DEPP SHADOWS 3
Part 182
Home
Part 151
Part 152
Part 153
Part 154
Part 155
Part 156
Part 157
Part 158
Part 159
Part 160
Part 161
Part 162
Part 163
Part 164
Part 165
Part 166
Part 167
Part 168
Part 169
Part 170
Part 171
Part 172
Part 173
Part 174
Part 175
Part 176
Part 177
Part 178
Part 179
Part 180
Part 181
Part 182
Part 183
Part 184
Part 185
Part 186
Part 187
Part 188
Part 189
Part 190
Part 191
Part 192
Part 193
Part 194
Part 195
Part 196
Part 197
Part 198
Part 199
Part 200
Part 201
Part 202
Part 203
Part 204
Part 205
Page title
Page Title
Page Title
Page Title

I love this song!  Really bad eggs!   When I get the Pearl back, I'm gonna teach it to the whole crew, and we'll sing it all the time!
 

Being where music looms large in the lives of a few of our mates … a simple walk in the woods turns into a whole new mystery – and a musical question – for Grace … Sweeney leaves Mistress Fiore and Jeanne to discuss their business in private … Don Juan comes to Malachi with a musical question of his own … a fatal tryst with Sweeney brings Summer to an end … Dr. Rainey shows he doesn’t stand up well to grilling from Abberline and Isabella, and he sings like a canary … Mistress Fiore and Jeanne play a little cat and mouse game regarding the parchment and a certain legendary treasure … Ava sets her badonkadonkin’ sights on Dean Corso … Manouche and Blake return from their getaway, smiles on their faces and a song in their collective heart … Lady Cynthia and Cavalcanti meet the former’s choice for the next Mrs. Frederic Abberline, one Mercy Amaryllis Iphigenia … and at the hospital, the Andersons discuss their evil plot to take Emma away from the Barries.

A walk in the woods:

 

Grace *after returning from Tortuga and having solved the Father Connolly issue – at least for the time being – staying alone at Arwen when Donnie leaves for the office is starting to bore her.  It was one thing when he was around, but now that he goes off to work every day, it looks more and more like she’s become a housewife … and a rather desperate one!  Even the word “housewife” makes her skin crawl; she’s a pirate and a witch … and a shaman.  Not a housewife!  For a while she past the time by practising her witchcraft and her telekinetic powers, but even that has become a bit boring.  She has gained a lot of control over her telekinetic power and unless she’s extremely edgy and someone startles her; she doesn’t use it unintentionally.  And using witchcraft just for the sake of using it seems rather redundant.  Donnie has only just left for the office and she’s already wondering how she’ll spend the day and has counted the hours till he comes back again and tells her of his day.  The very thought of her – Grace O’Malley, captain of the Brave – sitting in her house just waiting for her husband to return is appalling!  Something must be done!  Finally she decides to go for a walk; she can collect herbs along the way and who knows, maybe something interesting and exciting will happen.  After all, it is Deppville.*

 

*She leaves Arwen with the bag she uses for collecting herbs over her shoulder.  She walks through the forest enjoying the fresh smell of the trees and undergrowth; she stops to remove her boots and continues barefoot along the path.  When she reaches the river, she steps into it and walks in the shallow water near the brink not caring one bit that her dress is getting wet.  She smiles a little; pirate she may be, but there’s no denying her wiccan heritage … or her Irish heritage.  She loves the forest and the river just as much as the sea.  As she walks she occasionally stops to collect herbs; ever since Malachi helped her gunshot wound heal faster, she’s taken a more keen interest in the more everyday use of herbs instead of only concentrating on potions for magical use.  Suddenly she spots a flowerbed of beautiful wild roses and wonders if they’ll grow by Arwen if she replants a few.  She steps out of the river and walks towards the flowerbed in the soft grass; as she reaches them she puts down the bag and her boots and bends down to examine how easy it’ll be to pick a few with the roots.  But suddenly she jumps back*  Bloody ‘ell!  *She cautiously moves closer again and stares wide-eyed at the woman lying in the tall grass by the roses … the woman’s throat has been slashed and the ground around has been colored in a deep red; almost similar to the color of the roses.  Grace swallows hard; as a pirate she really should have a stronger stomach!  Mutters as she digs out her cell phone and dials Donnie’s number*  that’s what ye get fer wantin’ excitement!  *The phone connects and she hears Donnie answer*  Donnie, luv, ye might want te get out te the river … why?  ‘Cause I found a dead woman … throat slashed jus’ like that pirate ye told me about.  *she hangs up after explaining to Donnie exactly where by the river she is … she glances at the body again; despite the horrific sight it’s somehow difficult not to look.  Kind of like when people slow down as they drive by a car accident, even though they know that if they should see something, it won’t be pretty.  She shudders a little as she wonders about the last moments of this beautiful woman’s life … was she forced out here by the river or were she lured by promises or perhaps the roses were the bait.  Her thoughts are interrupted as she hears a melancholy woman’s voice singing softly … at first it sounds as if far away and it’s difficult to make out the words, but it sounds as if the woman singing is coming closer.  Grace looks around her searching for the woman, but sees no one … there’s just the song*

 

Lift your razor high!
Sweeney!
Hear it singing!
Yes!
Stick it in the rosy skin of righteousness!
His voice was soft, his manner mild.
He seldom laughed but he often smiled.

 

*A cold wind comes in from the river.  Grace turns her gaze towards the river and for a moment she’s convinced that her eyes are deceiving her … a woman appears from thin air and seems to be floating a few inches above the water.  Suddenly the woman is right in front of Grace, staring at her with tears in her eyes as she sings*

 

He'd seen how civilized men behaved.
He never forgot
and he never forgave.
Not Sweeney...
Not Sweeney Todd...
The Demon barber of Fleet Street

 

Grace *stares back at the woman, then slowly turns and looks at the dead woman lying in the grass, then back at the woman singing … Grace swallows hard*  So ye be a ghost then … that’s interesting … that’ s very interesting.  *The woman smiles and turns towards the river again; she starts singing her song as she floats across the river and disappears*

 

Lift your razor high!
Sweeney!
Hear it singing!
Yes!
Stick it in the rosy skin of righteousness!
His voice was soft, his manner mild.
He seldom laughed but he often smiled.

