|
At Chez Roux:
Abberline *to Perhan* I am ready. *smokes all the way without
exchanging a word with his companion. In the bar of Chez Roux, he leaves Perhan*
Order for me, too. I will soon be back. Just take anything that is strong enough. *slowly he walks
up the stairs and to the door he knows belongs to Daphne's room, and he knocks on it*
*A pretty young maid comes
down the hall, sees Abberline, smiles – she’s seen him before and always has thought how handsome he is, how lucky
his wife is* Mr. Abberline … are you looking for Daphne? She’s not here. I thought I heard her on her cell phone,
saying she was going to talk to Sergeant Godley. *looks sympathetic* It’s a shame about her sister, isn’t it? *smiles
brightly* How have you been?
Abberline: Not here?
Oh, I am fine, just fine. *mutters to himself* except that the bloody bitch set
me up and now she's vanished ... Just you wait, Daphne, I'll get you for this ... *then he remembers the maid* What sister? If you mean Salome, she was
a cousin. *Then it's suddenly Manouche, filling up his mind, and his
heart starts to beat faster, he can see her, back at her home on the sofa* No,
you are not dying! You can't be dying, not you! *but he feels a sudden surge of fear. He snaps back to
reality seeing the maid staring at him, trying to act as calmly as possible* Can
you get me a glass of water, please? *when she's turned around, he goes on talking to Manouche, not caring that he's
talking aloud* If you are dying, you are killing me and nothing matters to me
anymore ... If you are dying, I want to die with you ... *and he leans on the wall, feeling her desperation mingling
with his own, and their shared heartbeat, slowly calming down*
At Rartigillichal:
Manouche *sobbing,
still lying on the sofa, suddenly feels her heartbeat grow calmer, and she feels a wave of comfort sweep through her, making
her feel stronger … she stops her tears, and she lies very still … and her eyes fill with tears all over again,
this time relief, as she senses Abberline’s voice, and she tries to answer, hopes he hears her, speaking out loud, her
voice impassioned* Oh blimey, Fred, I were hopin’ ye’d hear me …
we won’t die, luv … if yer still ‘ere, I won’t give up. It’s
worth fightin’ for, th’ shared heartbeat … *she sits up slowly, feeling much better, and a thought occurs
to her* Chiana … Chiana … bloody ‘ell, a healer! *thinks of Abberline again* We ain’t done yet, Fred,
mate. Yer daughter may be able t’ help.
Please don’t harm yerself, I need ye … I’ve got t’ do some readin’. *she jumps up, dashes up the stairs to her office, looks through books, finally finds one on crystals and
other items used by various healers and alchemists. She flips through it, thinks
again* Not sure, Fred, but it’s worth investigatin’. An' Fred, I swear t' ye, Kat's not gone. *blinks away tears* Cheers, mate, ye’ve given me some hope … *she reaches in her shirt, pulls
out a small pendant of amethyst that she always wears, presses it against her heart, hoping its soothing quality will work
on her and Abberline both. She drops down on a large floor cushion, opens the
book, starts to read*
On The Brave:
Grace *looks worriedly at Kat, then to Ichy* We’ll
be in Deppville in a few minutes, I reckon. I’ll get one o’ the crewmen
te help ye carry Kat up on deck an’ then we best get ye a cab te take ye … *stops talking, not entirely sure where
Kat should be taken to. She’s clearly not well, but Grace doesn’t
believe it’s a medical problem so the hospital won’t be able to help much* … I reckon Bournemouth House
is the best place fer her. *Looks at Ichy with sympathy* I know it were ye who came lookin’ fer her an’ not Abberline, but Bournemouth House is still
her home an’ her kids are there. *She leaves the brig and goes up on the
bridge; she watches Deppville coming closer and closer … too much has been going on for her to feel like it’s
coming home; Kat is a mess, she’s not entirely sure how well things are between her and Donnie. They’ve both said that they’ve forgiven each other for everything that has happened, but how
is he to trust that she won’t take off again? And even if she understands
the kiss, it still breaks her heart to think of it – and despite concerns for Kat, she keeps seeing the vision ... *
Donnie *walks up behind her and puts his arms around her waist leaning his head on her shoulder*
What are you thinking about?
Grace *smiles a little* Nothing, luv. Jus’ glad te be back is all. *The Brave reaches the dock
and Grace watches as the crew steers the ship in place and secures it; turns to Donnie* Will
ye go help Ichy carry Kat up on deck and ashore? I’ll get Thomas te fetch
a cab fer ‘em.
Donnie *knows that something is on her mind, but doesn’t say anything; kisses her on the cheek*
Sure, of course. *Goes to the brig
and together he and Ichy bring Kat ashore. Moments later a cap arrives and takes
Ichy and Kat to Bournemouth House. Donnie returns to the Brave after helping
Ichy and Kat; looks at Grace* Are you ready to go home? *Hesitates* Or would you prefer to stay here? *Pauses* Alone?
Grace *meets his gaze and allows him to see the tears forming in her eyes* I’m comin’ … I promise ye, I’m not mad at ye. I
jus’ keep seein’ that bloody vision an’ it hurts, savvy?
Donnie *looks at her desperately* I don’t know
what to do.
Grace *smiles a little* I jus’ need a bit o’
time. *Touches his face* We’ve
been through a lot, we can make it through this one, too. *Donnie nods; there
doesn’t seem to much else to say right now. They go ashore together and
find a cab to take them to Arwen.*
At Chez Roux:
Abberline *feels himself
calmer, but the sensation of Manouche's presence is gone for now. To
his own wonder he can clearly see her in his mind, she's reading a book on the floor, lying on a cushion in her cosy
room, and involuntarily his lips curl to a smile. He forgets Daphne and
returns down the stairs to the tavern, where Perhan is waiting for him with a drink ready.* Where
do you go when you don't want to go home? Or do you have a home?
Perhan *looks at him carefully,
relieved to see that he looks a little calmer, less feverish. He hands him the
drink he ordered for him* Not sure where you’d like to go, but there are
options. You could stay right here for a time, if there’s a room available. As for me, I do have a home .. *grins* … I have a Gypsy wagon right at the edge
of town. It’s decent size, you’d be welcome to stay there if you
like. And if you want some privacy … I have a new girlfriend, she’s
got an apartment just outside of the Court. I could probably stay with her. *takes a drink*
Abberline *thinks about Chiana,
and again feels the bitter sensation of guilt and shame and love, all blended together, and he pushes the glass away, it falls
and breaks* I don't want to stay anywhere.
