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At Bournemouth House:
Abberline *drifts off to
a light sleep, and maybe it is the absinthe he drank as a nightcap, but he sees a shabby tavern full with pirates, and among
them he can spot a dark haired one with an absinthe bottle. Kat? No, the scene gets clearer, it is not Kat, it is Manouche, and he can sense that she is not drinking there
for fun, but then his mind wanders off, and he is grateful that it wasn't Kat, that she is sleeping beside him, he can feel
the heat from her body, and he embraces her and pulls her still closer, and she turns toward him, but he knows that something
is wrong, and he gasps in horror when she sees her face, a dead face with a greenish hue with sickening dark spots and sunken
cheeks and eyelids, and then the eyes start to open slowly, and then he sees nothing and feels he's suffocating, he's knows
that he's wrapped in a rug and buried in the middle of a cornfield, and he wakes up with a scream. He's immediately wide awake and there is no Kat beside him, because she is dead, she's dead ... * Oh gods ... Kat ... *It's still night,
but he gets up fast and dresses, lights a cigarette as he leaves the house, not really knowing where he's going. While he's on the driveway, another vision hits him like a bolt, and he staggers, it has never been like
this for him, so lifelike and forceful, he's in the morgue, standing beside a body of a woman lying on a stretchers, and he
feels a very sharp pain in his chest, not daring to take a closer look, but he knows what he will see, she's dead, she's
dead she's dead .... Oh Kat, she's dead ... He feels tears streaming down his face while he struggles with the increasing
pain, and he knows that not even the shared heartbeat of Manouche can keep his heart beating on anymore, but at least they
will be together then, he and Kat, if there is anywhere to go, he wants to follow her, and then he lifts the covers, wanting
to see her for a last time, barely managing to lift the cover for his aching chest, and before everything turn black in his
eyes, he takes a strand of her hair and looks at it for long. It's red. It's not Kat! The face isn't hers either,
it is someone familiar but he doesn't care a bit about who it is. It's not Kat,
thank gods. But the pain will not go away even if a huge wave of relief floods
over him. He drops on his knees, and the body fades away, and he's back in front
of Bournemouth House, still on his knees, trying to get up, realizing he can't, and the pain fills his eyes entirely before
he faints*
At Tortuga:
Manouche *head down on the
table, mumbling, suddenly she shoots up to a straight sitting position, her eyes wide, her face white as a sheet, heart beating
furiously* Damn … Fred, BREATHE, mate … *she clings to the edge of
the table, steadies her breathing, finally feels the pressure in her chest easing up a little; after a few minutes, she chances
a deep breath, and gulps in the air gratefully, smoky and dank though it is. She
caps the absinthe bottle, rises, tucks it into a deep pocket, looks around* Corso
… Corso! *she doesn’t see him anywhere, thinks he must’ve found
someone to spend some time with. She weaves through the room a little unsteadily,
makes her way to the door. She’s got to find Kat, NOW. She tries but cannot sense at all where she is, and she swears softly under her breath; if only she could
control these visions. She steps outside, looks around at the confusion in the
streets, decides there’s nothing for it but to comb the town and keep alert to her senses. She starts down the street, away from the port, deeper into the village, concentrating on Kat*
Corso *fills the glasses
for both of the ladies to the brim, spilling some on the table* So, what are
you two up to for tonight? If it is something to do with drinking, carousing,
plundering and pillaging, count me in. *both of the wenches laugh and grab their
glasses* Mind you, the rum will not be gone if you'll stay with me ...
Tiffany (wench #1) *brings
an arm around Corso’s waist, giggling loudly; leans close to him, sticks her tongue out, licks his cheek* Deany-weeny, what’s yer pleasure tonight? Or do ya plan
to drink, carouse, plunder an’ pillage all at once? *she and the other
wench laugh hysterically, and she reaches down and squeezes Corso’s behind*
Corso *Thrilled and delighted,
laughs again. These are the kind of women he likes to be with* All at once and make it a double!
