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At From Hell Court:
Abberline *takes Isabella
to a small building with a sign, 'The Grean Firie' * Ah, here it is, The Green
Fairy. *The door has been painted green but that's ages ago, but instead, the
small windows have a distinctly aged greenish color. Abberline chooses a table
by one of the windows and wipes the dirty table with his jacket sleeve, then looks up at Isabella, still standing.* Not fine enough, eh? Or do you wait for me or the waiter to
pull the chair for you. Sit down. *he
takes his notebook and leafs through the pages filled with his fine handwriting till he gets an empty page, then he sign to
the barkeep* Get me one absinthe. Of
the bottle under your cash register. And don't try to cheat me, I know the difference. And something edible for the lady here.
Barkeep *brings soon a big but somewhat
cracked plate filled with fried potatoes, pieces of sausage and one poor little yellowish leaf of a salad and half of a tomato,
puts it down before Isabella, looking at the Inspector for approval, knowing he doesn't dare to bring her the usual meal cooked
on ancient oil and sprinkled with salt and pepper to hide the smell and taste of the dish.
It's a big seller at From Hell Court, but it is not apparently in female taste, as even the unfortunates shun it. So he puts his own lunch before her, with his fork that he specially washed for her. Abberline nods distractedly, and the barkeep smiles with big yellow uneven teeth* There ya go, miss.
Isabella *looks suspiciously at the plate* Thanks … and would you
be so kind and bring me a beer? *the barkeep nods and soon returns with a beer
and a glass; as soon as the barkeep is gone, removes the salad-leaf and the tomato; they’ve clearly both seen better
days. She suddenly realizes how hungry she is and digs into the potatoes and
sausages and washes it down with the beer, which she drinks from the bottle – at least there’s a chance that the
bottle is clean; as Abberline glances at her a little puzzled; shrugs* Apparently,
no one bothered to teach me ladylike behaviour. *She leans back in her seat and
stretches, then takes her hair out of the pony-tail and proceeds to brushing it a little using her fingers*
Abberline *takes a sip from
the absinthe carefully, but it is the real stuff. Amused, he watches Isabella
eat ravenously. She's almost human at the moment.
He has to admit that she is not very badly out of this place as he thought she would be. He drinks his glass, orders a new one and starts to think of the arson, he lifts his gaze to say something
to Isabella, but he's distracted when she lets her hair down and starts to brush it with fingers, it's oddly ... it's plainly
... it's erotic. He coughs and diverts his dark gaze hoping she didn't notice
anything* So ... we could start with the family .. My lovely in-laws ... unless
you can give me some good advice of where to start from and how to write. *but
the edge is gone from his voice*
Isabella *she hadn’t really realized what she was doing, but can’t help be a little amused by how his voice
has softened a bit. And she has to admit he’s not un-attractive when he’s
not attacking or insulting her. She tucks her hair behind her ears and smiles
a little* Well, you know your enemies better than I do … you know who might
benefit from burning the house or simply hurting you and your family. *Her smiles
fades* I must admit, I hope it’s not your in-laws … they don’t
sound particularly friendly … to put it nicely.
Abberline *still avoiding
looking at her, continues in a professional way, looking down on the blank page, hiding his eyes behind the long lashes. Ex-in-laws, that's what they will be from now on.*
No ... I don't think it's them. That would not be their way, and what
benefit would they get from burning Kat's house. Maybe it was directed against
Cynthia. I don't think anyone has much course to like her. Maybe someone ... *he stops, but the words stand clear in his mind - maybe someone wanted her out. He lights a cigarette, and finally takes a look at her again. Why on earth would she want to be a cop? He studies closer
her face, her eyes. Maybe she has some tragedy behind her that makes her so aggressive
towards men?* I need to find Kat ... *he stops again as abruptly as before. She is now really distracting him, and he had no intention of slipping out that he
doesn't know where Kat is and what she has been up to. Kat is so unpredictable,
so unstable .... So much in need of someone who could take care of her. He failed,
and he failed badly. And the baby with Metrea .... Kat will never come back to
him again. Then he brushes the thoughts out of his mind and lowers his gaze again,
realizing that he has been staring on her. She really is annoying. He has to go and tell Donnie how impossible it is to work with her.*
Isabella *suddenly feeling a little self-conscious under his stare and she’s very annoyed as she feels herself
blush. She hates that he can get to her and that she even cares when he talks
harshly to her and criticizes her, but this is even worse! It’s one thing
to find those smouldering eyes attractive, but it’s another thing to have him be aware of it! But she also notices something else as he stammers on about the case and his wife … vulnerability. She catches herself feeling sorry for him; he’s clearly going through something
with Kat. She considers offering to help find her, but she doubts that he’ll
even accept help from her. Still she asks carefully* Do you want company?
Abberline *to his amazement
finds that she blushes. For a very very brief moment they lock eyes, then he
averts his gaze again. He must admit that she attracts him in a way, and by the
look in her eyes, she is not totally unaffected by him, and he doesn't want that. He
gathers the pride he has left and resumes his professional attitude, pushes aside the glass, leaves some crumpled notes on
the table and doesn't answer her. He doesn't want to pour his story to her and
to be gloated over later. After all, she is just an arrogant journalist* You must get that trinket examined as soon as possible, Martin. That's important evidence. I'll go and talk to Kat. Unless
you don't trust me and believe me to be partial. *he looks at the blank page,
without any intention of compiling a list.* It might also be some pirate, you
know them, many of them have grievances against each other. Or someone just plain
drunk or bored enough. Oh, and while you are at the office waiting for any results,
you can continue with the reports I gave you as work.
Isabella *partly relieved by his professional attitude returning, but partly annoyed by his attitude … and absolutely
drained from the constant battle with him; looks at him tiredly* As you wish,
Inspector. *Rises from her seat and follows him outside* And if you don’t mind, I’ll talk to Brasco about us not working together, because I honestly
don’t think I can take another day of this … a person can only take so much of your psychological terror. I don’t know exactly why you think I needed to be taking down a notch or three,
but congratulation, you succeeded. I’ve tried to be tough, I’ve tried
being nice and sympathetic, but you still insist on attacking me and I don’t have the strength for that. Maybe that makes me weak in your eyes and unsuited for police-work, but if police-work means dealing with
the likes of you, I think I’ll just stick to writing. *Turns and leaves
not wanting him to see that she can’t fight the tears of frustration any longer*
Abberline *listens quietly
to her* Well, what else could you expect from an - how was it now? - ignorant
Neanderthal or something in that style. *He feels a bit guilty, though, he knows
he's taking it all on her, simply because she was there and he couldn't get rid of her.