I lost my wife .... I want her back so badly .... *and though he bites
his teeth, he feels that his eyes are filling with tears, streaming down on his face, and he can't stop them, and he
can distinctly hear a voice from afar, telling a small boy that boys don't cry, and he grits his teeth and brushes his
face with his sleeve, muttering embarrassed* I've been drinking too
much ... *and then he feels that he has to confide in someone and the words just come pouring out* Look, it all started the wrong way. I loved another, someone
I could never be with, but I could not stop thinking of her ... She had a better man.
And then, Kat lost her memory, and I took her in because she had no one else to take care of her. After all, she was the mother of my son. I just could not
leave her at the hospital. She didn't remember anything before Fiji ... And she was in love with me
... I never knew that. It was just
a brief encounter, and I was still married then. And then she became pregnant, and she fled, and I found her at
the hospital ... And I asked her to marry me, mainly because of the child,
or that was what I was saying to myself. But it wasn't so simple. I don't think I can live without her ... Maybe we don't suit each other, but ... She is so confusing, she
is a mystery to me, with her blend of weakness and strength, she's at the same time fragile and tough, and she irritates
me and she makes me mad, she tells me she loves me and then she runs away ... she baffles me and she fascinates
me ... and I don't think I am suited to live a harmonious family life with a meek wife ... and it irks me that she
is a pirate, but at the same time, that's what makes her so irresistible to me, she is a free spirit ... and
what is most amazing, of all the men she could have, she chose me.
Perhan *grabs a few napkins
from the table, bends down and picks up part of the broken glass; a waitress comes over and finishes cleaning it up, he nods
his thanks to her. He turns, listens sympathetically to Abberline’s story* Inspector, I already know a lot of your story.
I’ve heard much from Manouche and Alifi, and I’ve seen some on my own.
*grins* Fortune teller, you know.
*he takes another drink* You and Kat go back an’ forth like this
all the time. Perhaps that’s your lot.
The trick of it all is, how do you maintain through the ups and downs? If
the two of you must go on this way, how will you not let this pattern pull you apart?
So far, you’ve both done admirably. But this new situation, it’s
different … Manouche has always insisted that no matter what happens, Kat loves you with all her heart, that you mustn’t
doubt that. And we all know you love Kat.
You’re both very different types of people, but it’s usually been my experience that if there’s enough
love and determination between two people, they find a way to make it work. *he
finishes his drink, sets the glass down* It sounds to me like you’re ready
to go home. My offer still stands, you can consider my door open anytime. But to my way of thinking, you would be best off home, with your children. Who knows, Kat may be back there by now. I didn’t see
The Brave come into port, but word went ‘round that Grace sent Mrs. Abberline home, to Bournemouth House. Why not go see if she’s there, an’ talk to her? You
two may come through this just as you always have. *a thought comes into his
head, of the rumors about Kat and Abberline and their frisky behavior at the hospital; he can’t help but grin at the
thought. He finds a cigarette, quickly lights it, offers one to Abberline*
Abberline: I don't know. *he feels embarrassed for having opened
up for this guy whom he doesn't know well* There's Marta and Candy and Chiana,
and I can't just let them see me like that ... *he accepts the cigarette* Maybe I'll spend the night at my den at From Hell Court. And
I wouldn't want to intrude upon you and your girlfriend. Kat and me, we don't do
much talking, she doesn't like that ... *his eyes dreamy* … but she did say to me that she loved me, quite a confession
from her. But it was then, she's changed now ... Thanks anyway, but I am going
my way ... *he gets up and tries to find his wallet* I am sorry, I can't pay
... *and he walks away from the table, out of the tavern back to From Hell Court*
Perhan *watches him go sympathetically* See ya, Inspector. *shakes his head,
looks at the barkeep* Ross, one more, please.
*he lowers his eyes, murmurs very softly under his breath, a Rom good-luck chant for Abberline. Looks up, nods as Ross sets another drink in front of him*
At la Maison de Paradis:
Ava: *walking to the hallway
and picks up the phone, she dials their home number and the phone begins to ring* Hello George it's me.
George: *picking up the
phone* Hi babe.
Ava: George did you not read my letter I left you on the kitchen table next to a muffin
George: What muffin *looks
at the table only the letter remains* I swear babe listen I am really busy
Ava: *sighs and presses her
back against the wall and falls down slowly* George you’re always busy now I have good news.
George: can’t it wait babe look I am really busy.
Ava: *fighting back the tears*
no it can’t, you’re turning into him *wipes the solemn tear that rolls down her cheek* I want you to come
down to the hospital this instant I need your DNA that's if you want to be a family.
George: *hearing Ava
sniff he feels as if his guts have been wrenched out* Ava babe I am sorry I will
come straight away. *sighs* I am sorry. I
love you.
Ava: I love you too bye George I will be waiting.
George: Bye.
Ava *puts down the receiver
and picks herself up, she wipes the tears away and picks up Sam. She takes him to the window to look outside, Sam looks
up at Ava he smiles at her and puts his head on her chest. He gives Ava a little baby sigh and they both gaze out
of the window watching the children playing pirates. Ava sees little Brian playing by himself, she looks at him and then Sam and
she smiles; he was such a nice little boy he would fit well in to the Jung house hold.*
At Tropical Breeze:
George *heads back down
to the basement to talk to his business partners* My fine gentlemen this meeting
has been adjourned I have important matters to attend to so would you kindly leave until I come back. *They all stand up*
but before you go which one of you ate my muffin. *they all leave and George hides the evidence away*
*After a short
time of tidying up George leaves the house for the hospital. George feels guilty about speaking to Ava like that but he hasn’t
had that drug rush in such a long time, it makes him feel powerful.*
At Arwen:
*It’s been a few minutes since the cab dropped them off, but Donnie and Grace are still standing
a few feet away from their little home and just gazing at the house.*
Donnie *still with his eyes on the house* I guess we
should go in …
Grace *also looking at the house* Aye, I s’pose
we should …*still, neither of them move; both thinking that something as simple as opening the door could trigger a
bomb of some kind. Grace throws her bag over her shoulder, takes a deep breath
and walks towards the house* Right, well, I’m exhausted an’ I want
te sleep in my bed an’ not in the backyard …
Donnie *picks up his bag as well; glances at Grace* Maybe
we should check and see if anyone has tried to break in?