LaChandra (wench #2) *cackles
and cozies up to his other side* Now don’t go wearin’ yerself out,
lil’ Dean-sicle, the night is bloomin’ young. *grins at her friend* Which is more’n anyone can say fer th’ pair of us, innit, dearie? *she and Tiffany laugh uproariously, start running their hands over Corso’s
chest, and LaChandra manages to lift his wallet*
At an undisclosed Tortuga
location:
Kat *Sleeping on a cot is awakened by a familiar voice. Her eyes fly open
and she leaps to her feet and stares at the man in disbelief.* You're dead!!
Nate *Smirks* Sorry to disappoint you love but then that's something you
should be used to. Being disappointed by men.
I know what you're doing and thanks to Marchand I even know why.
Kat *Stammers* Marchand lives as well?
Nate: A new and improved Marchand you might say. That husband of yours is already cheating with every
willing slut in Deppville. Didn't take long, did it? *Laughs* Still want to risk your life for him? Marchand's willing to make a deal with you. Forget these Tortuga whores. Leave them to their fates. Join him, serve him and in return you'll live long and well.
Kat: I'm not inclined to trust either of you, with reason. What does he really want??
Nate: One of your brats, either will do.
You can keep the other. Then there's the gypsy trash. You see, he no longer needs your heart. He has your mother’s.
Kat: That be impossible. She's
long outta 'is reach!!
Nate *Complacently* You forget what he is, my dear. A Necromancer’s power derives from the dead. He's found
and retrieved her body. A reanimated zombie with no choice but to serve him.
Kat *Shudders* I will do naught for 'im!!
Nate *Sighs* Oh but you will. *Lifts
his open hand blows what appears to be dust at her.*
Kat *Gasps and coughs* What the 'ell was that??
Nate: Your father's alternate plan.
In a few moments, you'll feel the effects and become much more complacent and very obedient. *Snickers*
In another part of Tortuga:
Manouche *moving
swiftly through the streets, watching carefully for anything that might lead her to Kat, suddenly doubles over in severe pain* Ohhh, by th’ powers, what’s this … *she breaks into a sweat as she
sees Kat, but she still can’t see where she is … she’s in a cell of some sort, she believes it’s here
in Tortuga … and then her heart freezes with horror as she sees Nate* NOO!! It can’t be … that black devil … Lay off Kat, ye bastard, leave
'er be!!!! *she moans, then slips into an alleyway so the scallywags around her won’t take notice of her
weakened condition – just in time before losing her strength and dropping to the ground.
She trembles, but she stubbornly maintains consciousness; she MUST find out where Kat is … *
At Bournemouth House:
Abberline *comes to, the
pain receding, mumbles* Manouche .... find her for me ... *he sits up on the
pavement, then slowly and carefully rises up. It seems that a part of her heart
and soul are much stronger than his whole heart. There's nothing he can do now,
and he turns slowly back to the house, when he stops in his tracks. The red hair
... It could have been Daphne? Maybe something has happened to her? He can't wait till dawn to know if his intuition is right. It
usually is, which makes him worried. He walks to Chez Roux and bangs at the door
till a sleepy Roux peeks out and asks what the hell he wants* This is police
duty. I have to see immediately Daphne.
Where is her room? Which is the number?
*Without waiting for an answer, he shoves Roux aside and grabs the reception book, searching for her name, and when
he finds it, he darts up the stairs and bangs at her door*
In Tortuga:
Grace, Ichy and Gibson *walk quietly along the dirt road, all keeping a watchful eye on the people passing them by,
hoping to recognize someone from The Apparition’s crew. As they pass a
dark alleyway, Grace casually casts a side-glance towards it, then stops in her tracks and squint her eyes in an effort to
see through the darkness. She motions for the others to wait for her as she cautiously
draws nearer, certain she saw something. At first relieved to see it’s
Manouche – she’ll surely know how to locate Kat – but then she grows concerned as she notices that Manouche
is not well at all. Carefully* Manouche,
mate, it’s Grace … what’s wrong? What ‘appened?
Manouche *crouched down,
hears her name, thinks for a moment it must be another hallucination; she opens her eyes, looks up fearfully, feels enormous
relief as she sees Grace* Oh, blimey, Grace!