He feels that she really doesn't want him to follow her, he looks after her till he can't see her, and then, being
sure that she's not trying to follow, he turns into another direction, turning into the alley he knows so well, stopping at
the familiar door.*
Isabella *mutters quietly* Whatever … *she continues walking, but
instead of going to the Security Office, she goes into the Shark’s Tooth. It
may only be early afternoon, but she’s had a very long day. She orders
a drink from the bar and finds a dark corner. She drinks quietly while wondering if she gave up too easily … he
wanted to get rid of her and she let him. Still, the thought of another day with
more battles is almost too much to bear! As confident and strong as she comes
off and pretends to be, this is still new to her and constantly having someone tell her that she’s no good makes her
doubt herself. And how can she possibly continue to defend herself against him
if she’s unsure if he’s right? She sighs heavily and finishes her
drink, only to order another*
At Don deMarco’s house:
Don *stares at the sealed
envelope he fetched from the hospital. He has been keeping it for some days without
opening it, trying to imagine the results and all the possible reactions it would wake. Of
course, he knows he is the daddy, but there's a little devil whispering in his ear that it would be more fun without the babies
.... Just hand them over to Georgie boy and have fun with Ava ... Let him wake up night and warm milk and change diapers ...
On the other hand, there is the humiliation it would bring along. Now when Ava
went away to get the kids, he just has to know the answer before they come back. He
rips open the envelope, tears it into pieces and throws them in the bin, then he slowly folds up the paper.* 99,9999 possibility.
Hell, at least that is clear. The
father is ... WHAT! That blasted little tart! *but
there is no denying. The kids are fathered by George Jung. First, he almost crumples the paper, but thinks better off. He
lights a match and burns it, thinking how he can use one of the nurses to fake the results at the hospital. The father is now legally Don Juan DeMarco, no one else. Ava
will be pleased, he himself will be pleased, and who cares about George .... He places a call to the hospital and tells his
concerns to the little stunner nurse who is very pleased to hear his velvety voice whispering to her over the phone. And soon, the paternity test results are filed correctly in the hospital database,
and a print made with the right date to be sent to George Jung and the DeMarcos. And
exactly ten minutes after he has wiped the ashes away, he can hear someone knocking ... no kicking on the door. He shouts for Maryann* Will you get the door!
Maryann
*looks out of the window and sees Ava with the twins* No. *she returns to her own room with a loud bang of the door*
Don Juan *sighs, goes to the door* Ava! *he takes the kids from her, trying
desperately to remember the boy's name.* Good to have you all at home. *He carries them over to the kids’ room and puts them in the pen, trying to look
the loving father for these bastards ... pardon, children. Caramba, they don't
even look like him at all now that he takes a closer look.* And now, Ava, we'll
celebrate the new start. *his hand glides down her side, and he moves closer
to kiss her, first softly, then more and more greedy, whisking her toward the bedroom - but then something horrible happens,
or more accurately doesn't happen. He stops, astounded. His body? What's wrong with it, it's never yet failed to rise
up to the demands of the nearness of a female body ... *he coughs, lets her go, mumbles* Amor,
what of we ask first from the hospital whether they have the test results?
Maryann *listens with a cold evil smile
on her pale thin lips* Any kind of drug can be bought at From Hell Court ... *she listens eagerly for Ava's reply*
Ava *stumbling for words
thoughts circle her mind maybe he doesn’t find her attractive any more what am I going to say* Don are you ok what’s
wrong if that is what you want then sure I shall ring the hospital * Starting to worry, leaning over him she picks
up the phone and dials the hospital number* Hello can some one put me through to the paternity testing department I
am wanting some results *she waits to be put through.* Don you ok your looking pale are you sure your ok?
Nurse *picks up the phone*
Hello, this is nurse Walker from the Laboratory Department. How can I help you?
Don *stammers* I - I am just a little
overwhelmed about this all, having you back and now the children .. You know, these intense emotions, they are taking toll
on me. *he quickly adds* And wouldn't
it be just great to hear the good news now that they both are back with us ... *he feels himself shrink under her stare. Has she guessed something? And is that
despise that he can see in her eyes? Why is she stammering? What a shame ... He looks at himself in the mirror. The world's
great lover ... He could as well be dead. Actually, it would be better ... * I - I think a little rest is all I need ...
Ava: *kisses Don's head*
Rest my love we love you *hearing the nurse’s voice* Hello nurse Walker my name is Ava Le Fay DeMarco I was hoping you
would have the test results from the paternity test that was takening a few days ago. I was told to contact you
in a couple of days the nurse who took the test said it was ok for me to ring and get the results over the phone.
Nurse: *brightly* Just a
moment, Mrs. DeMarco.. *she starts the database program and punches in her name* Yes, yes, here it is. Congratulations to
you and your husband. There is no doubt that the father is Don Juan DeMarco.
Don Juan *listens a bit anxiously by Ava,
trying to catch the word. But the nurse has done her job, and he breaks into
a smile pretending to Ava that he didn't overhear* So, do they have the results?
What does it say? This is one of
the most exciting moments in my life. *and one of the worst, too, he adds quietly
to himself, wiping his brow. Maybe he has caught some illness? His brow is damp and he indeed feels a bit hot - but it's just the shame warming and coloring his cheeks*
Honey, I can' wait.
Ava: Thank you nurse Walker good bye *Ava puts the receiver and smiles and Don* Yes my love they have the results
*smiles* I could keep it to myself because you just look so cute when you want to know something *smiles and kisses him passionately*
They are yours Don isn't this exciting *she snuggles into Don* My love you are the sweetest thing ever. Why don’t we
get a nanny that would be good don’t you think and then we can spend more time together.
Don Juan *kisses her back,
but his desperation only grows. No reaction. He
hugs her, clings to her, starts to sweat. He has to get out of this situation
before she starts to suspect anything.* Mi amor, Ava, mi Corazon ... You have
made me the happiest man on the earth, once again. I did not really doubt it
a moment, it's that special feeling parents have for their own kids, and I felt it as soon as I lifted Jim .... er .... ah...
Sam, yes Sam in my arms, and little Lily ... *he carefully frees himself* That
is a great suggestion, Ava! I will immediately go and try to find a good nanny!