Grace *stops in her tracks, looks back at him* A grand
idea, luv. *They go around the cabin checking every window and the doors, but
there are no indications that anyone has forced their way in. Grace walks determinedly
up to the door, unlocks it; then hesitates a bit before pushing it open. Nothing
happens. They both breathe a sigh of relief* Bloody
‘ell, this sort o’ thing really messes with yer nerves, don’t it?
Donnie *following her inside* Yeah …
Grace *steps into the living-room; her gaze falls on the couch … that’s where …
she shakes the thought out of her mind and continues upstairs; dumps her bag on the floor and practically falls onto the bed.
Looks tiredly at Donnie as he enters the room and puts his bag on the floor*
I don’t know about you, but I feel like haven’t slept fer a week!
Donnie *sits down on the edge of the bed next to her; smiles a little* Why don’t you take a little nap and I’ll straighten the place up …
Grace *takes his hand* I’d rather iffen ye stayed
‘ere … *she scoots over, making room for him*
Donnie *lies down next to her and puts his arms around her holding her close; kisses her hair and
whispers* I love you so much.
Grace *softly* I love ye too. *She closes her eyes and quickly falls asleep*
At Tortuga:
Alphonse *having
docked The Corpse Bride at Tortuga, proceeded to spend all his time on the ship, a little uneasy about leaving it and
wandering around alone. Why did Raven have to take off like he did? Granted, he’s just a boy, but he was good company, and Alphonse felt more secure having him around. Finally, he decides he’s being ridiculous; he’s here, he may as well explore. Silly to just turn around and go home. He
leaves his ship, turns to look up at it once more, feeling very proud of it – except for that silly name – and
then he turns to walk toward the village. He sees two women coming toward him,
and nods politely* Ladies …
First woman
*looks at him, eyes wide, then scowls; swings her hand back, slaps him hard*
Alphonse: Oww!! *brings his hand up to his face,
stares at her, incredulous* Madame, what is the meaning of this! *he turns to her friend* Perhaps you can explain—
Second woman
*glares at him with equal disdain, slaps him as well. They raise their noses
in the air haughtily and continue on their way*
Alphonse *rubbing
his cheek* What in the world … *he shakes his head, turns, starts again
for the village. A woman approaches, holding the hand of a little girl, skipping
along beside her. Alphonse forgets the slaps, and smiles at the charming
little girl*
The mother
*stops as she sees him, frowns* You!! *she
slaps him* That’s for my sister!
How dare you trifle with her!!
Little girl
*scowls up at Alphonse, swings her foot back and kicks his shin* Bad man!! *the child and her mother leave Alphonse groaning and hopping on one foot, clutching
his shin tenderly*
Alphonse *calls
after them* What are you talking about, what sister?! Are you mad?? *he shakes his head, frustrated, then continues
on toward the village, this time keeping his head down and trying not to look at anyone.
He puzzles over what’s going on. The last time he ran into treatment
like this, it was because he was mistaken for ……… * Ohhh. *he stops in his tracks, eyes wide, surprised as the answer comes to him; then he
hears some men laughing and talking all at once. He follows the sound, soon comes
to a horses’ trough, surrounded by the laughing men. He pushes through them, sees a familiar figure splashing
about in the water. He looks down at him, shakes his head, smirks* Cousin Dean … I should’ve known. *he reaches out
a hand to help Dean Corso out of the trough*
Corso: Stop babbling and help me out of here, you bloody fool! What the hell are you doing here? *smirks* Wouldn't have guessed that you go for places like
this, dear cousin. Not quite up to your standards, eh? I think they didn't even have any napkins at the bar I ate supper in.
*he looks darkly at the crowd* All right, folks, the show is over now.
I've had enough of Tortuga for a while. *He scowls at a lady who is laughing
heartily, recognizes her as one of the wenches he had fun with yesterday, he swings his hand back and slaps her hard* I think you deserved that.
Alphonse *frowns,
grabs Corso, pulls him away from the wench* Stop it!! Rolling around in pig sties, slapping women like a common thug, what would the family think?? *he lowers his voice, tersely* Besides, you’ll only
make the women angry. And you know what happens when you … *his voice trails
off as several wenches who saw the slap gather around ominously; he looks at Corso sternly*
Now you’ve done it. Mass retaliation. *he and Corso stand close together, back to back, as the wenches move closer, their eyes flashing, some
clenching their fists. Alphonse braces himself for a beating, then looks past
them, sees something that gives him hope. He points, shouts out* Well, I’ll be! Look who’s coming, it’s Jack
Sparrow!!
Jack *sauntering
leisurely toward the group, a wench on each side, rolls his eyes* CAPTAIN Jack
Sparrow … *he stops short, eyes widen as the other wenches spin around and glare at him.
He puts on a charming smile* Ah!
Ladies! How good to see you all again!
I was just talking about you … er, one or two of you … to … *he hugs the woman on his right* …
to Annie here—
Woman *scowls* SCARLETT.
Jack: Oh! Apologies, luv. *glances nervously to woman on his left, hugs her quickly, speaks to the crowd again* That it, I was telling Annie here—
2nd woman *glaring* GISELLE.
Jack *looks
at her in astonishment* Really? Are
you sure, luv? *Giselle nods menacingly; Jack glances around, as if looking for
something* Well … what the bloody hell happened to Annie??!! *he looks at Scarlett and Giselle, grins nervously as he carefully removes his arms from their waists,
moves back a couple of steps* Must’ve fallen behind. *the wenches cry out in furious unison, start to go for him; Jack yells*
AAAAAHHHHH!!!!! *turns and runs, the crowd of women after him in hot pursuit*
Alphonse *looks
at Corso smugly* No need to thank me for getting you out of that mess. Since you’re faring so well for yourself, you don’t need me anymore. I see you have the 12th Commandment at your disposal. Seeing
as how you’ve now single-handedly rendered Tortuga as yet another inhospitable locale for all Corsos … *he flinches
as another woman walks by, glares at both of them, then continues on* … I guess I’ll head back home, on my beautiful
new boat … er, ship. *he turns, starts to walk away, back toward the docks*
Corso *rolls his eyes* Isn't that cousin of mine a hoot. You don't know how much I have to suffer from his bad behaviour towards ladies.