He'd seen how civilized men behaved.
He never forgot
and he never forgave.
Not Sweeney...
Not Sweeney Todd...
The Demon barber of Fleet Street

 

At Stratford Castle:

 

Sweeney *hearing the door knock he is most annoyed at the disturbance he closes his razor and heads down stairs with razor in tow. He is now in a further fowl mood than he all ready was. Sweeney pulls the door open he half expects one of the imbeciles at the security office to be there.  However it is not, it is a women he looks at checking every detaill about her he notices he uneasyness about being here. He smells the air she smells of dirt with the faint odour of the Commander and her cheap knockoff perfume. He is fascinated by her, she is a woman who seems not to care for herself quite like the men he deals with and with a snarl and then half a smile*  What do you have an appointment you disturbed me *turning into the gentleman that he is with women* now miss what can I do for you?  

 

Jeanne *smiling brightly*  Hello, I am Jeanne Missoni, and I have something very important for Mistress Fiore.  Is she in?  Sorry for disturbing you, but I just could not know that you were occupied.  *she glances at his countenance and there is something creepy in him she can't define.  Definitely a man you wouldn't want to meet in a dark alley.  But at the same time, he is rather fascinating*  But now I am here anyway, so can I come in?

 

Sweeney *looks at her again and forces a smile* Hello Miss Missoni well I was but now I am not *snarls* Elizabeth *stepping away from the door* Please follow me. *shouts again* Elizabeth *stops dead in his tracks* you must call her Mistress Fiore I only call her Elizabeth before I proceed any further Miss Missoni please tell me why you smell of mud.

 

Jeanne *nods gravely*  I understand.  Mistress Fiore it is.  *just like Commander Portsmith, it seems.  Is the small town of Deppville really big enough for two bullies, and how do people manage to live with them?*  Mud?  Oh, sorry.  I am an archaeologist and I didn't have the time to change.  You will get it when you see my find.

 

Sweeny *with half a smile* old things you say have you seen Portsmith *laughs* judging by your smell *he goes up to her neck and smells it* ah odour de Portsmith you have. *backing away* don’t try to double cross Elisabeth. *they carrying on walking and Sweeney stops at Mistress Fiore door he knocks and enters leaving Jeanne waiting outside*

 

Mistress: What is it Sweeney get that blonde woman out of your head you have had two now.

 

Sweeney: You have a visitor Elisabeth 

 

Mistress: I don’t have visitors Sweeney I have appointments you know the rules

 

Sweeney: she has something for you

 

Mistress: Does she now *snarls with intrigue*

 

Sweeney: A word of warning she's been to Portsmith I could smell her cheap purfume on her and mud *shrugs*

 

Mistress: Ah Commander lets play cat and mouse shall we *grins at Sweeney* you can tell her to wait

Sweeney: I am going out Elisabeth I need to get her out of my head. Ok Elisabeth *he walks to door and leaves the office* Miss Missoni she will see you in a moment you will have to wait.

 

Mistress: *shouts with a snarl* You may enter.  *Sweeney brushes past Jeanne and grabs his coat and he disappears in to the night.*

 

At la Maison de Paradis:

 

Don Juan *follows Malachi to the den, casting a glance after Miranda*  She is really something, isn't she?  A wonderful woman ... *he sighs, blushes a little*  Have you ever ... I mean, she being such gorgeous .. and full of life ... how should I put it ... *he lowers his voice*  Has it ever stopped singing for you?

 

Malachi *hands Don Juan one of the two cups of coffee Miranda gave him.  He shuts the door to the den, turns to him, eyebrows raised*  Stopped ‘singing’?  Ah ... no, I can’t say I’ve ever had that happen to me.  And now, I have to admit, being with Miranda … *he looks toward the door, thinks of her in the kitchen, smiles dreamily*  … I’ve never felt this way about someone … it’s like it intensifies everything.  *he glances at Don Juan, grins a little self-mockingly*  If we’re talking ‘singing,’ you might say Miranda brings out the Hallelujah Chorus in me.  *sets his coffee cup down on a table, finds a cigarette, lights it, offers one to Don Juan*  So you’re having a little trouble in that area, eh?  *smirks*  Better not let word get out, mate, your fans will be crushed and your reputation will be ruined.

 

Don Juan *takes the cigarette in one hand and the coffee cup in another.*  Ah, a chorus ... what I would not give for a little ditty ...   It's more than about fans and reputation, it's my whole life crushed!  *he sniffs, then sips the coffee*  The divine light gone.  It's never before happened with me, not even in the hands of the Sultana and her maids.  Ah, that was times.  Love is the essence of my life, and now, if it is gone, there is nothing but cold ashes left.  *he leans closer to Malachi*  This is all strictly confidential.  I know that you are an adept with drugs and all kind of stuff ...  You don't happen to have ...  You have to help me before Ava discovers anything!  She is after me like a shark, and I can't avoid her for much longer.  You must save my life!

 

Malachi *rolls his eyes at Don’s dramatics and prattle about divine light and ashes.  He takes a drink of coffee, looks at him*  I see, so that’s why you’re here.  Okay, I think I can help you.  Wait here.  *he leaves the den, goes to a small door near the staircase, digging in his pocket for a set of keys.  He finds a key, unlocks the door, opens it, enters a small room that he’s set up as a makeshift lab.  He looks around on the shelves, takes down a few small bottles and vials, mixes some elements together, then looks at the bottle studiously; he thinks of something, goes to a bookcase against the wall, finds an old volume, brings it out, flips through the pages, nods as he finds the entry he was looking for.  He puts the book away, crouches down under the counter, opens a drawer, finds a container with the herbs he’s looking for; straightens up, opens the container, sprinkles a small amount of the herb into the bottle.  He puts the herbs away, secures the stopper in the bottle, shakes it vigorously; holds it up to the light, eyes narrowed as he examines it, then nods, satisfied.  He puts it in his shirt pocket, leaves the lab, locks the door, returns to the den*  All set.  *closes the door behind him, brings the bottle out of his pocket, holds it out to Don Juan*  This should help you.  Now you want to be careful with it, it’s harmless, but you don’t want to overdo it.  There are exactly three doses in this bottle, to be taken once a day for the next three days.  I realize you’re impatient and that sounds like a long time, but whatever you do, don’t try to rush the process by taking it all at once, savvy?  *he eyes him sternly*  I won’t be responsible for the consequences if you don’t follow instructions.  Take it as prescribed, and then, when you see Ava on that third day … *he grins*  well, you may not wind up with a chorus, but I think you can at least count on a night of karaoke.