*and he sighs with relief. He made
it*
Ava: *rather sternly but
not raising her voice* Sit down right now you are not going anywhere first and for most Don your daughters name is Lola not
Lily and you were very lucky with Sam name weren't you. *raising her eyebrow* Now Don I don't know what is wrong with you
but for you sake I hope you snap out of it or at least tell what’s wrong *taking his hand* I understand that you don't
want to trust me yet but hopefully we can gain each others trust again. Now I will wait until feel ready to tell me or
there is nothing wrong with you and I am just overreacting some what, but Don I am trying to be the best wife that I can be
but I cant do that if you don't let me in *looks at him in desperation*. Now like I said before I will get the nanny arrangements
done and you will rest. And maybe you may snap out off it after you have had some rest. *looking over to the clock* Now I
must go feed our son and daughter *emphasising* Lola and Sam. maybe the hag could do something useful *stands
up and mutters to herself* goddess help me if I have any more with *and she leaves the room* Maryann where the hell are you?
At From Hell Court – Abberline’s hideaway:
Abberline *pushes the door
and stops in the doorway. There she is, lying on the bed, and she seems to be
drunk ...* Kat? *he steps closer
to her* Thank gods I found you. Someone
has burned down Ravenwood ... It wasn't you?
Kat *Opening one eye* Don't be daft.
I just seen Ravenwood yesterday and it were fine. *Yawns* 'sides my stuff be stored in that cellar..thin's I wouldna wanta lose. See no fire. *Slurred * Off with ye. Ye interrupted a perfectly good
nightmare. *Closes her eye and starts to snore*
Abberline *rolls eyes, then
moves close and shakes her violently* Get up!
I saw the ruins today. Ravenwood does not exist anymore and whatever secrets
you had in the cellar are gone. I couldn't even trust that is wasn't you. It's burned.
Kat: No, no no ... Yer just tryin' te upset me. There be no ruins
te see. *Sniffles* Me treasures
be safe, I say. *Opening her eyes she gasps* Bloody 'ell!!! *Leaps to her feet in horror and stares at the bed where she finds the head of a bat that had lain
beside her. Breathing hard she looks back at the ceiling where she saw the body
of the bat pinned with a knife to the ceiling. Stammers* I been cursed. *Her eyes roll back and she collapses in a
dead faint*
Abberline *stares at the
bat, then he takes a handkerchief and removes the ugly little head from the bed, shakes her again* If that is a curse, then it worked. Your treasures, they went
up in smoke with the whole house! *he sits down by the bedside waiting for her
to recover, wishing he had taken Isabella with him. He can't leave Kat, she would
be gone when she wakes up, and he can't alert for help. She seems to be ill. He leans closer to her and looks at her. She's
not drunk. She has been taking some drug, and as she is inexperienced, she might
have got bad stuff.* Right, I have to call an ambulance.
At Don’s house:
Ava *After there very short
discussion about the nannies, doesn't quite trust Don to pick the nanny for the twins she decides it's best she does it as
mommies know best. She sits in the living room where the interviews are taking
place she doesn’t realize how many woman are out side waiting to take advantage of this golden opportunity. One by one
she will let them in she will hear what they have to say she will check their cv’s. She
starts the interview she keeps the children in their playpen to see how they react to them. The
first woman walks in wears the shortest of short skirts her chest nearly falling out of her shirt and heels she can hardly
walk in.*
Ava: What’s you name
and do you have your CV with you?
Cindy: my name is Cindy where
is Don? *She hands her CV over*
Ava: I will be in touch with
you next *An elderly lady walks in to the living room at a very slow pace*
Ava: hello my dear can I
have your CV?
Edna: Hello my dearie where’s
Don?
Ava: I will be in touch *whispering
to the twins* when daddy took pity on the hag she had to tell her friends. *Shouting* Maryann your friend is leaving.
Edna: A woman at my age can still do a lot of things now I have a new hip and knees.
Ava: I’ll call next
thank you for coming *looks at the cv* Edna. *One hour and 30 minutes pass and
Ava is still under half way through the nanny search. She decides that she is going to whittle them all down a lot quicker. She stands up and walks to the front door and shouts* Right if your business is here
to ask me where Don is he is in a state of manic depression if I can’t get through to him there isn’t any
chance for you lot and if you have a CV please leave it in this basket here and I shall ring you if you have gotten the
job. However if your job is her to generally wanting to look after my children you may stay and *before she an finish speaking
all the woman leave a huge mountain of CV’s for Ava she sighs but there is one person still remaining.* oh ok
one person it is if you would like to follow me please *smiling* hello my name is Ava Le Fay DeMarco.
In an undisclosed location:
Manouche *groping
her way through the dark passageway, suddenly notices a dim light up ahead. She
heads for it, mindful of her footing on the uneven stones. She finally reaches
a very small room, dimly lit by an oil lamp. She’s surprised to see no
other items in the room except a full size, free-standing floor mirror, in a heavy mahogany frame. She approaches it cautiously, then she admonishes herself. After
all, it’s only a mirror; what harm can it possibly do? She steps up to
it, observes her reflection critically, mutters* Blimey, Manouche, yer a sight. *she brings her hands up, tries to tame her wild, dark hair. She wipes at a smudge of dirt on her face with a sleeve, but she only succeeds in making it worse. She looks at her reflection again, laughs. She
starts to turn away, then brings a hand up to her eyes as she feels another strange sensation.
She braces herself for a vision … everything is hazy at first, then she hears a voice, a small faint voice that
gradually grows louder, and she soon recognizes it to be a child’s voice. She
looks into the mirror, and her eyes widen as she sees another face besides her own – a little girl’s face, probably
about eight years old, staring mournfully back at Manouche with large dark eyes. Manouche’s
heart goes out to her, and she shakes her head sadly to see the eyes filled with far more care and anguish than should ever
be for such a young girl. She murmurs*
By th’ powers, too much unhappiness fer a child. Jus’ like
Raven were at times … *the thought grows in her mind, and she brings a hand up to her mouth* J-jus’ like … Raven … *she snaps her gaze
back to the mirror* Ch-Chiana?
Chiana *tears
fill her eyes* I – I’m sorry …
Manouche *soothing* It ain’t yer fault, sunbeam … *not even sure why she says this, or what
Chiana is talking about; she just feels certain that it’s what the child wants to hear*
Chiana *sniffles* You can do it … but you shouldn’t have to.