But Dean, he is just incorrigible. *he smiles a
smile that makes him look like a mischievous boy, the smile that makes women melt* But
I really don't mind being slapped by adorable, breathtakingly beautiful young women like you ... *he spreads his arms apologetically*
I really would like to compensate for him. Anyone
who finds the wallet of Dean Corso will get a tour in the 12th Commandment. The pantry is stuffed with strawberries
and champagne and fluted crystal glasses and *he winks* rum. Lots of rum. *what say you? *He looks expectantly at
the woman, who gets a calculating shrewd look*
The woman *hesitantly* I might know who took it ... Champagne, you say? And real glasses? *Corso
smiles reassuringly and offers his arm * I was so sure you were Dean ...
Corso *quickly* Oh no, we may look alike, but there is one great difference between me and him. It's that rogue’s glint in his eyes you can tell us apart from. And
I would never ever hit a lady, whereas Dean, he has no manners, he's a brute, pretending to be a gentleman. I am not pretending anything.
The woman *looks at him,
right into his brown innocent eyes* Aye. Black
Betty has the wallet. I saw 'er.
At the Security building – Godley’s office:
Daphne *looks out the window
of her taxi from behind large sunglasses as the car approaches the Security building, pulls up in front. She digs in her purse, finds money for the fare, hands it to the driver*
Thanks, DeNiro. *she gets out, he drives off, and she looks up at the
building, hesitates a moment before entering. Finally, she squares her shoulders,
enters the building. She walks through the hall, glancing at names on offices,
till she comes to Sergeant Godley’s office. She peeks in, sees no one;
she enters anyway, takes a seat by the desk, waits for Godley to return.*
Godley *walks in with the
leftovers of his lunch, half a pizza and a filled baguette, whistling to himself, but he stops in the doorway when he
sees who is waiting for him. His face darkens, and his voice is uncommonly
cold as he asks her* And what brings you here?
I heard that you were back in town. Frankly, I don't think it is a good
idea. *he puts the food away on a shelf, sits behind his desk, regarding her
with ill-hidden hostility*
Daphne *voice trembling* S-sergeant,
I’ve come to see about my cousin Salome. I was told you’re in charge
of the investigation, everyone told me I should speak directly to you. I haven’t
heard anything about her in days, and the whole family is wondering what’s going on.
I’m sorry you don’t like me, but I only returned for the funeral, and once it’s over, I’ll
leave. *she lowers her head, pauses, swallows, speaks softly* Th-there’s somethin’ else … *she takes off her glasses and reveals a black eye and an
ugly bruise on her cheek* Sergeant, there were some bad men at Chez Roux. They warned me to stop asking questions about Salome.
*tears fill her eyes* And … I think they threatened Fr— Inspector Abberline, too. *voice raises
a little in her fright* Oh, Sergeant, what’s going on? What happened with my cousin?
Godley *turns professional
again* Tell me more about those men. We
don't have many clues, but we are working on it. Those men, can you describe
any of them closer? As yet, we don't even have any suspects. How much do
you know about her businesses? I am leaning towards that she had something going
on, either shady, or with shady partners. Neither DeeDee nor Candy can tell us
much, except that it had to do with fashion. *then suspicion shows on his face
again* And how did you know that they threatened the Inspector? Have you seen him? I would appreciate the whole truth.
Daphne: I don’t know anything about Salome and any business. I remember Candy an’ DeeDee saying she was doing something with fashion design, but she never talked
to me about it. She always loved keeping secrets, even when we were kids. *smiles a little wistfully* She an’
I were very close when we were about twelve, thirteen years old. Then a few years
later, she suddenly didn’t want anything to do with me. I think she
thought I was too dumb. *smile fades, she digs a handkerchief out of her purse,
dabs her eyes* These men … last night, Inspector Abberline came to my room
at Chez Roux. He woke me up, it was late.
He asked if he could come in my room, I said okay, an’ he was acting so funny, I got worried about him, he almost
seemed delirious. He said he's been drunk since he gave the ring back, I think
he misses Kat a lot. So I got scared, and I got the phone an' I asked the operator
to dial your number. I called you because I didn’t know who else to call. I know you’re his closest friend, an’ I know he hates the hospital, so
I didn’t wanna send him there. I thought it was you I talked to, but …
I don’t know how it happened, Sergeant, the operator told me it was your number. Anyway, when I hung up, I
asked the Inspector how he was, and he seemed okay again. Then … he said
somethin’ that I didn’t want to hear, so I made him leave. I shut
my door an’ locked it, and I was about to go back to bed, then I heard somethin’ weird in the hall, like an argument
or a scuffle. I tried to hear, I couldn’t tell who it was, but I thought
I heard Mr. Abberline say something, then another voice that sounded scary. I
was afraid to come out then, I didn’t know what to do. So I waited
a little while, till things had calmed down, and I opened the door and looked around, an’ I didn’t see anyone. Then I was worried about Mr. Abberline, so I went downstairs, to see if he was still
around. I walked outside … *swallows* … an’ somebody grabbed
me, an’ they took me into the little alley next to the restaurant, they held me real tight an’ it was dark an’
I couldn’t see them very well, there were three of ‘em, in dark overcoats an’ hats they wore low, their
faces were hidden, an’ … an’ … *she pauses, struggling with her emotions, but she’s determined
to keep calm and finish her story* They started hitting me. And one of ‘em told me to 'stop ringin' that fat bastard Godley' is how he put it, an' he said
I better stop asking questions about … they said ‘your bitch cousin’ … an’ they said they’d
‘make Abberline an’ me real sorry’ if we didn’t let it go an’ just say it was a robbery. They pushed me down, told me not to turn around or try to get up till they were gone. I waited … I waited a long time, I wanted to be sure they were gone. Then … I went back to my room, an’ … when I felt that I could talk about it, that’s
when I came here. *she sobs, blows her nose softly, wipes at her eyes, wincing
at the sore eye and cheek; looks at Godley, eyes moist* That’s all I can
tell you, Sergeant. What about the investigation?