*she rises up, flings her arms around her* Yer a sight fer sore eyes,
an’ that’s a fact! *she holds her at arm’s length* What ‘appened … long story, luv. I’m ‘ere
lookin’ fer Kat … I been seein’ th’ most ‘orrible things, but … blast it, I can’t
tell where she is. I’m pretty certain she’s ‘ere in Tortuga,
an’ I think she’s locked up, in a cell somewhere. I arrived with
Corso, he’s about somewhere … ‘cept as ye can imagine, he’s preoccupied with his favorite pastime
second only t’ books. *she pauses, then places a hand on Grace’s
shoulder* Grace, mate, before we do another thing … find a phone, ring
Donnie, tell ‘im yer sound. Tell ‘im ye miss ‘im … tell
‘im ye love ‘im. Don’t ask why, jus’ do it. *smiles slightly*
Grace *smiles reassuringly* Not te worry, luv. We’ll find Kat … *nods towards Ichy* Ichabod Crane
is lookin’ fer her too; Gibson, me first mate, ran inte him an’ brought him te the Brave soon as he started askin’
about Kat. *Laughs a little* Aye,
I can imagine what Corso be up te. *Looks at Manouche puzzled* Did ye ‘ave a vision about Donnie? *Concerned* He’s not hurt, is he?
Manouche *looks over, surprised to see Ichy* Constable Crane … *arches
a brow* Bloody ‘ell, what’s that yer wearin’, luv? *can’t help but grin* Not yer usual fastidious self,
are ye? But per’aps that’s best under these circs, as ye’ve
no doubt come t’ realize. *nods hello to Gibson, then turns back to Grace* Donnie’s fine, he’s jus’ missin’ ye, an’ he’s
worried. Don’t put ‘im through it, mate, it’s a terrible mistake. Take five minutes, put his mind at ease, an’ then we can continue. *leans closer, lowers her voice* An’ if, in talkin’
to ‘im, ye feel ye need t’ run to ‘im, DO it. Sod all th’
rest, savvy? No one ‘ere’ll think any th’ less o’ ye,
I’ll see t’ that. It ain’t that we don’t need yer assist
… rather, it’s that I don’t want t’ see ye bearin’ that regret.
It’s a heavy burden. Trust me, ye don’t want no part of it.
Grace *grins a little at Ichy’s outfit, but instantly turns serious at the thought of Donnie. It wasn’t fair to leave the way she did and she’s not even sure why she did it. Maybe it was a reaction to the shooting, but no matter what the reason, it wasn’t right. Blinks away tears and smiles a little* Aye, I hear ye. I’ll give ‘im a ring soon as I find a phone. *Looks down* But I can’t go back jus’ yet. I made a promise te me crew that we’d go pirating, so pirating we’ll do. I ain’t ne’er broke a promise te me crew an’ I ain’t about
te do it now. I reckon they’d be about ready te maroon me on some god-forsaken
spit o’ land, iffen I do, savvy?
Ichy: Ladies, please, can we go on with our quest after Kat? And Raven please, would you mind stop digging
your claws into my shoulder. Manouche, did you say she was in a cell? Where can we find a cell on this godforsaken island?
Manouche *stares at Grace, incredulous; grabs her by the shoulders and starts to say something sharp, then stops herself.
Smiles, pats Grace’s shoulder, releases her* It’s up t’ you, luv. If I were you, I wouldn’t
make that decision till after I speak t’ Donnie. Yer Captain o’ The Brave, mate, an’ ye ‘ave
powers o’er yer blasted crew. Any attempts at maroonin’ can be dispersed with a little convenient telekinesis
on yer part. Or ‘ave ye forgotten yer own gifties an’ advantages? Must never do that. It’s
not only un-befittin’ a pirate … it’s bloody dangerous. Ye can do as ye wish, an’ hang th’
scurvy crew what mutinies against yer decisions. Te my way o’ thinkin’, yer promise t’ Donnie is a
sight more precious than a promise t’ any crew. Jus’ talk to ‘im. *she steps back, staggers
a bit and cocks her head as she senses something; recovers, blinks as her head seems to clear a bit, smiles at Grace*
Now, while ye make yer call, I’m returnin’ to that tavern where I left Corso. I ‘ave an idea.