Manouche *stares
at her* D-do what? Chiana, tell
me … *her voice trails off as the sad little face fades slowly* Chiana,
please don’t go … *she watches in dismay as the image disappears, then gasps and jumps back slightly as her own
reflection is joined by yet another face, not Chiana, as she’d hoped* Kat? No, it ain’t … it’s … Metrea … *she hears Metrea’s
voice, distorted, she can’t tell what she’s saying, then it’s soon followed by a loud, ugly laugh—and
Manouche quickly shields her eyes from a blinding flash of light. She cries out
and drops to the stone floor, covers her head with her arms as the mirror starts to shake violently, then cracks and
flies apart with a tremendous crash. After a moment, Manouche cautiously lifts
her head, looks at the mirror in pieces, its heavy wooden frame splintered into kindling. She becomes aware of the fact that there’s a bit more light in the room, and she’s surprised
to see illumination filtering through the outlines of an ill-fitting door frame in the stone wall. She moves closer to it, a wooden door she hadn’t noticed earlier when she entered the room. She brings a hand to it, winces slightly at the heat in its surface. She pushes it, and it swings open with a loud creak. She steps
through the doorway, starts coughing at the dust and debris she encounters, sees fallen beams and smouldering rubble, light
coming from above. She scrambles her way through the mess, wondering where on
earth she could be … then as the light increases around her, she looks down and something catches her eye on the boards
and materials she’s pulling aside. She grasps one large piece of drywall,
pushes it upright so she can get a closer look at it, and she’s horrified to see part of a familiar painting. She recognizes it all too well – a section of the pirate map that was painted on the wall of Raven’s
bedroom in Kat’s house.* Bloody ‘ell … Ravenwood. *she stares at it in disbelief, still in a daze over everything that’s happened to her since she
first encountered Jerod. Then it really hits her what has happened, and she’s
galvanized into action. She swears, tosses the board aside, starts making her
way through the mess with renewed vigor, calling out desperately* KAT! KAT, ARE YE ‘ERE? RAVEN!
IS ANYONE ‘ERE? *she stops for a moment, listens, hears nothing. She continues on, hoping the house was empty when it happened. After what seems an eternity, she finally emerges, and she takes in big gulps of fresh air, coughing and
sputtering, covered with dust and grime. She casts her gaze over the ruin, eyes
filled with tears; it was such a fine house. She hopes no one was hurt, and she
wonders how it happened. Kat loved it so; she must be inconsolable. She finally sighs deeply, turns away, heads wearily for Rartigillichal. She pats her pockets, feels for the few little items she had seen along the way that seemed like they might
be worth retrieving as she made her way out. None of them seem to be of great
monetary worth, but she hopes they’ll bring Kat some comfort*
At From Hell Court:
Abberline *glances again
at the bat. He has never heard about such a way to put a curse on someone. Who would use a bat? A witch ... Metrea? he shudders at the thought of her, then he reaches up and detaches the bat and pockets
the knife. Then he sits by the bedside and lights a cigarrette, looking at Kat. She seems to be peaceful enough. The
best course seems to wait when she comes to. The bloody doctors can't do much
more, not at that bloody excuse for a hospital. He wishes he had a mobile to
alert Martin ... He gets up, paces restlessly, smoking, looks out of the small dirty window with the broken glass at the boys
playing in the alley. And after a while it dawns on him that he indeed has been
too much out of the slums, he goes out and calls to the boys* Someone need a
penny? *The boys gather around him warily and expectantly. They have seen him many times before, the Inspector in fine clothes staggering out from a den, so there
is no need to be afraid of him. But they know that not even pennies come for
free.*
The oldest boy* Watcha want us te do?
Abberline *Takes his
notebook, writes a short message to Martin - I found Kat, this boy is taking
you to there. I can't leave her alone.*
Can you read? *the boy shakes his head.*
Good. Now, I want you to take this to Isabella Martin. You know her, guys like you know everyone here. She is probably
at the Security. Show her a note and take her with you. And don't tarry on the way. Otherwise you won't get this. *and he digs a silvery coin from his pocket, and they boys' eyes light with greed. A Deppville dime! They nod eagerly, he
hands over the note and goes back to Kat*
At the Security office:
Roddy *the eldest boy, carefully
approaches the dreaded Security Office, but he sees the glint of the silver before his eyes, so he ventures in. The corridor seems wide and empty, and there are golden plaques on doors, he stares at them for a moment
wondering how one could pry them loose, but then she hears a sharp clicking of high heels and freezes. It's the Commander! He turns around, only to be faced by a
blonde woman who immediately catches his shoulder*
DeeDee: And what are
you sneaking around here for! *she shakes him with a well-manicured hand so that
his only shirt rips, then she releases him with a disgusted expression* Show
what you got in your pockets, you slimy thief! What arrogance, come to steal
from the Security. *Roddy quickly pulls out the note, DeeDee snatches it with
her fingertips and folds it open, mutters* He should learn to use a mobile ... Isabella Martin is not here. And now,
get out fast! *she throws the note on the floor, Roddy picks it up and with a
pounding heart flees out, where the other boys gather around him. They won't
take the failure, the price is too high. Isabella must be found.*
At From Hell Court:
George *enters From Hell
court he has a meeting with an associate he doesn’t really like From Hell court the unfortunates swarm around him like
he candy or something. He doesn’t know what to expect from the meeting he has never met the bloke before let alone heard
of him so he is going in blind as it were. George still hurts after Ava left he can’t believe that Don is the
father, the man couldn’t look after himself never mind the babies. He can’t forgive himself for hurting Ava, he
has spent most of his time since Ava left high on line after line of coke. He has discovered that along with the coke he can
chew the coca leaves from the plant for an even higher high. He makes his way to the nag’s head he has a slight
smile on his face as the nags head is a picture of Portsmith. He walks in the bar where a man in an all black suite, he as
two burley body guards behind him. Where the man sits at a table he hails George over. George takes a seat at the table*
Mr Black: My name is Mr Black
*holds his hand out and George shakes his hand* Well Mr Jung I hope you don’t mind me calling you this although you
have no say in the matter.
George: Hello Mr Black
who are the boys behind you
Mr Black: Them they are my
associates George they do what I say
George: Ok why do you want
me here for?
Mr Black: Well Mr Jung you
are selling on my territory stealing my money I caught one of you friends selling here let’s say he is swimming with
the fishes now.
George: Ok so you killed
him.
Mr Black: You see that was
a warning to you George but you never took it so I brought you here to teach you a lesson.