H-have your men found out anything? An’ Sergeant … *tears
well up again, she fights them back* I wish to see my cousin, I have that right. This has been so hard for me, I can't understand DeeDee and her father, it's like
they don't even care about what happened. Candy's been her usual sweet self,
but she's so busy with little Chiana ... I feel quite alone in all this. Please,
Sergeant, you’ve dealt with people who have lost loved ones to violence. You
of all people should understand how important that is for family to be able to see … *lowers her head, tries to control
her tears, whispers* Please …
Godley *his voice softens* That is quite a story. So that is why
he hasn't shown up at the office. I must deal with him ... But, back to you and Salome. As you know by now, you
did not call me. I don't know yet who we are dealing with, but I have to say
they are dangerous. Earlier on, someone had cut my phone line at home. You have to be careful, Daphne. They are now following
you. And I have to say, that if someone threatened the Inspector the same
way as they did to you, that is the best way to get him going on with the case ....
This is more serious than I thought. There is no reason why you should
not see her. *he rises up* I can
take you there immediately. In fact, I don't think that it is necessary
to keep her body at the morgue. It is more that Mr. Cavalcanti has been pestering
me with his fashion show. It sounds all so morbid and horrible. Could you influence him in any way to stop the folly and just plan an ordinary funeral? *he holds the door open for her.*
Daphne *tears
of relief in her eyes, stands up, follows him to the door* I will be very careful, Sergeant. I'm so worried about
Inspector Abberline ... I hope he's all right. I feel terrible if anything happens to him because of this, I feel like
it's my fault, somehow. I know that's not really true, it's just his work ... but ... please, tell him to be careful.
*sighs* I'll see what I can do to talk DeeDee and her father out of their plans. I'm sorry they've been bothering
you. I hate what they're turning this into, it's so ... disrespectful. *pauses* Although ... if Salome
hadn't died the way she did ... she prob'ly would find it kinda funny. *smiles slightly, dabs at her eyes once more
with the handkerchief, puts it back in her bag. She looks at Godley, eyes shining with gratitude, quickly hugs him*
Th-thank you so much for your kindness, Sergeant. I – I'm ready to see my cousin now.
Godley: That was not your fault, and he hasn't been alright since he was four, I believe. *taken aback by her hug, looks at her with more friendly eyes* You
have changed a lot, haven't you? *without waiting for her answer he leads her
into the cab and they speed off toward the hospital.*
At Bournemouth House:
Ichy *watches after the cab,
then he sighs heavily and turns to look at the silent house that seems to look at him threateningly with the dark windows.
Old, large, uninviting and too posh ... Kat stands beside him, but she doesn't seem to take much notice about her surroundings* Kat, I don't recommend going in there. Remember, you left it all behind
you. You had better come with me to the Archer's, my home. We can talk about the future there. *he smiles at her and
leads her away from Bournemouth House*
Kat *A strange
look crosses her face but she allows herself to be led. Begins to recite.*
Little Miss Muffet sat on a tuffet, Eating her curds and whey,
Along came a spider who sat down beside her, And frightened Miss Muffet away!
*The spider
shifts uneasily beneath her hair.*
At From Hell Court:
Abberline *looking at the
worn cobblestones as he walks down a shady alley leading to his small den, bumps suddenly into someone, a woman shrieks, he
catches her a she starts to fall* I am sorry, I didn't notice you. I hope I didn't hurt you.
The woman *sobs, clings
to him tightly, he can feel her warmth and smell her cheap perfume* No ... I
- I just thought you were someone else ... I've been running from him all the day, he said he'll beat me to death if he finds
me on the streets again, but I have no choice, I have no money, he doesn't give me anything and he demands I stay inside unless
he accompanies me, and then he hits me ... And I run away, and I have been hiding on the streets, and I have no
money and no place to sleep in ...
Abberline *looks at her closer. She is a pretty little thing with large baby blue eyes and blonde curls,
and she doesn't look like an ordinary streetwalker, though she probably is one. He
knows their ways. He knows how the appearance of these women can betray, as well
as their moving stories, most of them rubbish that's meant to make the man they chose as prey feel strong and protective,
they know how to boost a male ego ... And then he shrugs. He might need
some ego boosting now ... * Don't worry.
I'm Inspector Abberline, and with me you don't have to be afraid of your man tonight. I can give you shelter for one night. Then you should
turn to the Security Office and file a complaint against him. *though he knows she will never turn up at the Office*
The woman: But I can't make up for you. I don't have any
money ... *she draws nearer to him, with her luscious lips half open*
Abberline *leans closer to
her, his lips almost touching hers* I don't need your money. I am sure
we will find an alternative way .... *and when he takes her in his arms and kisses her, a spider falls onto her shoulder,
and he draws away and looks at it frowning. It reminds him of something he can't
place. He brushes it away and leads her towards his den*
At la Maison de Paradis:
Malachi *walking through
the house, goes out to the deck, looks down at the yard, smiles as he sees Miranda playing pirates with the children. She’s found anything she could to serve as bandanas for each of them –
scarves, linen napkins, anything. He goes down the stairs from the deck and walks
through the crowd of children, grinning at comments he hears as he makes his way through them:*
Robbie: Arrrr, make ‘im walk th’ plank!
Len: Aye, we’ll keelhaul the blighter!
Erin: What do you say to three shillings
… an’ we forget the name?
Malachi *hesitates as he
sees Brian by himself; he starts to go to him to make sure he’s all right, then he stops as he sees that Brian has found
a large praying mantis, and he’s carefully studying it. He nods, satisfied
that the boy is fine, and he goes to Miranda, grabs her by the waist, pulls her close*
An’ what’s all this? A wench, tryin’ to tell me pirate
mates how to go about their piratin’? We may need to discuss this insubordination
in me Captain’s quarters, lass. *and he kisses her soundly on the lips*
Miranda: Aye, capt'n! *and she laughs her merry laughter* I am fast becoming a pirate too. I think I did rather well as a cabin boy, don't you think. *the children gather around them and she blushes* I am sure that you solved
all the problems of Ava!