I’ll meet ye back ‘ere in two shakes, savvy? *she turns to Gibson and Ichy* Gibson … good t’
see ye again, mate, it’s been too long. *looks at Ichy, takes in his disguise* Constable Crane … nice
hat. *looks at Raven, perched on Ichy’s shoulder. She quickly guards her fears from him, winks reassuringly;
murmurs* No worries, lil’ mate, we’ll find ‘er.
At Vice Mayor Lisa’s and Cesar’s house:
*The sun shines in the windows
of the house ... it's a glorious day. Lisa sits in the corner, smoking a cigarette, trying to keep her mouth shut. She's very aggravated with Cesar, but doesn't want to make matters worse.
Cesar is packing his things. He told her he needed to go on a journey. He's been home for so long, and a good adventure appeals to him at the moment.*
Lisa: So when will you be back?
Cesar: We've discussed this; I'll be gone for a week.
Lisa *bites her tongue yet
again, not wanting to fight with him as he leaves. 'He does this once a year; accept
it.. it's not worth fighting over. Besides, you can get a lot done while he's gone.' * It's just
.... well, I'll miss you. I just hate when you leave like this.
Cesar *stops what he's doing,
comes to her, and hugs her tightly.* I'll miss you; you know that. I love you.
Lisa: I love you too. I just hate when you do this ...
Cesar: I know, but I'll be back before you know it. *He kisses her
... touches her face and looks at her with his dark brown eyes. The brown eyes
that melt her*
Lisa: Go ahead, then. Finish your packing. *She goes back to the confines of her corner; still sulking.*
At Tortuga:
Grace *looks after Manouche as she runs off, feeling rather foolish*
Gibson *approaches her carefully* The gypsy made a good point, Captain.
*Continues on despite the glare he’s receiving from Grace* I sailed with ye before an’ after ye met Mr. Brasco … an I seen the pair o’ ye together;
I were first mate on yer honeymoon. What I be tryin’ te say … pirating
is a fine goal te be sure, but ye don’t want te mess with a good thing. Te
quote another great pirate, not all treasure is silver an’ gold, mate. Savvy?
Grace *her glare softens as she listens to him; she knows both he and Manouche are right. Looks at him with tears in her eyes; clears her throat and speaks in commanding tone, but with a sparkle
in her eyes* Don’t ferget yer talkin’ te yer Captain. Now go fetch the crew an’ tell ‘em te return te the Brave in case we be needin’ te leave
this bloody island.
Gibson *smiles* Aye, Captain! *Runs
off to the tavern where he last saw the crew*
Grace *To Ichy* Right, ye wait ‘ere fer Manouche; I ‘ave te
go find a phone. Iffen she comes back before me, tell ‘er that I won’t
be doin’ anything unbefittin’ a pirate. She’ll know what ye
mean. *Leaves Ichy and heads for the nearest tavern; she quickly manages to talk
the bar-keep into letting her use the phone in the back where it’s a bit more quiet than by the pay-phone. A little nervously, she dials the number to Arwen*
At Arwen:
Donnie *has more or less passed out on the couch; he continued drinking after Isabella left and eventually fell asleep.
He’s awoken by the loud ring from the phone, sits up a little too fast
and supports his throbbing head with his hand as he picks up the phone; hopeful* Grace?
Grace *realizes how much she misses him the moment she hears his voice; softly* How’d
ye know it were me?
Donnie *breathes a sigh of release* Grace! Thank God, you’re alright. *Smiles a little* Every time the phone rings, I hope it’s you.
Grace *is quiet for a moment while trying keep from crying, but she can’t* I’m
so sorry, luv. It were wrong o’ me te take off like that. I don’t even know why I did it. Please forgive me, I
luv ye so much.
Donnie *feels his eyes turning wet; clears his throat* You really put
me through Hell, Grace. But of course I forgive you. Just … *imploringly* Please come home. Please … I can’t, I can’t do this without you. I
love you too much. I need my pirate.