George: What lesson I know
all about dope Mr Black we are all stars in this dope show *he stands up to leave but one of the body guards sits him back
down by putting his hands his shoulder.*
Mr Black: where do you think
you are going I haven’t told you to leave yet Mr Jung. *Waving to his bodyguards* Phil Grant show Mr George the way
out. You know what to do with him. *Mr Black’s bodyguards pick George up and take him out of the back way. They start
to beat up George he cannot fight back they are too strong even for him. George lays on the floor his nosebleeds his right
eye swells up and his chest hurts. The bodyguards walk back in to the nag’s head leaving George to lay there. After
a couple of minutes of laying on the floor he staggers to the only place he can think off. He manages in great pain to stagger
to Sacred Mists he bangs on the door. A woman opens the door; it's not Ava*
At the DeMarcos house:
Shane: Hello my name is Shane
here is my CV I am fully trained in childcare
Ava: Hello Shane it’s
very nice to met you *reading his CV* oh wow you have such a good CV *while Ava was talking he starts to play with the twins*
Shane: Hello little ones
my name is Shane *Shane shakes there little hands Sam doesn’t quite know what to do and Lola just drools*. Is some one
getting her teeth in?
Ava: *surprised at how well
he gets on with the children* yes she we are having a bit of trouble with her *standing up* Well Shane congratulations you
have the job. Do you have any questions?
Shane: No Mrs Le Fay
Ava: You can call me Ava
Shane. Ok I will introduce you to my little darlings this is Sam however when his father is around you have to call him Samuel,
Don Samuel to be exact, ok but when you are with me which would be most of the time it’s just good old Sam. And
just ignore the old hag her name is Maryann my husband took pity on her and slept with her when we had a break he I suspect
she was like a prune. Now she thinks that Don loves her *rolling her eyes* I treat her the way she treats me as
you can tell we do not get along *smiles*. Here’s another rule my husband and I we like to exercise a lot *smiles and
then it fades* well we haven’t for a long time now *her mind starts to wander a bit maybe it’s her
that he doesn’t like he seems to act odd around her, maybe she’s not pretty enough for him* so if we aren’t
around I trust you so don’t let me down. But Shane you needn’t worry about that as he’s acting odd around
me lately *pauses* never mind
Shane: Ok Ava
Ava: Ok next we shall head
to the kitchen *she hands Sam to Shane and Ava picks up Lola up* This way please Shane this is where the hag likes to
hide just ignore her she is totally obsessed with Don’s life. Now Shane this cupboard here has all the twin’s
things in I like to make things from scratch so I know what’s going into their food. This is where I keep the
magic juice makes the feel better if they aren’t feeling to well and this is where I keep there juices and their SMA
wysoy milk they get a poorly tummy when they have cows milk they have am intolerance to it. *she rubs her nose against Lola’s
which makes her laugh* Right Shane have you got that *Shane nods* Right to the play room next or would you like to meet
my handsome husband first *thinks for a moment* yes you can meet Don before we head any where else I don’t want the
hag think I have brought a man in the house to cheat on Don. Shane if you would like to follow me to his office *laughs and
they both walk up to Don’s and Ava’s bedroom, Ava knocks on the door* Don my love are you decent I have the new
nanny here.
At From Hell Court:
Roddy *with his friends,
start searching taverns and public places first, peeking in, returning disappointed, until they come to the Shark's Tooth. It's such a classy place for them that they never dare to enter, they are always chased
out, but Roddy braces himself and slinks in. After all, he was inside that Security
building and got out alive. He recognizes her immediately, she's the kind lady
who always has some coins for the kids, so he approaches her and puts the note on the table*
Ma'am?
Isabella *despite her bad mood puts on a smile* Hi … Roddy, is it?
Roddy *nods and hands her the note* I have a message for you.
Isabella *takes the note and reads it – so the Inspector needs her help after all; perhaps she was too quick
to give up. For a moment she’s tempted to dismiss it and let Abberline
deal with his own problems, but she knows that if something happened, she’d end up feeling guilty for not helping …
and she doesn’t need anymore guilt trips. Looks at Roddy* The Inspector wants you to take me to him. *She throws a few
bills on the table to pay for her drinks and follows Roddy as he leads her to Abberline.*
In Sleepy Hollow Woods:
Delano *sits on the hard floor of the cave leaning against the wall just waiting for darkness to
replace the bright light of day. He hates these hours of being trapped in the
cave or having to hide in the shadows to keep away from the sunlight. He feels
as if trapped in a cage when he can’t walk freely…especially after Loralee was brought back. He gave her the offer to remain human, to start her life over, but she begged him to turn her and he did.
But their strange relationship changed – she used to be his sire and he
was bound to her; she was his dark queen and he would’ve gone through Hell and back for her. But now he is her sire and the spell has been broken. Now he
almost resents her for the long years when she treated him like nothing more than a lap-dog, while she fantasized about her
beloved LaCroix. Sure, he’s still fascinated by her and drawn to her, but
not in the same way. He’s free to go … only she would never let him,
because she is now bound to him. Even though he doesn’t have the same power
over her as she did over him. He leans his head against the wall of the cave
and closes his eyes; may as well rest while he’s trapped in the small cave … and dream of a girl he once knew.*
Loralee *sits across from him and studies him; she leans her head to the side and speaks with a velvet soft voice*
You are thinking of her again. *It’s
not a question, it’s a statement … she’ s not guessing, she knows.
Delano opens his eyes and looks at her for a moment,
then closes his eyes again. She rises and walks quietly back and forth in front
of him; the only sound the rustling of her long, black dress. She squats down
in front of him and without any kind of warning slaps him hard on the cheek* Do
not ignore me!
Delano *despite the burning on his cheek, he doesn’t wince or make a move. He slowly opens his eyes and gazes at her coldly; then pushes her hard so she falls on her back; quietly*
Leave me be. I am trying to rest.
Loralee *sits up and looks at him in surprise, speaks with a small voice like a little girl* You used to take care of me … I was your world, but ever since you saw that girl, you have rejected
me. *her expression changes and her eyes harden* She
is human and frightened of you. If she even remembers you, it is with horror.
Delano *lowers his eyes; her words hurt, because they are true. He
closes his eyes again, determined to ignore Loralee completely and instead dream of a beautiful girl who once cared for him
as if he was human too.*
At From Hell Court:
Noelle and Sweeney *still
sit in one of the many grotty bars at from hell court the light coming from the window highlights the dust tumbling to the
floor. Sweeney downs another rum whilst Noelle watches on. Sweeney still doest know what Noelle meant by you left me with
more than I intended you too. Sweeney stares at Noelle for some time, Noelle knowing that something is up his staring at her
makes her feel slightly uncomfortable.*
Noelle: Ye be thirsty no
what ye looking at Sweeney luv.
Sweeney: Nothing Noelle I
was just thinking about what you said about me leaving you with something. *picking the razor blade up and he puts it back
into his pocket*.