Malachi *shrugs* Well, we got a start on ‘em, at least. *looks at the
children around them* Hey, kids, remember when we were looking at the shells
down on the beach the other day? *he reaches in a pocket, pulls out a note* Five bucks to the first one of you who can find a ruffled clam shell and bring it
back to me. Doesn’t have to be a whole one, just enough of a fragment so
you can tell what it is. Savvy? *he
grins as they quickly turn and head for the beach, yelling and laughing; looks at Miranda*
You gotta know how to handle that lot. *kisses her, adds* Ava is meeting George at the hospital, he’s agreed to do a DNA test.
She’s asked that one of us go with her, I said I would leave it up to you.
One of us needs to stay here with the kids.
Miranda *shudders* I am afraid of the hospital! *then she takes on a defiant expression*
But if you want me to do it, I will do it! What is a DNA test? Does it involve some horrible machines? *she swallows, embraces him tight* I can do it.
Malachi *smile fades, he
looks at her sympathetically* Sorry, sweetheart, I totally forgot about the hospital. Maybe you shouldn’t go. There could
still be trouble there for you. The test is no big deal, and I think the results
take a few days, so I don’t imagine anyone will have to stay at the hospital for long.
I thought Ava might appreciate having a female friend to talk to through this, but … I don’t want you to
go if there’s still any danger, or if you’re afraid. *pulls her close,
murmurs* There’s nothing wrong with being afraid sometimes, bright eyes.
Miranda *holding him tighter*
No, I can do it. Remember, I am
a pirate wench, and we are not afraid of beeping machines and white-coated butchers. I
don't think there's any danger, I just felt so frightened there when I woke up, and I didn't know where I was and who I was,
and there was that horrible Captain Carver, but he is now gone, isn't he? *she
reaches up to kiss him* I can take a pistol with me ...
Malachi *looks at her carefully* Well … you did handle yourself really well in Fiji. And yes, Carver is gone … I think.
*he’s quiet for a moment, then nods a little reluctantly* I do think
you would be more of a comfort to Ava than me. *glances around* And it’s broad daylight, and it’s a busy hospital. Just
be really careful, and if anything at all happens that makes you think you need help, you call me. I’ll either find someone to watch the kids, or *grins* I’ll
bring ‘em with me. *he looks up as he hears one of the children shouting
his name; sees a crowd of them running back from the beach*
Len: Malachiiii! *holds up a piece of seashell* I found it!
Erin *frowns indignantly* He did not! Robbie did! *she points at Robbie, who
pushes out his lower lip*
Len: Nuh-uhh!! I found it by myself!
Malachi *looks at Dylan* Dylan, who found it?
Dylan *ducks his head a little,
not wanting to be a tattle tale; but he’s the oldest, he knows the adults count on him to keep some semblance of order. He shrugs, nods toward Robbie* It was
Robbie.
Len *scowls* But he wouldn’t a known where to look if I hadn’t a told him!
Malachi *holds up a hand* Okay, okay, take it easy. Just wait a
minute. *he turns to Miranda, trying not to laugh* Right, I better sort this out. You find Ava, tell her you’re
going with her. Call a cab, and go ahead to the hospital. If you’re going to be awhile, give me a call, let me know.
*he kisses her, then turns back to the kids* Now, before we all fly off
the handle, let me see that shell first …
Miranda: I will.
And I will shoot the first machine that tries to do some beeping on me. *she
goes inside to find Ava*
At Arwen:
Grace *the vision that comes to her in the dream is familiar even though she can’t place at
first … the hooded figures standing within the stone circle surrounding the woman in the centre of the circle while
chanting, the hollow black eyes of the hooded men and the lightning going through the woman and channelled to men circled
around her. The woman slowly turns her head as if looking directly at Grace;
she recognizes the woman as herself – she has the same features, but it still isn’t her. It is someone with great power filled with anger and sorrow. The
image starts to become hazy and when the fog lifts, Grace finds herself at a cemetery. The
vision moves closer to a group of people … all familiar faces filled with sadness … Manouche, Blake, Abberline,
Kat, Godley … everyone is there, including herself, throwing a red rose down upon a coffin. The viewpoint of the vision changes and to her horror allows her to see the inscription on the gravestone
… *
Donnie Brasco, 1963-2007
Beloved husband and friend
Grace *struggles to wake up and escape the vision, but there is still more … she sees herself
turning away from the grave and leave with two men; one of them turns and she almost loses her breath as she recognizes him.
She wakes up with a start and sits up in the bed trying to catch her breath;
she starts crying and throws herself into Donnie’s arms who’s been sitting next to her watching her.*
Donnie *softly while stroking her hair* I’m sorry,
I wanted to wake you up, but … you told me not wake you up from bad dreams ‘cause it might be a vision …
Grace *calms down, pulls away a little and looks at him* Ye
did right, luv. I know who it is now. The
vision Manouche had on Tortuga … it’s Father Connolly. He wants te … *tears fill her
eyes again* He wants te kill ye te make me do as he wants.
Donnie *reassuringly* Hey, I’m still here …
the vision was just a warning, not a prediction. It’ll be alright, I promise.
Grace *desperately* But … I saw the funeral an’
the ritual an’ … *leans into him* I’m so scared …
Donnie *holding her closely* We’ll work it out
… he’s not going to win.
At Security – Portsmith’s office:
Portsmith *listens to
Mistress Fiore, bites her lip* That kind of vase is a nice decoration, if one
goes for that kind of thing. But I must say that I prefer Cretan urns. They are very sophisticated and extremely pricey.
Not for everyone, of course ... Your land? What do you mean by that? That little spot you have around your castle?
I wouldn't worry about it, it is rather useless. But let us discuss
something interesting for a change. How much are you ready to invest in redecorating
the Security Square? *she walks to the balcony and stops at the railing, like she were appearing
in front of a crowd of cheering people*
Mistress: you know fine well what I mean Commander one way or another I shall get it back. *walks behind Portsmith,
she has this sudden urge to push her over the balcony but she resist and pulls herself back* Now tell me how much do you want
this time Portsmith *snarls* Well then we have something in common if my land is useless so is this balcony *she walks back inside her skin started to warm up.* what do you think you are going to do with it
*laughs* maybe a rendition Commander.
Portsmith *looks at her coldly*
I do think that you have all the land you need and can manage. I would really advise you to turn more into domestic matters. For example, the doings of your husband Sweeney ... *and
she smiles maliciously thinking about the clip with Sweeney and a woman, kissing passionately*
Mistress: I can handle my land very well *Mistress gives Portsmith her icy stare* The doings of me and my husband
are between me and him they do not concern you at all. *snarling* Sweeney is away for the moment on business. *smiles knowing
that Sweeney may have killed her sister* great business, Commander.