 

Don Juan:  Is it that easy?  My manhood in a small bottle ... My whole life in a few drops and herbs.  That feels so - so degrading, no offense meant.  *he strokes his chin with a thoughtful expression*  Maybe it is Ava's fault, running away with a petty thief and smuggler I believed to be my friend ...  *nevertheless, he keeps his eyes on the bottle*  Can I take the first dose immediately?  Can I already see the first effects?

 

Malachi *shrugs*  No offense taken.  You can use it or throw it away for all I care.  I can tell you that I’ve helped other blokes with the same problem, using this same formula, and I’ve had nothing but satisfied customers … *winks* … and gratitude expressed by their equally satisfied girlfriends.  To be honest, I don’t know if you’ll notice a difference right away.  In the past, I’ve always given the stuff to the, er, patients, and I didn’t hear back from them till later, after the fact.  And the news was always good.  Give it a try, you’ve got nothing to lose.  If it doesn’t work for you, then go to a good doctor, advisably one in another town who can be counted on for confidentiality.  *glances at the bottle, nods toward it, grins*  It’s no matter that the bottle’s small, mate … it’s what’s inside that counts.

 

Don Juan *hastily*  Oh no, I couldn't go to any doctor!  Someone would surely see it and they have to put all on record, now, I put my trust in you and this little bottle!  *he hides it in his cloak.*  You have my life in your hands.  I am very thankful, but if I start to hear rumours ...  *he touches the hilt of his sword at the door.*  My regards to your chorus leader!  *and he slinks out, not really knowing where to go.  Some women walk by him, not even casting a glance at him, o despair!  They can't feel his charisma!  The bottle is his only chance … *

 

Malachi *watches him go, shakes his head, mumbles*  Poor bastard, mad as a March hare.  *he leaves the den, goes to the kitchen, where Miranda is busily preparing breakfast*  Looks like it’s just the two of us, bright eyes … His Capeship has taken his leave of us.  *snickers as he approaches the counter, sets the two coffee cups down, refills his own*

 

Miranda *looking astonished at him with eyes wide*  Just the two of us and you are thinking of drinking coffee?  What kind of problems did he have?

 

Malachi *comes over to her, brings an arm around her waist*  Nothing serious.  He wanted a little advice on, oh, some ways he can make Ava happy.  He was just a little shy about discussing it in front of you.  *grins*  He also wanted some advice on someone he could talk to about singing lessons.  I suggested he try the School of Music at the Community College.  *kisses her cheek*  No worries, he’ll be fine.  *he glances at the stove*  What's cookin', beautiful?

 

Miranda *not understanding anything, but not very interested in the matters of Don Juan either*  Oh ...  Is it the same thing as with that nice Alphonse, he started behaving oddly when he saw me.  *she adds thoughtfully*  But I was wearing bikinis then.  I didn't know that such a small piece of cloth can make men act weird.  That's funny, when you think about it, isn't it.  *she resolutely puts on the lid on the pan*  The stew will now simmer for some hours.  *she fans herself*  Don't you think it's too hot here?  *and she reaches up to put her arms around his neck and nibble his ear*  I could do with lesser clothing ...

 

Malachi:  Ah, yes, poor ol’ Alphonse.  *runs a hand through his hair*  Well, you’ll learn more and more that men tend to, ahh, sweat the small stuff sometimes, especially when it comes to women's fashions.  *he watches her fan herself, gazes at her as she wraps her arms around his neck, his dark eyes sweeping over her*  Yeah, lesser clothing … sometimes less is more … *he leans in to kiss her … *

 

Dylan *dashes into the kitchen noisily, closely followed by Robbie and Erin*  Malachi, we wanna go to the movies …

 

Robbie *irritably*  Make the dumb girls quit followin’ us!

 

Erin *glares at him*  It’s a free country, I can go anywhere I want!!

 

Robbie *scowls*  Nuh-UHH!!  *sticks his tongue out at her; Erin purses her lips, shoves him hard*

 

Malachi *sighs; quietly to Miranda*  Hold that thought ..  *he releases her, turns to the children*  Okay, enough!  Erin, Robbie, knock it off.  *looks at Dylan*  So you want to go to the movies … *Dylan nods*  Tell you what … I’ll call a cab, and I'll pay for the whole thing, you won’t have to touch your allowance … but you have to take the other kids with you.

 

Dylan *looks very disappointed*  Awww, c’mon, Malachi …

 

Malachi *holds up a hand*  I know, it’s some responsibility.  I wouldn’t assign it to just anybody, but you’re so grown up, I know I can count on you.  *he looks at him approvingly; Dylan colors slightly, pleased.  Malachi looks at Robbie, raises an eyebrow*  Robbie, there’ll come a day when you’ll love having the dumb girls follow you.  *turns to Erin*  Erin, a certain toughness is admirable in a lady … *glances at Miranda, smiles* … but you have to temper it.  Choose your battles, so to speak.  *he looks them over again, nods*  Right, I’m putting the three of you in charge of this operation.  Dylan, you’re the oldest, so you’ll head up the group.  Robbie and Erin, you follow Dylan’s lead.  That leaves Bonnie, Cyndi, Len, Ray and Brian to be looked after.  Erin, you keep the girls in line *looks at Dylan and Robbie* you blokes oversee the boys.  You’ll all go to the movies together, you can stop and have a snack at Chez Roux if you want, and then you’ll all come home.  I don’t want anyone getting lost or straying from the group, savvy?  I’ll give Dylan one of the cell phones just in case.  *he looks at them carefully*  Do we have an accord?  *the three of them nod vigorously*  Good.  *he digs in a pocket, brings out some money, gives it to Dylan; he smothers a grin as the boy takes it, wide-eyed*  That should be plenty of money.  Now, shall I call the taxi, or would one of you like to do it?