Noelle: What ye left me with
Sweeney luv was this *rolling her sleeve up she reveals a P branded on her arm* After ye left Sweeney they caught me branded
be and chucked me in jail to rot in hell. However I managed to escape luv you see it was them four legged freaks that help
*laughs* they gnawed through the bars of me cell, but that means I be on the run a fugitive as it were has a certain ring
to it don’t it. *She stares at Sweeney face* What did ye think I meant *pauses* Ah a child ye thought *Sweeney violently
shakes his head* Sweeney I may be a pirate rascal scallywag rogue whatever but I know ‘ow te handle me engagements savvy.
Sweeney: No I detest them
screaming horrible brats all of them
Noelle: Then we ‘ave
an accord then don’t we *drinks some more rum* what be going around ye head Sweeney ye lost that glint that spark. Listen
luv I know ye mean will an’ all but it will never work out again luv, ye just gonna ‘ave te let go.
Sweeney: Noelle I am sick
of this place *he pulls the razor back out of his pocket and caress it underneath the table and with an evil glint in his
eye and a evil smile on his face he smiles at Noelle. Sweeney puts the blade back into his pocket. He stands up chucks some
crumpled notes on the table, his mind has changed something deep inside clicked, he is now the demon barber of Fleet Street.*
If that’s the fate you want Noelle then so let it be. *Whispers a limerick underneath his breathe* The coffin
lid shut with a thud. The pallbearers clomped through the mud. The requiem started. The dearly departed was dead as a dodo
or dud. *he speaks normally again* why don’t we get out of this place Noelle.
Noelle and Sweeney *leave
the bar, the sky grows darker and Sweeney purposely takes Noelle through the dark secluded alleys ways of from hell court.
They walk some distant through the alleys ways to a dark enough alleyway where they wont be seen or heard. He scopes
the area just to make sure he doesn’t want anyone to see what he is about to do. He pushes Noelle on the wall and kisses
her*
Sweeney: *whispers in to
Noelle’s ear* Goodbye. *Noelle’s body falls lifelessly to the floor.
The pirate captain did not die in a battle on the sea that she hoped she died at the hands of a scorned lover. Her body starts
to grow cold and she is surrounded by her own blood. Sweeney cleans the blade with a handkerchief and he leaves the Noelle’s
body alone. He walks past a poor person’s fire and chucks the handkerchief in the fire to burn. He starts to head
back to Stratford Castle like nothing ever happened. He does feel good, though the rush was amazing; he
always loved a good hunt.*
At Abberline’s hideaway:
Isabella *Before entering, digs into her pocket and pulls out a few coins and hands them to Roddy* I’m sure the Inspector has already promised you something for your troubles, so this will be our
little secret. *Winks*
Roddy *breaks into a smile and quickly puts the coins in his pocket* Thanks!
Isabella *smiles* My pleasure … *she enters the small room followed
by Roddy; she looks at Kat with concern, then turns to Abberline; this isn’t the time for smart remarks or gloating,
speaks softly* What can I do?
Abberline: *absentmindedly
hands over the coveted silver coin to the boy* Get off now, will you! *then he turns to Isabella and there's not a trace of his former hostile sound in his voice* I couldn't leave her alone here in this kind of state. I think
all she needs is a rest, but ... *he unwraps the bat and its detached head from the handkerchief* Do you know anything of witchcraft? This body was nailed to
the ceiling above the bed with a knife, and this head was beside the pillow. She
said someone has cursed her and then she fainted. Candy is a kind of witch, and
so is Grace, but they would not do this to Kat. And besides them there is one
that I know of - Metrea, her sister. *once again he feels the desperation when
he thinks about the baby* She - she can assume any shape *his voice goes still
fainter when he thinks about the tart he was with* I don't know how to find her
... But this curse, I want to know what it means ... And it seems that the arson was against Kat and not my sister. Kat said
that she lost all her treasures ... I don't know what kind they were ... Metrea ... she ... *his voice goes all fainter and
fainter, and he sinks down on the bedside, cursing himself for showing this kind of weakness to Martin, and Kat for making
him feel like this again.*
Isabella *Looks at the bat and its detached head; shakes her head slowly* I’m
not sure, but like you said, Grace is something of a witch. I’m sure she’ll
know …*takes out her cell-phone and quickly dials the number to Arwen … she explains to Grace what Abberline told
her about the position of the bat and what Kat had said about the curse; listens to Grace and then hangs up* It is a curse … designed to leave your enemy in a permanent of dizziness or sleep … much like
being drunk or the effect of drugs. *She lays the bat and the head on the floor
and takes out a lighter* According to Grace, burning the bat will lift the curse.
*Encouragingly* I’m sure she’ll
be alright … *She sets the bat on fire and quietly watches it burn to ashes, look at Kat* Any changes?
Abberline *watches as quietly
as Isabella as the bat burns,the flesh cracking sickeningly and slowly charring, then turning to ashes, he takes Kat's hand,
feels tenderly her pulse.* I think she's now sleeping peacefully away the poison
in her veins. *He turns away from her with an effort.* She could go to her place to recover now that Ravenwood has burned down. Martin,
do you know Manouche? It would be best to call her. *he gets up, lights a smoke and looks at Isabella very intently straight in her eyes* Everything that happened here stays strictly between us. I
don't want any mentions about it in any reports. Understood?
Isabella: Good. *Holds his
gaze* Don’t worry, I can keep a secret. *Lowers
her eyes again* Do you have Manouche’s phone-number? Cell-phone or home?
Abberline: I have her home phone number. *he searches briefly in his
notebook then hands it to her open with the page of Manouche's number.* Here. *he glances again at Kat, restrains with an effort an urge to stoke her hair, to touch
her. It feels still so hard for him to understand that they are now going their
separate ways. He doesn't want Isabella to get a grip on him, to expose too much
to her.* I have to find Metrea ...
Isabella *sympathetically* I’ll stay with your wife till Manouche
comes if you want to go look for her sister. *Dials Manouche’s number and
waits for an answer.*
Abberline: I appreciate it, Martin. *he walks out, relieved to be free
of them both, at least for a while. He needs to gather his strength before he
goes back. Isabella starts soon to wonder why Kat is there and not at home. And why he himself did not take her to Bournemouth House. Probably she was just too smart to say anything. She could
have gloated on him, but she chose not to. Which made her even more dangerous.
