs* I dunno. *she
sets the dreamcatcher down* I bet he didn’t make this all by himself, did
he?
Gili: I helped him a little, but not much.
Why?
Netta *a little defiant* I made somethin’ all by myself. I made a whole uniform! An’ a hat … *she suddenly
wonders where her beautiful hat is; she quickly looks around the room, her eyes fearful, then sighs with relief when she sees
that the hat sets on top of her bundle, just a few feet away from the bed. She
points to it* There’s the hat. It
… it’s s’posed to have a feather.
Gili *nods* Yes, I saw your hat, it’s very nice. Maybe you can show me the uniform later, if you want to. *he pauses, she looks down again, says
nothing* Are you hungry, would you like something to eat, or something to drink? How about some grilled cheese and milk?
Netta *flicker of interest in her eyes, she hopes this stranger doesn’t hear her stomach growling. She answers casually* I guess so.
Gili *smiles* I’ll bring it in here for you, you can have breakfast
in bed, like a princess. Would you like that?
Netta *nods, finally looks at him, and when their eyes meet, she’s surprised to find that she can’t help
but grin a little. His expression almost looks like he’s bringing her in
on a secret joke, and for some reason it makes her want to laugh. She tries to
subdue the grin, but she feels herself relaxing a little more* Okay … yes,
please. *he nods, pats her arm, stands up, turns, leaves the room. After he’s left, she picks up the dreamcatcher and examines it more closely, looking to see how the
strands of webbing are tied. She thinks to herself, I bet I could make one of these … *
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