 

Erin *pipes up*  I’ll do it!  *she smiles proudly, flips her hair*  I’ve been told I have a nice phone voice.  *Robbie rolls his eyes, Erin frowns and clenches a fist to punch him in the arm; then she feels Malachi’s eyes on her, and she stops herself*

 

Malachi:  Good.  Erin, you call the taxi, Robbie, you go get the rest of the kids together and take ‘em out front.  Dylan, let’s get that cell phone for you, I think it’s in the den.  *Erin and Robbie scramble to take care of their tasks, Malachi leads Dylan out of the kitchen; stops at the doorway, looks over his shoulder at Miranda*  As for you, sweetheart, put that stew on very, very slow simmer.  Savvy?  *he grins, puts a hand on Dylan’s shoulder, leads him toward the den*

 

Somewhere in Deppville:

 

Sweeney *having left Elizabeth and Miss Missoni at Stratford Castle there was something about that girl that is just snuck inside him, he shakes his head and carries on walking.  Sweeney goes on the hunt for the blonde woman that got away it doesn’t take long before he sees her. Sweeney can smell her the smell of heaven wafts around him again, Sweeney just follows the smell it finally leads him to her.  The blonde woman drags her suitcase along the cobbled street Sweeney casually walks up near to her.*  pardon me miss I see you are struggling with the case there if you wish I could help you.

 

Summer: Of course you can that’s is ever so kind of you sir.

 

Sweeney: Please call me Richard, Richard Slade.

 

Summer: Thank you Richard my name is Summer I am a ray of sunshine.

 

Sweeney: So you are summer a ray of beauty

 

Summer: *giggling* why thank you Richard

 

Sweeney: Where am I taking your suitcase

 

Summer: *pausing* Oh I don’t know I don’t know where I want to go.

 

Sweeney: Summer you must now some where you would like to go what would you love to see.

 

Summer: I would love to be with my spy but he isn’t that keen work keeps him away. *pauses* I would love to see the deep blue sea Richard yes that’s where we will go Richard we are off to the beach I have a little place on the beach. *smiles* and when you go back home you can say to every one that you met me on along the way. Now whats a fine upstanding gentleman such as yourself why would he be walking don’t you have a chuffer or something?

 

Sweeney: No I like to walk it’s better I can see people better when I walk. Now whats a pretty girl like you walking these streets alone.

 

Summer: Richard I am a good girl no one would harm a good girl would they.

 

Sweeney: no I don’t think they would.  *They both walk to the beach house it over looks the sea the deep blue sea as Summer put it. Sweeney lays the suitcase on the bed the floor and walks next to Summer, he runs his fingers through her hair and he pulls her in.*

 

Summer: I am a good girl Mr Slade I couldn’t possibily permit this.  *smiles at him and she kisses him Sweeney returns the kiss and lays her on the bed. Summer normally doesn’t go for this type of man but he was kind to her.*

 

Sweeney *lays her on the bed he cuffs her to the bed Sweeney does not remove any of her clothes he just kisses her neck and whispers*  All beauty must die.  *With them fateful words he does the deed with his razor and stuffs a piece of material in her mouth. Sweeney cleans himself up as not to arouse suspection. Sweeney tips his head and winks his eye and he turns without saying good bye. Summer lays lifeless on the bed with the sea breeze whistling alone there is a note strewn on Summers cold body.*

 

In all Summer’s hope and loneliness there is one thing that you must learn do not journey alone, tell yourself the world is full of danger and to shun the company of strangers. You may have found her today or maybe tomorrow but now you know its way to late. Death is not the end nor the beginning

 

All beauty must die

Richard Slade

 

In the woods:

 

Donnie *parks the car as close to the river as possible and exits the car along with Hanson; they walk across the small patch of grass by the road towards the spot Grace described.  He quickly spots her sitting in the grass a bit away from a flowerbed of wild roses; squats down and kisses her on the cheek*  Hi, sweetie.  Are you alright?

 

Grace *nods*  Aye, I’m sound … *looks at him*  I know who killed her.

 

Donnie *frowns*  You do?  How?

 

Grace:  She told me … or her spirit did.  *Smiles a little at the bewildered expression on his face*  The spirit appeared an’ sang me a little song … *hands him a piece of paper*  I wrote down the words as best I could remember; I am certain o’ the name … Sweeney Todd.

 

Donnie *runs a hand through his hair as he looks at the piece of paper; he knows better than to question what she saw or heard.  Stranger things has happened than ghosts … she talked to her dead grandmother, so why not the ghost of a murdered woman?*  Alright … it is something to go on, but a court needs more than a ghost story.  *Quickly adds as she glares at him*  I do believe you, but I still have to convince others.

 

Hanson *examined the body while quietly listening to Donnie and Grace; goes over to them*  We do have the picture from the security camera in From Hell Court … it looks to me like it’s the same guy; if this Sweeney Todd guy fits the picture, all we need is an expert witness to testify that it’s the same killer.  *Grace looks at Donnie triumphantly*

 

Donnie *looks from one to the other; rises*  So we do the work needed here and pay Mr. Todd a visit …

 

Grace *smiles slightly*  Good … *Gets on her feet; looks at Hanson*  I thought ye were working with Isabella?

 

Hanson *glances at Donnie*  I was, but she’s working with Inspector Abberline now.

 

Grace *looks at Donnie reproachfully*  Bloody ‘ell, they’re going te kill each other!