Grace *feels torn; she doesn’t want to abandon friends in need, but she can tell by the raspy sound of his voice
that he’s been drinking and he sound so utterly desperate. Manouche and
Kat are both very capable and Ichy are there too … and Corso if they can tear him away from his entertainment. They’ll manage without her; they’re bloody well gonna have to! Softly* I already sent Gibson te fetch the crew.
Donnie *Sighs heavily, so relieved that he’ll get his Gracie back* I’ll
meet you at the docks. *Hesitates* We’re
going to have to talk about this …
Grace *Quietly* Aye, I know. I luv ye, Donnie Brasco.
Donnie *smiles* I love you too.
**They hang up and Grace returns to Ichy, having decided to wait for Manouche to tell her that she won’t be able
to help find Kat*
At Chez Roux:
Daphne *wakes with a start
at the pounding at her door. She slips out of bed, puts on a robe, unlocks the
door, opens it a crack, squinting in the light from the hallway* Wh-what on earth
… Freddie … what’re you doin’ here?
Abberline *feeling himself
foolish, seeing her in good shape - and it really is a good shape ...* I just
wanted to check that you are all right. I had a vision ... It was very disturbing,
I can't explain it closer. Listen …
*he brushes his hair aside and it falls straight back again* … you haven't been threatened by anyone? Has there been something out of ordinary? But I don't really
like standing here in the doorway. Can I come in?
Daphne *frowns, shakes her
head, still very sleepy; she catches some of what he’s saying, but she’s not fully awake. She sees that he’s a little flustered, and when he pushes his hair back and it falls down again,
she can’t help but smile a little* Poor Freddie … still the same,
all the visions, always worrying … *she glances around, shrugs, holds the door open*
Okay, you can come in for a minute. But please make it quick. I need my sleep, I’m going to the Security office tomorrow, to get some answers about Salome.
Abberline: I know, I know, I shouldn't be here waking you up in the middle of the night, but .. *he sinks down on the
bed and lights a cigarette.* But the woman in my vision, she had red hair, and she was ... I mean she wasn't ...
Think very carefully. Has anything out of the ordinary happened to you? Has anyone been following you? *he smiles, faintly and self-mockingly*
And if you want to know about the investigation about Salome's case, I am in charge of it. *he looks at her expectantly from under his long lashes, his eyes shining feverishly dark*
Daphne *closes the door,
wraps her robe around her tighter, ties it. She grabs the chair from the desk
by the window, pulls it over to the side of the bed, sits down* Nothing’s
happened to me. It’s sweet of you to worry.
But I’ve been staying here most of the time, except … well, I have been taking long walks … *she
wraps her arms around herself, shudders* Maybe I shouldn’t do that, now
you’re scaring me. You’re in charge of the investigation? I thought it was Sergeant Godley … I was just gonna come down to the office tomorrow an’ see
if there’s been any progress. *looks at the window fearfully, then looks
at him, her eyes wide* Freddie, do you happen to have a cigarette?
Abberline: Just keep away
from the warehouse district. I am going to take a look at the crime scene tomorrow.
I met her, twice I think, at the warehouse where she was starting some kind of business, and once when she came to fetch Candy
... You know, she looked very much like you. *he smiles* She was stunning ... *he opens his cigarette case and hands her a cigarette and waits till she puts it
in her mouth and bends closer while he holds the lighter* Of course ... it
must have been Salome, but .. *he doesn't want to tell her the gory details of the vision, and still, there is a flaw. She was not buried anywhere, she was found lying on the ground, just left there like
the killer didn't care about whether she would be found or not. Maybe the burial in the rug was something symbolic,
but what meaning would the cornfield have? He stares down at the floor, trying
to get some sense into it all, trying to pull his thoughts together, but he feels he can't concentrate on anything. He buries his face in his hands* I'm too tired ... There's
no sense in anything ...
Daphne *listens to him carefully
after he lights her cigarette, watches him, concerned* Freddie, you’re
scaring me … what aren’t you tellin’ me? You saw something
… *he seems so distraught, she wants to do something for him but she’s at a loss, so she stands up, goes to the
bath, turns on the faucet, soaks a washcloth in cool water and fills a glass with water.