It's better to let her hate than get too close and start asking awkward questions
or what's still worse, looking at him with compassion. He doesn't want her sympathy,
especially after to look she gave him and tried to hide from him at lunch .... But probably he hasn't have to do anything
about her, she complains to her buddy Donnie the CHIEF Inspector Brasco, and he does not have to work with her anymore. He stops at the crossroads. It's sheer
stupidity to try to find Metrea this way. But at least it feels better be here
than in that small room watching over Kat. She looked so tranquil, and as beautiful
as ever, and so vulnerable … If he had taken her into his arms, they would have been there again ... He sighs, starts
to walk towards the Office.*
At Don Juan’s house:
Don Juan *takes on the morning
robe. He has been examining his body in the large mirror that displays his whole
figure. He can be proud of himself, except for that one pitiful thing. His manhood has ceased to sing, and with it, he has lost everything.
It would be better to be dead. He glances briefly at his sword hanging
on the wall. A man's pride is such a sensitive thing. No woman can ever understand how losing it affects the whole male, his whole life in all the details. He recalls the eunuchs of the Sultana and shudders.
There must be some cure, but he can't start looking for it. The rumors
would spread fast ... * Yes, come in, dear.
*he gives the mirror a last look, combs his hair and draws his finger through his neat mustache, then he assumes his
charming smile to meet the new nanny and opens the door. Instead of a nanny,
there is some huge bulky monster beside Ava* But, amor mio, the nanny?
Ava: *kisses him on the cheek*
He is the nanny my love he is a gentle gaint look the twins are fascinated by him *smiles* Dont worry *pauses* Don all the
other nannies were woman trying to sleep with you they didnt want to look after our babies unlike Shane here. Shane this
is my husband Don *shane holds Sam with one arm and holds his hand out to shake Don's*
Shane: *cracking a joke*
some people call me a manny *laughs* Nice to meet you Mr DeMarco your wife speaks so highly of you dont worry looks can be
deciving I am great with children as my cv says.
Ava: *smiling* see Don gentle
giant nothing to worry about *Lola reaches out for Don* ahh no Lola papa needs
to rest maybe later. *Lola pouts*
At Abberline’s hideaway:
Isabella *takes a seat next to Kat; no one answered at Manouche’s, so she hung up and decided to wait a few minutes
before calling again. She can’t help wonder what’s been happening
between Abberline and his wife … he didn’t just seem worried about her; he seemed to feel guilty about something.
Perhaps he’d strayed or betrayed her in some other way. After all, she heard the crashing of something at Bournemouth House as well as shouting, and there must
be a reason why Kat is in this run-down place in From Hell Court instead of the comfortable Bournemouth House. But Isabella is not going to ask him; she knows that he doesn’t want her to know that anything of
what is going on and that he doesn’t want her to feel sorry for him. But
guilt being a familiar feeling to her, she can’t help but feel some sympathy for him. Perhaps
this is why he’s been so difficult … it would almost justify his behaviour towards her. Almost. She is, however, glad that he’s gone out for
a bit. The way he gazed at her when they had lunch was unsettling and although
there was plea in his eyes when he looked intensely into hers when asking her to keep Kat out of the report, she still couldn’t
hold her ground and had to lower her eyes. She has a distinct feeling that those
eyes could haunt her if she doesn’t keep up her guard. Isabella glances
at Kat; she should have these thoughts – especially with his wife right there! She
tries dialling the number for Manouche again; mutters quietly* Come on, pick
up!
At Rartigillichal:
Blake *sits
in the kitchen, brooding over a cup of coffee; looks up as Alifi comes in* Hi
Alifi.
Alifi *crosses
the kitchen, pours herself some coffee, sits down with him* How is she?
Blake *shakes
his head* I don’t know, there’s something wrong. Maybe it’s … maybe it’s the venom from that snakebite.
I guess it’s workin’ its way through her system. Anyway ...
well, you saw how she looked when she came home …
Alifi *nods* I was dying to ask her where she’d been, and what she had seen. But … she was so exhausted. *sips the coffee* Did she tell you anything after you took her upstairs?
Blake: She told me some things, but … I don’t know what to think of it all. You heard most of it. I took her up an’ ran a bath for her …
*his voice trails off as he thinks of how worried he had been about her, how frightened he’d been when she had come
home so grimy and exhausted, talking about so many strange things all at once. She
had grown a little quieter when she slipped into the bath, which he’d prepared just the way he knew she liked, lots
of bubbles, candles, a Kir Royale. As he had gently washed her and helped her
shampoo her thick hair, she had told him more about the stories she’d greeted him and Alifi with when she had come home
– seeing Jerod, finding herself at the scene of Ravenwood, which had burnt to the ground ... and despite the
warm water, she had shivered when she told him about Chiana and Metrea. Then the bath, her fatigue, the candles and
the drink seemed to combine and she finally relaxed quite a bit, and she had talked more about her grandmother, almost happy
again. She had looked so beautiful, he had leaned close to kiss her lips, and
he’d cried out as she mischievously grabbed him and pulled him into the bath with her … *
Alifi *arches
a brow* Judging from that smile on your face, I reckon I can assume you aren’t
completely fearful about her condition …
Blake *grins* Sorry. I guess a bit of her old self did surface pretty quick after
she’d had a chance to relax in the bath. *he takes a drink of coffee, smile
fades* She’s not really actin’ like she’s in pain or anything
like that. She’s just … different.
I suppose a lot of people wouldn’t think twice about it, they’d probably just think she’s in a mood
or somethin’. But …
Alifi: You know her very well.
Blake *nods* Y-yeah. *lights a cigarette* Did you and Boadicea have any luck?
Alifi *sighs* I’m afraid not. *she reaches across,
puts a hand on his arm* But don’t give up, Blake, we’re not done
yet.
Blake: I guess I’m just watchin’ her so closely, knowing that … knowing
that she’s fighting something like this … any different behavior stands out more than it probably should.
Alifi: It’s perfectly natural for you to be watching her carefully under these circumstances. Try to keep positive, we still have options.
Boadicea left for Fiji this morning, she’s going to check with some sources there,
some mystics from some of the nearby islands. And the Guardians … I know
there have been times we couldn’t trust them in the past, but they are actively seeking an answer to this. Remember, they’re not doing this out of the goodness of their hearts.
Finding a cure will benefit their cause, too. That’s better for
us than if they were trying to drive their efforts through sentiment.
Blake: I’m trying to keep all that in mind. *finishes
his coffee; he starts to stand up, Alifi motions for him to stay put. She takes
his cup, refills it, brings it back to him* Thanks. *pauses as she sits back down* Like I said, she doesn’t
seem to be in pain. But … she … *he runs a hand through his hair,
trying to think of the words he wants* She’s just—
Manouche *from
upstairs, singing very loudly* I WANNA BE AROUND TO PICK UP THE PIECES WHEN SOME-BODY
BREAKS YOUR HEARRRT ….