 

Donnie:  Not necessarily!  It’s been going on for a few days now and neither of them has asked me to change things back.  Maybe they found a way of working together.  *Grace exchanges a look with Hanson, refrains from saying anything.* 

 

At the hospital:

 

Abberline *to Isabella*  Now did I ...  *he opens the hospital door to her, waiting for her to pass
first*  Remember, you keep your mouth shut.  I will handle this without amateurs.  Andrew, is Dr. Rainey or Dr. Marbury in?  I need to see them.  Police matter.

Andrew *checks hastily that the woman with Abberline isn't Kat, and relaxes*  Dr. Rainey ... Yes, he is available.  But you are late, Inspector.

Abberline *baffled*  Late for what?

Andrew:  Why, your checkup, of course.  Turn right, room five.  Wait till you are called.

Abberline:  Wait, I am not here as a patient, you idiot!  *muttering to himself, starting to walk the corridor*  We'll see who calls who ...  I hate this place!  Martin, hurry on!

 

Isabella *rolls his eyes at him and follows him down the corridor; carefully*  What checkup might he be talking about?  *Abberline glares at her*  Right … none of my business. 

 

Abberline *scans the names on the doors, and finally he stops, pushes the door open.  Dr. Rainey looks annoyed at him.  There is a patient sitting on the examination table with her shirt off, she lets out a cry and grabs a towel to hide behind.*  Sorry, miss, but you have to go now.  Police matter.

Dr.Rainey:  Inspector!  I must insist on you waiting for your turn.  You can't go scaring my patients off like that.

Abberline:  I think I already did that.  Martin, will you tell the girl to bugger off and find another doctor.

 

Isabella *leads the girl behind the privacy curtain*  Put your shirt on and either go find another doctor or reschedule this appointment; we need to have a few words with Dr. Rainey.  *The girl looks at them a little frightened, but quickly puts on her shirt and leaves the room.* 

 

Dr. Rainey *sits down behind his desk*  And what kind of police matter would that be?

Abberline:  Ghost tranq.  What do you know about it?

Dr. Rainey:  And why do you ask me about drugs?  It's you who are the expert.

Abberline *glares at Rainey, hoping Isabella didn't hear*  Very funny.  *
Isabella stands quietly by the door; Abberline’s drug abuse was among the many things Barbara, the waitress, told her when telling about Deppville, so Isabella doesn’t show any signs of surprise at the mention of his knowledge on drugs.*

 

Dr. Rainey:  I don't know anything about ghost tranq, except that it is illegal.  I really don't understand what it has to do with me.  I must ask you to leave now, Inspector.  Unless you want to talk about the treatment.

Abberline *fiercely, forgetting entirely Isabella's plan on asking only about effects of the drug*  We are not talking about that.  And I am not going anywhere till I get some answers.  Where do you think all this enhanced ghost tranq comes from?

Dr. Rainey *calmly*  Smugglers.  *he smirks*  Everybody knows that a good stash was found in your wife's house.

Abberline:  That is a bloody lie!  Look, I could have you arrested and taken to the Security lockup.  Maybe you will want to talk there rather than in your comfortable office.

Dr. Rainey *to Isabella*  He broke the treatment.  It surprises me how he can go on with his drug abuse and keep his work.  I suggest that the Security should do something about it.  This is just preposterous.

 

Isabella *goes over to Abberline and speaks in a calm and quiet manner as she gently puts a hand on his chest and gestures for him to take a step back; looks into his eyes*  Calm down; don’t let this creep get the better of you.  *Turns to Dr. Rainey*  Alright, let’s forget about the Inspector’s personal life for a moment.  As a medical professional, what can you tell us about the effect of the drug?  In what way does it alter a person’s mind and behaviour? 

 

Abberline *About to protest, but he meets her gaze, and stops, mutters*  Go on then, doctor.

Dr. Rainey:  As you wish.  *looking at Abberline with malevolent glee*  Now, the ghost tranq, as you probably know, was made to repel and calm down angry ghosts.  It was not meant to be used by humans at all.  It is a very strong hallucinogen, and the hallucinations it produces are very vivid - and very strange.  The user may be disoriented, see weird things he believes to be true, and he can do about anything, the judgment being badly impaired.  It may cause dizziness and fatigue, but no other symptoms beside that.  That is why it is so popular.  It really alters the state of mind of the user, and constant use may result to brain damage.  The user may feel invulnerable, and it is easy to make him do anything stupid ... It is a very vile drug, and I have heard talk about enhanced ghost tranq, which is even more dangerous.  Very dangerous and harmful.  Why do you want to know?  The pirates *he casts a glance at Abberline* smuggle it to Deppville.

Abberline:  And the enhanced ghost tranq is made here in a secret lab.


Dr. Rainey *sharply, to Isabella*  I have no knowledge of such a lab.

 

Isabella *looks at him with a slight smile*  Why so agitated, Doctor?  Did he hit a nerve?  Now tell me, if you have no knowledge of such a lab, how is it that both Inspector Abberline and myself saw you and Dr. Marbury out by said lab just yesterday?

 

Dr. Rainey *raises an eyebrow*  Is that so?  And whereabout is that said lab, because I don't recall seeing either of you yesterday.  Are you sure that you haven't been on drugs too?  In that case, we have a very good rehabilitation program.  Very good results.  I would be very interested in seeing said lab.

Abberline:  Let me guess: you have moved it already.  *thinks for a while, now totally calm, casts a glance at Isabella, hoping she understands that he is bluffing*  Tell me, doctor, how would you react if I said we have your fingerprints, not only from that lab but from a rug too.

Dr. Rainey *looks at them both anxiously*  Rug?  You won't find any fingerpr....  That's plain rubbish.  Will you both leave my office now.

 

Isabella *quickly catching on to Abberline’s bluff and rather enjoying seeing Dr. Rainey squirm*  Oh, I assure you, Dr. Rainey, there are plenty of prints to lock you away for a good long time.  *Studies her fingernails*  Of course we could go talk to Dr. Marbury.  I’m sure he wouldn’t tell on you to save his own skin. 