Portsmith: Really? Quite a business he deals in. Maybe he is testing,
then. *she smirks* I agree, it is no business of mine, but how about the
third party he was so ardently embracing?
Mistress *Sarcastically*
Oh was he now and I suppose she fell to the ground afterwards Commander *walks backwards and forwards*and he snaked off into
back into the blackness of the night *grins* . Commander, I have no idea about what you are trying to prove, I did
not have any involvement in whatever it is.
At Deppville Lanes:
Hanson *follows the bowling ball intensely as it rolls down towards the pins; throws up his arms
in victory as the ball knocks them all down* And that’s how it’s
done!
Isabella *looks at him quizzically as he returns to his seat by the scoreboard; innocently* Are you going to do a little victory dance too?
Hanson *glares at her* No! Your turn …
Isabella *takes a sip of beer, gets up and picks up a bowling ball.
She aims to the best of her ability, but only knocks down the pins in the middle, leaving one pin standing on each
side; dryly* Well, that’s just never going to happen … *picks up another ball and waits for the machine to adjust the two remaining pins; aims and releases the
ball – which of course ends in the gutter; shrugs* Said it wasn’t
to going happen.
Hanson *smirks* We should’ve bet money on this
game …
Isabella *dryly* Ha-ha … Exactly how stupid do
you think I am?! *Smiles* But seeing
how you did win … by a lot, I’ll buy you a beer.
Hanson *Placing his bowling ball in the bag* It’s
a deal … *They change into their own shoes and heads to the bar after returning the rented shoes; they sit down in a
booth* So admit it, you did have fun.
Isabella *nods* All right, yes, I did have fun …
it was especially funny to see the look on your face when the ball went into the gutter.
Hanson: Now why do you have to be so mean?
Isabella *laughs* You are far too invested in this
game!
At Marchand’s hideout:
Raven *wakes up again with
a start; looks around, his heart sinks to see that it’s real, he’s still here.
After he regained consciousness that first time, he shifted back to his usual shape, and since then he’s fallen
in and out of sleep, or unconsciousness, he’s not sure, maybe a little of both.
His eyes adjust to the dark, and he looks around woefully. He’s
pretty certain it’s the same place where he was held prisoner before, it all looks the same … the high stone walls,
the tiny windows far above … but no Manouche to comfort him. He remembers
how terrified he was, how she was afraid too, but she managed to help him so much, even made him laugh. She always said afterward that he helped her, too … he hopes it was so. He’s very different now, his abilities are much stronger than they were then … after he was
taken away, that horrible day when he found True Dreamer … he squeezes his eyes shut as if to push away the memory,
but he knows he’ll never forget. He misses her to this day. He brings his hands up, rubs his eyes, feels his head where he had been knocked out … he tries to
remember just how it happened, he’s still hazy on everything. He knows
he was on his way to help his father, and this thought brings tears to his eyes; he blinks them away and tries to think harder. He’d flown down into the Court, landed, and was swept into a bag. Someone then swung the bag, it was a terrifying feeling; then everything went dark. It’s still frightening to recall, but he forces himself to concentrate on it; he has to know who
did this, who brought him here. He thinks of how he was coached, first by True
Dreamer, then later by Manouche, Gili, and still later by his wolf ancestors, on how to go deep; and he adjusts his posture,
sits quietly, head bowed slightly, thinking hard … his heart skips a beat as the vision comes to him, surprisingly clear
… flying over Deppville, then landing in the Court … the canvas bag … he concentrates further and to his
amazement, he’s able to transcend the confines of the bag with his mind’s eye … he sees elderly hands clutching
the bag, swinging it up to bring it down with force … he feels himself break out into a sweat as the vision moves up,
to show the assailant’s face … and he brings his hands to his mouth as he cries out aloud, in anguish* Oh, no! No!
*His concentration is shattered
by the sound of the heavy door being unlocked – the ominous, metallic click amplified by the unnatural, oppressive silence
that hangs over the huge chamber. He opens his eyes, trembling, watches as the
door swings open; he sobs* G-Grandmother Ama …
Ama *enters, closes the door
behind her, she’s carrying a small tray with food and drink on it for him. She
brings it to him, sets it down on the floor beside the little pallet of blankets and thick straw that make up his bed. She straightens up, turns to leave without looking at him*
Raven: Grandmother! *he rises, puts a hand on her arm* Grandmother, don’t you know me? *Ama looks at him, her
expression completely unemotional, her eyes vacant. He quickly removes his hand,
as if scorched, and the word that comes to his mind frightens him even more than everything he’s just been through …
zombie. She’s not a vision, a ghost as he’s seen her in the past;
indeed, she never allowed him to touch her when she had appeared to him before. His
trembling increases as he guesses that Marchand must have brought her back, to do his bidding.
He watches her as she gazes mildly at him for another moment, says nothing; she turns, shuffles back to the door, lets
herself out. He soon hears the heavy lock engage, and the room falls silent again. He wraps his arms around his shoulders to try to stop his trembling; he looks around
the room forlornly, his eyes large and solemn. He feels himself calming down,
and he thinks perhaps he should try to contact Manouche. He’s tried to
keep from doing so, knowing she has problems of her own, problems he’s only guessed at but has a dread suspicion about. Still, this is a desperate situation. He
concentrates, and he thinks he sees her, on a large cushion on the floor of her little office at Rartigillichal, reading …
the scene is peaceful enough, but he can tell she’s studying on something very important. He swallows, tries to reach her, but his head still aches from the blow, and he isn’t sure if he’s
getting through to her. Finally the aching becomes too much to bear, and he gives
up, sinking back on the little bed, breathing heavily from the exertion. After
a few minutes, he slowly sits back up, and he looks over at the tray. He doesn’t
think he can eat, but he picks up the heavy cup, sees that it’s filled with cold milk.
He starts to drink eagerly, trying to keep himself from gulping it down too fast.