She brings these back to him, sets the water on the night stand, sits back down facing him, brings her hands to his
face, helps him tilt back slightly. She presses the cloth to his face* H-here, put your head back a little, hold this over your eyes, it’ll make you feel better. *she sits quietly as he does this, then asks in a small voice* Freddie
… would you please take me to see Salome? I … I can’t tell
you how weird it’s been, to hear this news about her but to not see her yet, after all this time. *she puts a hand on his knee* Please, I would never ask if
I weren’t family, but … I’ve heard it helps people when they’re grieving, to … to see the loved
one. I won’t tell anyone you let me see her, in case it’s breakin’
some rule. Please, Freddie? *looks
at him imploringly*
Abberline *after a while,
pushing his damp bangs back, blinks* What?
Yes, I think you can, but keep in mind that she has been there for a while.
*his leg twitches when she puts her hand on his knee, then he smirks* I
am a fool. You are a trained nurse, you have seen dead bodies before. *he nods* Tomorrow.
I will take you tomorrow ... I guess I should leave for you to get your sleep *but he doesn't rise up, he just leans
his head on the wall and stares at the ceiling lamp.*
Daphne: I’ve seen a lot of things, working as a nurse … I’ll be fine, I
promise. *she looks outside, it’s still dark, then turns to him* Maybe we should go now, while everything’s closed up. Nobody
will be there, nobody’ll see us. Then we won’t get in trouble. *she waits for him to say something or to move, but he does nothing. She stands up, gathers some clothes together, goes into the bathroom, shuts the door. She emerges a few minutes later, wearing jeans and an oversized sweatshirt; approaches the bed* C’mon, we can get it over with, an’ then you can go home an’ rest. *she looks down
at him, worried when he doesn't respond* Are you all right?
Abberline *turns slightly
his head to look at her as if he had forgotten that she was there* What? *frowns*
She's in Tortuga and she doesn't look happy ... And he's there too,
I can see the white shape .... They are looking for her ... *then he starts, but his eyes still have a glassy, feverish look*
He's back! How can it be! *then
he shakes his head* What's happening to me?
I've never felt it like this, like I were there myself, buried in the cornfield .... and now there, walking straight
into the trap ... *he groans, trying to get up* Tomorrow. I'll come for you tomorrow. *but his long lashes flutter and
he shuts his eyes* I have been drinking since I gave the ring back.
Daphne *eyes wide with terror,
hops onto the bed next to him, shakes his shoulders* C-cornfield, what cornfield? Who’s in Tortuga, what white shape … Freddie!! *she
jumps off the bed, looks down at him, thoroughly frightened. Moves over to the
phone, speaks to the operator and asks for a connection, keeping her eyes on Abberline the entire time. Finally, she hears a voice on the other end, and she feels a great relief*
Sergeant Godley … thank god. This is Daphne, please, come to Chez
Roux right away. Freddi— ahh,
Inspector Abberline is here, an’ he’s not at all well. Please, hurry!!
Abberline *is dimly aware
that she's talking on the phone and he briefly wonders why she's doing that in the middle of the night. He frowns, he can't really hear what she is talking about, but then she comes closer again* Don't you have anything to drink in the room? *he
takes her hand, pulls her closer* Daphne, I want to sleep with you ...
Daphne *drops
the phone, looks at him, startled, and his soft voice triggers her memories, and everything comes flooding back to her, of
their brief but steamy love affair, the time they spent together at Bournemouth House … the kitchen table … the
chandelier … the ironing board … the narrow pull-down stairs leading to the attic … she lies on the bed
next to him as he pulls her close, and she gazes into his deep, dark eyes … he pulls her still closer, sliding his arms
around her slender waist, and her lips brush his, she can feel his mustache, the heat between them … then she snaps
out of it and she pulls away from him, frowning* Freddie Abberline!! You’re just using me! I told you once already, that’s
not enough for me anymore. I don’t know where Kat is, but you still care
for her, an’ you’re still married to her. I’m really sorry
you’re hurtin’ over her, but … you shouldn’t be here!! *she
thinks of the man she loved, who she was forced to leave because the matriarch didn’t consider her worthy; her eyes
flash, and she adds* Don’t you even care what your son hears about you? These things have a way of gettin’ around.