 

Dr. Rainey:  He made me do it!  He gets money from Armacost Avionics for some shady research, and he forced me in after Salome saw us ... He made enhanced ghost tranq to fund his research before Armacost Avionics made him an offer ... He dragged a kid to the lab for his experiments and said that we are now brothers in crime and that I have to do as he says, and then he shot calmly Salome, and told me to get the body away, and then came some girl and started to scream, and we fled, and he said that we have to hide the body, and we went to the morgue in our white coats and no one asked a thing, and we took the body and we used gloves and we hid it in Mort's corn field and I can't understand how you located it and that's all I know, please, officers, this is all I know and this is the plain truth.  I needed money for my - my hobby, or call it obsession, we all have ours, don't we, Inspector, ands those corn field paintings cost each time more and more because Commander Portsmith bought through her minions every painting and sold them to me for horrible prices, and she showed me all the new items she had acquired and she knew I just had to have them and ..  *he glances at Abberline who puts his hand in his pocket, and he understands that the Inspector is going for his gun.  Nervously, he licks his lips, looks at Isabella at the door, blocking his exit, and he points at one of the cornfield paintings, the Cornfield Goddess with a flourish*  These paintings have caused it all, and ... *with a very swift movement he takes a marble paperweight and lets it hit with full force Abberline's wrist, and they can hear a sharp snap as the wrist breaks again, and Abberline sags and moans with pain, and Dr. Rainey darts out of the door, pushing Isabella aside so that she hits the door frame, and then they can hear his running footsteps fade into distance in the corridor.*

 

Isabella *almost blacks out as her head hits the door frame and it takes her a moment to gather herself; she looks at Abberline holding on to his wrist*  You alright?  *Corrects herself*  Stupid question; obviously not.  *Isabella picks up her gun that she dropped when she hit the door frame and rises from the floor; looks at Abberline a little uncertain*  Maybe we should get you to a … well, another doctor for that wrist. 

 

Abberline *manages a faint smile despite the pain, holding still his wrist*  Dr. Marbury?  *and then he looks at her with concern in his dark eyes*  Did he hurt you?

 

Isabella *laughs a little*  No, perhaps not.  *Feels the back of her head*  Just a little bump, I’ll be alright.  At least I didn’t land on my back this time … *as Abberline looks at her quizzically*  Never mind.  So Inspector, what is our next move?

 

Abberline:  I don't know.  I blew it.  I am a fool.  The doctor was right ... I am not good enough for this work.  Tell Donnie that there's nothing useful you can learn from me anymore.  Unless you want a tour tonight to a nice little den ... I'll find a nurse for this wrist, I don't need a doctor binding that.

 

Isabella *sympathetically*  Come on, don’t be so hard on yourself.  If my reaction had been faster, I could’ve prevented him from running … and I would’ve lost my temper too, if he’d attacked me like that.  *Lowers her eyes*  If it’s anyone’s fault, I probably pushed him too hard.  *Hesitantly*  We could go look for him?  Or Dr. Marbury … or that creepy Armacost. 

 

Abberline *without looking at her*  I handled it all the wrong way and I knew it, but he just irks me ... He's gone for a moment, and I doubt we will find doctor Marbury either.  I have to get something done with this wrist.  And I am going to need a painkiller.  In my way.  Maybe it wouldn't hurt you either.  *he smiles wistfully*  And maybe get a vision or two.  *softly*  Are you coming with me?  Or do you prefer that lollipop?  We can tackle Armacost tomorrow.

 

Isabella *not quite sure what to do; she has to admit that it would be nice with something to numb the throbbing in her head, but she has a good idea of what type of painkiller Abberline is referring to ... and she did promise to investigate into the Andersons' background.  Checks her watch; it's still early; nods*  I'll go with you.

 

Abberline:  Good.  *he gets out to find a nurse to bind the wrist, refusing to let any doctor look at it, and after he has got it bandaged and put into a slip, he turns to Isabella*  I trust more Manouche and Chiana than any of these doctors.  If you want to be a cop, you have to know the underworld.

 

At Stratford Castle:

 

Jeanne *frowns.  Did he really smell that she had been in Portsmith's office.  She has to adapt a new strategy in all haste.  First the horrible guy tells her to wait, and then the Mistress herself tells her to enter.  She braces herself and enters the lion's den*  Mistress Fiore, I presume.  My name is Jeanne Missoni, and I have made a wonderful discovery while excavating the caves under Deppville.  I am sure you will take a great interest in it.  May I sit down?

 

Mistress *holds her hand up* There are some rules her Miss Missoni first you do not just decide that you need to see me you must make an appointment if there is one thing I cant stand is people like you just deciding that they can come round here willy nilly. *looks up at her seeing how dirty she looks* Before you sit take that black blanket over there put it on the chair I don't want you ruining my Chinese silk chairs *pausing and watches her* take off your boots they will ruin my cashmere carpet. *watches her sit down* Now what is it that you have discovered *pulling her glasses down* don’t be so sure Miss Missoni I will decide that.

 

Jeanne *rolls eyes*  Sure, I am all for rules .. *but she does as requested, no, commanded*  May I now speak, Mistress Fiore?  Take a look at this.  *She hands over the photocopy of the parchment, and hurries to explain when she sees the displeased expression*  I took a copy of it, I would not be so dumb as to carry it on me.  I found the original parchment in the caves under Deppville.  Take your time and read it.  *she waits while the Mistress first scowls at her for taking the precious time, but she evidently grows more interested when she goes on reading*

 

Mistress *continues to read the document and she looks up at Jeanne*  Miss Missoni you do know that you would have damaged the original copy when you photocopied it *she stands up and walks over to her chest of drawers unlocking the top drawer she pulls out an original document of her land and she takes it back to where she was sitting* Ah this piece of document is very interesting Miss Missoni I must say but I don't know if I can trust you *she lays her document next to Jeanne's fake* Now what do you think of that Miss Missoni. *looking back at her she likes to stare at people it freaks them out that's when they are bound to make mistakes.* What will you get out of this *pausing* wait what will the Commander get out of it seeing as my husband pointed out that you ran to her first. *staring at her again* Now Miss Missoni listen here and listen very well do not try to double cross me because I could and will cause you merry hell. *she walks back over to her chest of drawers* Tell me Miss Missoni what do you know of the treasure of Deppizon?