He thinks of when he and Manouche were here before, when she was injured and Marchand got mad and sent a contrite Nate
into the room bearing nourishing food and rum. He remembers how Manouche let
him have a taste of the rum, how she had laughed at his reaction to it. He hadn’t
liked it at all at the time. But now, finding himself in this particular situation,
he finds he would be rather glad to have a whole bottle of the stuff right now, all to himself*
At the morgue:
Godley *pays for the cab,
holds the door open for Daphne and goes straight to a closed door. He takes
a key an opens it* This place gives me the creeps every time. Why are
all these places situated in the basement? And why are the corridors leading
there always dim thought there are lamps? *he opens one moor door and they
find themselves in a room that looks like a waiting room* Hello, Smithy,
we would want to see the body of Salome.
Smithy *an elderly man
who looks like an accountant, raises his small bespectacled eyes to him* Salome? But ... *then his eyes find Daphne, and a smile spreads on his thin lips* Daphne? Long time no see! How nice to see you again. But why are you asking for her here?
*he finds a form and shows it to Godley.* They already took her away
after the Security Office gave their permission. Here, see, signed by Inspector
Abberline. What's up?
Daphne *smiles
slightly* Hello, Smithy, it’s nice to see you, too. *she glances around nervously as he speaks to Godley, then snaps to attention as she realizes what he’s
saying* What? What did you say? *she looks at Godley, shocked* Sergeant,
what has happened here? Am I hearing right … was my cousin’s body
removed without contacting the family? And where was she taken?? Why would the Inspector sign off on such a thing? *she feels
anger rising up in her, but she watches Godley’s face imploringly. Despite
any potential incompetence from the hospital staff and the Security office, she knows that Godley is a good man; he'll
make everything right*
Godley *snatches the form
from Smithy, groans* I just hate it when it happens. Maybe he had some
clue to follow, but why would he transport the body out and where? To some special lab, perhaps? I am sorry, Daphne, it seems that he did not follow the procedure. He had no right to move the body. You must never move the
body. Especially without consent from the family.
*he scratches his head* Well, apparently we don't have much to do here. If I may suggest, give me some time to sort this out, go to your room at Chez Roux,
lock the door and wait there. I can walk back with you to Chez Roux. *he doesn't want to tell her that despite the gruesome surroundings he feels hungry,
and could use a lunch at the inn*
Daphne *nods
slowly* All right, Sergeant, I know I can trust you. And thank you, I would very much appreciate an escort back to the inn.
*she looks at Smithy* Take care, Smithy.
*she turns to leave, then she stops, turns around* Sergeant! I just remembered something ... When the Inspector
came to my room, I asked him if he would take me to see my cousin. He promised he would. He didn't look like he
was hidin' anything from me. Wouldn't he have told me then that he'd moved the body, and where an' why? Unless
he had her moved just today. *nods toward the form* When did he do this, is there a date on the form?
Godley *looks at her
in wonder. She doesn't sound like the bimbo she used to be* If he had been
hiding something from you, he would just have told you that you can't see the body. *looks
at the form* And he didn't do it today. Maybe
he didn't do it at all ... Maybe someone else signed that form. This is not the first time he has been framed ... I have to see him and talk to him, but I will now take
you back to Chez Roux. *turns to Smithy* And you, guy, let me know
if you hear anything. *he nods to Smithy* And don't
tell this to Cavalcanti, he'd only have a fit.
Daphne *nods* Th-thank you. *pauses* Sergeant, I know you're anxious to find Inspector Abberline, an' this isn't the best time, but ... another
time, when there isn't so much goin' on, I'd like to show my appreciation for your help, an' buy you dinner at Chez
Roux. *her eyes are still filled with sorrow, but she smiles a little*
At the cornfield:
Spencer Armacost: Doctors, I got to say that I don't think I have any interest in funding your research anymore.
Dr. Marbury: Please, Mr. Armacost, we are so near a breakthrough! We just
need to do some clinical experim...
Armacost: Commander Armacost to you, Doctor. Let us be polite. Now, tell me, why did you steal that damned body? And
what was the idea of threatening Inspector Abberline and that redheaded cousin? I
am also extremely curious to know where those thugs came from.
Dr. Rainey: She was asking questions. And he went to her for information.
He's on the case, and he's been all around From Hell Court, pretending to be
drunk, fishing for information, snooping around .... We had to do something.
Armacost: The only thing you did was that she ran probably to the Security, and he will become utterly interested
in the case. As for pretending to be drunk, you are mistaken. That guy was senselessly drunk and drugged, which only makes him twice as dangerous.
Dr. Marbury: How so?
Armacost: Because he has this thing that some call Dreaming. He has visions.
And he knows where the body is. He
just doesn't yet understand that he knows it. Sooner or later, you will have
him here. And if he knows it, she will know it soon enough. They have a contact.
Dr. Marbury: But we could not leave the body! How could we know that they
would refuse to give it to the family. They would eventually have found the transmitter.
*suspiciously* And how do you know
what kind of visions he has?
Armacost: Why wouldn't I know? I can see right through that thick skull
of yours into your mind. It looks frighteningly empty to me. There is one corner that deals with research. I can see it.
And there is a part of your mind that has nightmares about me. And you'd better not ignore them .... *looks at him menacingly,
Dr. Marbury takes a step from him* And now I can see the fright in your mind
... *he laughs* It didn't enter
your mind to just remove the transmitter, okay? Anyway, you can't keep the body
there. He has seen it and sooner or later he comes asking you questions. What will you do then?
Dr. Rainey *trying to sound
reassuring and nonchalant* I have my shovel ready. It was left by Mort and it is exceptionally sharp.
Armacost: No no and no. You are not a shovel-wielding crappy writer. Nor a thug. You are supposed to be a
doctor. I am beginning to be tired of you. Did
it not even once occur to you that those lines in the cornfield have a meaning? They
are ley lines, and I am intending to build the circles and lines ready. You must
remove the body. It disturbs the ley lines. I
won't have anyone trampling them. There will be no more killings from now on.
At least not by you ... *and he turns around and leaves the cottage*
Dr. Marbury *shuddering*
Was he threatening us?
Dr. Rainey: I think so... Have you looked into his eyes? It is just not
right. I can't place it, but everything in him is like that, at first glance
normal, but when you look twice at him, watch him, it is as if there was something odd behind the surface ... And his eyes
... He is more frightening than any other human being I have seen. Almost not
human, I could say.
Dr. Marbury *faintly trying
to crack a joke* I am sure his blood is green.
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