Alifi *raises
eyebrows, looks at Blake; she shrugs* Oh … well … Manouche singing,
that’s not unusual. She sings all the time.
Blake: Wait. *they listen, hear Manouche coming
down the stairs, continuing the song at the top of her voice. She enters the
kitchen, and Alifi stares – she’s wearing a black strapless sequined evening gown, spike heels, mismatched earrings,
one gold, one platinum, white elbow-length gloves, her hair piled high, small clusters of red grapes pinned into it. She’s wearing bright red lipstick, enough mascara to give Captain Jack pause,
and she’s fastened a piece of pink tulle around the lower part of her dress. She
walks a little cautiously in it, due to the tight fit and the high heels.*
Manouche *enters
the kitchen, belts out the last of the song* AN’ THAT’S WHEN I’LL
DISCOVER THAT REVENGE IS SWEET / AS I SIT BACK APPLAUDIN’ FROM ME FRONT-ROW SEAT / WHEN SOMEBODY BREAKS YOUR HEART LIKE
YOU BROKE MIIIIIINE! *she strikes a pose, arms extended high above her head,
beams as Blake and Alifi quickly burst into applause. One of the grapes drops
from her hair into her cleavage. Her mouth pops open, she reaches down the dress,
retrieves the grape, holds it up, looks at them both expectantly* Answer me,
ma petit fleurs … what’s big an’ purple an’ lives in th’
ocean?
Blake *tonelessly* Moby Grape.
Manouche *winks,
tosses the grape to him* Bet y’ was certain I were goin’ to say somethin’
about Gilbert, weren’t ye?
Blake *shrugs* No, I –
Manouche *interrupts
him, indicates the tulle wrapped around the lower part of her dress* What d’
ye think o’ this, love? I were wantin’ to emulate one o’ th’
classic Barbie doll costumes. It’s called “Solo in th’ bloody
Spotlight.” I figured I’d wear it fer Kat next time I see ‘er,
it might cheer ‘er up. *her smile fades, her eyes quickly fill with tears* Sh-she lost ‘er house, did ye hear? Ravenwood. *pauses, sighs deeply* I know she were
keen on Barbies at some point, so I reckoned – whoop!! *she trips up on
the tulle, pitches forward; Blake jumps up, catches her. She laughs, brings her hands to his face, kisses him* Merci, William Blake, m’ love.
Blake *brings
her over to the table* C’mon, honey, why don’t you sit down, an’
I’ll get you some coffee.
Manouche *nods* We ‘ave an accord. *she stands
next to the table as Blake goes to the counter to get her some coffee; she’s about to sit down when the phone rings* I’ll get it!! *she starts out of
the room, glares down at the confining skirt* Oh, bollocks. *she yanks the tulle off, tosses it aside, pulls the skirt up past her knees, revealing pink paisley leggings;
she runs from the room*
Blake *watches
her go, turns to look at Alifi*
Alifi: I see. I think I’ll go to From
Hell Court later today, see if any new sorcerers or mystics have arrived in port in recent weeks …
Manouche *dashes
into the living room, grabs the phone* Manouche ‘ere. *she scratches impatiently at one of the pins sticking in her hair, and a bunch of grapes falls to the
floor; she smothers a laugh, then looks disapprovingly at the smear of lipstick on her palm; sneers, mumbles* Blimey, I hate that color on me. What’s it doin’
in me house?? *covers the phone, yells toward the kitchen* ALIFI, LUV! REMIND ME T’ EXPEL ALL OFFENDIN’ LIPSTICKS
FROM TH' PREMISES TOUT DE SUITE!! *she rubs her palm onto the dress to rid it
of the lipstick, then speaks into the phone* Apologies, mate. Manouche ‘ere, who’s callin’?
At Sarah’s Books:
Sarah *there are no custumers in the shop at the moment and Sarah is walking along the shelves checking if the books
are placed in the correct order; almost every time a customer has been browsing the books, they are put back in the wrong
place. It annoys her a little, but at the same time she rather enjoys having
an excuse to look at the books. If she’s not in a hurry, she takes time
to read the description on the back and making a mental note of it if it sounds like something she’d like to read herself.
She places a book in its rightful place and touches her growing stomach; she
smiles quietly as she feels the baby move. A moment later the little bell above
the door jingles and she sees a couple in their mid-30s enter the shop. She approaches
them with her usual friendly smile* Hello, how may I help you?
Suzanne *with a serious expression* Hello, I’m Suzanne Anderson
and this is my husband, Mark. We need to speak to Mrs. Barrie.
Sarah *her smile fades as she notices the woman’s expression; she has a bad feeling about her, but she’s
not sure why* I’m Mrs. Barrie, what can I do for you?
Suzanne *looks at her husband a little uncertain, then turns to Sarah again.* You
adopted a little girl recently, about 4 years old?
Sarah *fearfully* Yes … Emma. We
adopted her from the Maison de Paradis children’s home. Why do you ask?
Mark *pulls out a photo from his pocket as well as a print-out with a picture and hands them to Sarah* We believe it’s our daughter.
Sarah *stares at him in disbelief; she slowly lowers her gaze to look at the pictures afraid of what she’ll see
… the photo is of a little baby-girl with dark hair and the print-out represents a computer-image similar to a police-sketch.
Sarah looks at the Andersons in confusion; stammers* I
… I don’t understand. Emma is an orphan … *tears fill her eyes*
She can’t be your daughter. She
can’t be!
Suzanne: Our daughter was kidnapped from us when she was sleeping outside
in the garden in her baby carriage. The police used a computer-program to get
an idea of what she’d look like today. We’ve seen pictures of your
Emma … it’s her. I know it is.
Sarah: *feels as if the air has been knocked out of her and she supports herself against the book-shelves to one of
the arm chairs in the reading area. She sits down and covers her mouth as she
looks at the print-out again. Tears stream down her face* But … she’s our little girl …
Mark *Harshly* With all due respect, Mrs. Barrie, she’s our little
girl. I’m not expecting you to take our word for it, but DNA tests will
prove it.
Sarah *looks up at him; shakes her head* No … *sobs* Get out of my store!
Suzanne *insistently* Mrs. Barrie …
Sarah *cuts her off shouting* GET OUT!
Mark *holds up a hand in resignation* Alright, we’ll leave, but
we will be back … with a court order to have a DNA test done. *He puts
his hand behind Suzanne’s back and leads her out of the store.*
Sarah *feels the room spinning and it takes her several minutes before she’s able to go over to the counter and
call a cab to take her home.*
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