 

At the train station:

 

Lady Ainsworth *to the station clerk, tapping her foot.  She is wearing her fine Ferragamo shoes and a discreet business suit in beige*  The train is late, young man.

Guido Cavalcanti:  Can't you make the trains run on schedule?

The station clerk *looking at his watch*  The train is only eight minutes late.  It will be here any minute.

Lady Ainsworth:  And you expect me to stand here for a full eight minutes more!

Guido:  There's the train, Cindy.

Lady Ainsworth *turns to look at him with an icy stare, then hisses at him*  How many times do I have to tell you that I am Lady Cynthia to you when we are out and about, you idiot!  Now let's go and find our 'sweet little lamb'.  *she points at a pair that just has descended from the train, looking unsure around.  The other one is a gray-haired woman with a very tight bun, clad in a simple long grey dress, and the other one is a young frail looking girl in pink frills and a broad-brimmed hat to protect her delicate skin from the sun*  There she is, with her governess.  I do say that the Clydes have always managed to find the right sort of governesses.  *she walks to them*  Miss  Flint, I presume.  Thank you for bringing our little Mercy here.  *then she turns her attention to the girl and inspects her closely for a time.  The girl blushes, curtsies and looks on the ground.  Finally Lady Ainsworth smiles at her.*  And you must be Mercy!  You look just adorable. How was the journey?

Mercy *without looking up, as if reciting something from memory, curtsies once more*  Mercy Amaryllis Iphigenia.  The journey went very well, Lady Ainsworth, thank you.  Mother sends her regards.

Lady Ainsworth *beams*  How rare it is to see a young girl with manners and breeding in these liberated sinful days.  Especially in this place.  Isn't she just perfect!  *the girl blushes deeper*

Guido *looks at the creature.  She looks like she was fifteen and she looks so frail and delicate and out of this world that he suspects the parents have kept her under a bell jar until now.  Her complexion is the perfect pale English rose, and her golden tresses are carefully arranged around her heart-shaped little face.  Her eyes are more innocent than a newborn babe's, and her mouth is like a little strawberry.  Actually, she looks more like a porcelain doll than a young woman to be soon married off*  Oh yes ...

 

At Sarah’s Books:

 

Ava *leaves Sacred Mists she is feeling that feeling when she needs a man not her husband she is secretly pleased that he doesn’t want her the thought of him being near her makes her retch. She pops her head around the door she sees Dean walk into the Sarah's books. She lets her body take her where it wants to go in the direction of the cutie with a book fetish. She wanders into Sarah’s book shop and she heads into the back room where the rarer of the books are kept she spots the man in the corner she hopes that she will catch his eye. She notices Dean in a dark corner of the bookshop and she looks up at him and looks away. She can feel his love for the books around him he is so delicate with the books this will be they way in, which she will seduce him. She walks closer to Dean and once again she looks at him she flutters her intense eyelashes at him. She picks up a very rare 1883 edition of The Kama Sutra of Vatsyayana and she starts to caress the cover. She takes the book over to the desk she sways her hips she is wearing a black pencil skirt a white shirt, a thick shiny red belt, black stilettos. Her hair is up in a bun and she wears her glasses, she purposely has some of her buttons of her shirt undone to reveal a little cleavage and to show some of the lace of her bra.  She puts on the white gloves to read the rare edition of The Kama Sutra of Vatsyayana*

 

Corso *feels someone looking at him.  Experience has told him to be wary ... He takes a careful sneak peak and suddenly the room starts get hotter, and his glasses start to dim.  There's a voluptuous woman with a book in her hand, and yes, she looks fantastic, but it is the movement of her hands that catch his attention.  Spellbound, he watches her caressing the soft leather of a book, and the movement of her fingers is so sensual that he can feel the old leather on his fingertips, and then she opens the book and starts to read, and the sound of the turning of papers is downright seductive ...  What kind of treasures has Sarah hidden in her bookshop, the little trollop ... He moves a little closer, feeling the dry ancient and always so charming smell of an old well kept book.*  Excuse me, but where did you find that book?

 

Ava *looks over her glasses*  Oh this you see that shelf over there *points*  second to the left you can see the hole where it should be *smiles* now it's quite a rare find a first edition if I am to be correct 1883 the date. *she carries on reading the book* this book condition is amazing mint I would say and the price is a snip I could make a fortune on this. *she smells the book* and the smell is divine, you should see the pictures, the colour is so bright.

 

Corso *entranced by the book*  Let me touch it ... The softness of the leather ...  And crisp pages...  Careful.  *and he lets his hand slide on the cover till his fingers meet Ava's*  A very special book, a find, a keeper ... *he moves closer to see the pictures she is referring to*

 

Ava *looking at him* you see all the details very intricate every detail painted to perfection to me it looks as if it is hand painted. *She can feel his breath on her neck he is so close but yet he is still far away*  Many people say it is highly impossible to do such acts but, when you ask them they say they haven't tried it, so how would they know.  *She moves her hand further down the picture*

 

At the docks:

 

Manouche *smiling, holding Blake’s arm as they leave the Libertine Trailer*  Ahh, that were jus’ what I needed.  What a fine trip.  An’ th’ new Libertine Trailer truly lives up to ‘er namesake.

 

Blake *kisses her cheek*  I’m glad we did it, you look great.  It obviously agreed with you.  How are you feeling?

 

Manouche *shrugs*  I’m sound, jus’ a bit tired.  It’ll be good to get home.  *she looks at him regretfully.*  Wish ye didn’t ‘ave to turn ‘round an’ leave right away fer San Francisco.

 

Blake:  I know.  But what an opportunity, to lead the poetry division of a writers conference.  Last time I was there, I was a participant.  *smiles*  Now I’ll be on the other side of the workshops.

 

Manouche *squeezes his arm*  I’m so glad fer ye, love.  They’ll be right lucky to ‘ave yer expertise at th’ ready.  Will ye be drivin’, then?

 

Blake:  Yeah, there’s time.  But I do have to leave today so I’ll have time to get there an’ prepare.

 

Manouche *grins*  I reckon it were selfish o’ me t’ keep ye on th’ seas all that time, when ye should ‘ave been preparin’.  But it were somethin’ I needed t’ do, an’ I didn’t want t’ go without ye.  *sighs*  Wish I could come with ye.  But I reckon I'd better stick close t' th' doctor fer th' time bein'.

 

Blake *smiles*  I’m glad you were selfish, I wouldn’t have missed that little trip with you for all the writers conferences in the country.  I wish you could come, too, but there'll be others if this one goes well.  If the faculty at this one are pleased with me, it could lead to more of the same type of work at a conference next year in Paris.  I know we have money, an’ we can pretty much go there when we want.  But the opportunity to teach there, even if it’s just workshops …

 

Manouche *looks at him carefully*  Ye really are lookin’ forward t’ this, ain't ye?  Per'aps ye should consider teachin’ if yer that keen on it.  Ye could get certification, I’m sure.

 

Blake:  I might.  I have to admit, I hadn’t thought about it so much before, but … now that I have a chance … well, we’ll see how this conference goes.  *they walk up toward Chez Roux*  Would you like to eat before we head home?  Or shall we call a cab?  *he notices her glance toward the road leading out of town*  Sorry, honey, I wish I had time to walk.  It’s a gorgeous day, and I enjoy that walk, too.  But I need to get goin’.

 

Manouche:  No worries, m’ love, some other time.  Let’s get home so ye can pack, an’ I’ll make ye somethin’ to eat before ye hit th’ road.  *she looks up at the sound of a car*  Ah, we’re in luck, there’s DeNiro.  *she raises a hand, the car pulls over, and she and Blake watch in surprise as the doors open and the children from la Maison de Paradis emerge, all talking at once*  By th’ powers!  What’re ye lot doin’ ‘ere?

 

Len *sees Manouche, blushes*  Oh!  H-hi, Manouche.

 

Manouche *smiles warmly, remembering that Len had a crush on her*  Why hello, Len.  *looks at the others*  Hello, mates …

 

Ray *scampers up to her and Blake, smiling brightly*  Hi Manouche!  Hi Mr. Blake.  *he glances back at the others, then speaks to Manouche and Blake, his voice lowered*  We’re goin’ to the movies.  But I’m worried, ‘cause I don’t have enough money.  *he lowers his eyes, trying to look pathetic*

 

Blake *reaches into a pocket*  Well, we can’t have that.  You’d have to sit outside and hear about it later from the others, that’s no good.

 

Dylan *walks up quickly, speaks sternly to Ray*  Ray, cut it out!  *looks at Manouche and Blake*  We have plenty of money, Malachi gave us some.  *he rolls his eyes as Ray frowns at him*

 

Manouche *laughs*  Ah, I see!  *looks down at Ray*  No doubt ye jus’ fergot, right, laddie?  *Ray nods meekly, edges away from them, back to the others, avoiding Dylan.  Manouche looks at Dylan*  Enjoy yerselves, mate, try an’ stay outta trouble.  *Dylan grins a little ruefully, turns to the task of herding the children toward the movie theater*

 

Blake *helps Manouche into the car, slides in next to her.  To DeNiro*  Rartigillichal, DeNiro, thanks.  *they watch the children from the window as the taxi pulls away*  Now how do you suppose Malachi talked the older kids into takin’ all the other kids with ‘em to the movies?

 

Manouche:  Mr. Blake, I’ve known Malachi fer a long time.  Me guess is that he were adherin’ to th’ old adage, ‘necessity is th’ mother of invention.’  An’ I rather imagine that th’ necessity in this case were a stretch o’ quality time with one Miranda de Peyrac.  No doubt he considered it money well spent.  *laughs*

 

Blake *grins, moves closer to her, nuzzles her neck*  Malachi’s a smart man … think I’ll follow his example …

 

Manouche *turns, looks at him, raises eyebrows*  An’ what about all that packin’ an’ preparin’?

 

Blake *pulls her close, kisses her neck, murmurs*  I’ll manage, there’s plenty of time.  Besides *nibbles her ear* there’s such a thing as being over-prepared.  Wouldn’t want me to lose my spontaneity in front of all those young hopeful poets, would we?

 

Manouche *brings her arms around him, smiles*  No, I reckon that could be a disaster o’ epic proportions.  *to DeNiro, who’s grinning in the rear-view mirror*  Best step on it, mate … *she laughs as he steps on the gas, the cab speeds out of town toward Rartigillichal*

 

At the hospital:

 

Suzanne *looks at nurse Green expectantly; speaks in a low voice*  Do you have the test results?

 

Nurse Green *takes out an envelope from her pocket and holds it up*  Oh yes … the Barries will never know the difference between this and the results of a real test.  The little brat will be yours in no time.  *Quickly draws back the envelope as Suzanne reaches for it*  Do you have the money?

 

Mark *hands the nurse a rather thick envelope in turn for the one holding the fake DNA-test results*  Pleasure doing business with you, Miss Green.  *Tucks the envelope into his breast pocket*  Now with our fake papers and our fake state police officer, we should be all set.

 

Nurse Green *as she counts the money*  Just for my own curiosity, what’s so special about this kid?

 

Suzanne *smiles*  Nothing.  But a couple in Long Island are willing to pay $500,000 dollars to adopt a girl her age … we run a small, but very profitable adoption agency.  We would have gone through Maison de Paradis ourselves, but it’s too much hassle with all the background checking.

 

Mark:  And the Barries beat us to it.  Well, no matter now.  *He and Suzanne shake hands with nurse Green and leave the empty examination room to go outside and meet up with the man they hired to play state police officer.*

 

Enter supporting content here