I backed off as soon as you told me about Kat, an’ I’m not gonna step in now just ‘cause you two
are havin’ trouble. *she thinks to herself, that's more DeeDee's style. She stands up, pulls Abberline
to his feet, guides him toward the door, flings it open, shoves him out into the hall*
I’m sorry, Freddie. Be careful, okay? *she shuts the door, locks it, leans against it, tears in her eyes*
Abberline *curses, for
a moment considers banging on her door, but then he sees a dark shape of a man walking towards him in the darkness
of the corridor, and he thinks better of it. Godley will be anyway mad enough at
him, finding him with Daphne. But then, he doesn't know what happened to Kat.*
You shouldn't have come, there's no emergency. I can get home on my own,
and I don't need anyone to preach to me.
Godley: Very well.
No preaching, but I don't think you will be going home, Inspector.
Abberline: You are
not Godley! *he's still too drunk to react fast enough when two men take him hard by his arms and lead him down the
stairs*
The man *snickers* How very astute of you, Inspector. *he
speaks to the men* Lead him to the car an take him away.
At Tortuga:
Manouche *runs from the alley, rushes back to The Conch, where she searches the room, finds Corso with the two wenches*
Right, ladies, party’s o’er! *the wenches glare at her, no intention of leaving Corso’s side.
Manouche rolls her eyes, grabs Corso from between them, holds up a hand as they start screeching protests* Ladies, SHUT
IT!! Deany weenie’ll be back with ye in fifteen minutes, straight up. Call it an intermission, talk amongst
yerselves. *she turns away from them, drags Corso out the door, into the street in front of the tavern, looks at him,
still holding his arm tightly* I need th’ key to th’ ship, luv, tout de suite. *pauses, blinks*
Oh … by th’ way, ‘ere ye are. *she pulls out his wallet, which she took from LaChandra, who had taken
it from Corso, and she hands it to him* Beware th’ company ye keep in Tortuga, savvy? *grins, loosens her hold on his arm* Now, let’s ‘ave that
key, an’ ye can return t’ yer friends.
Corso *not quite listening
to her, he sets his eye on another wench, winks an eye* Yeah, what
is it? You could have joined us, hey, that's why we came here for, mate
... What ship? Which key? What's
that? *he looks curious at the wallet*
Funny, it looks just like mine ... *he feels after the wallet and it is gone*
Bloody, it's gone. How did you do that, neat trick! Key ...
*he starts to look after the key, but not very effectively, swaying a bit, then he grins a stupid grin* The key has run off. *and he laughs loud at his funny joke
and slaps Manouche on the shoulder*
Manouche *narrows her eyes
as she glowers at him* Oh, bugger … we ‘aven’t time fer this. *she watches him chortling over his joke, shakes her head, grins* Ah well, ye did get me ‘ere. An’ ye provided some
distraction when I were feelin’ right miserable, I’ll grant ye that. I
reckon ye deserve to ‘ave a bit o’ fun, even when yer bein’ searched.
*she moves behind him, grabs his arms, pins them back, calls out to the wenches*
LADIES! I’d like te announce a contest. *Tiffany and LaChandra turn, approach, scowling, looking suspicious*
Now we’re lookin’ fer a key, a smallish silver one, savvy? A
key what’s on this gent’s person, as it were. *she nods toward Corso,
who belches, then grins; she rolls her eyes, then continues, to the wenches* I’ll
hold ‘im up, an’ th’ pair o’ ye ‘ave at it. Th’
first one to find th’ key wins a fine bit o’ shine. *she watches
their eyes light up greedily* On th’ count o’ three, ay? One … two … three! *the wenches rush forward,
searching Corso thoroughly, squealing and cackling, their hands all over him. Corso
looks startled at first, then starts to enjoy himself, giggling hysterically as the girls check all his pockets while Manouche
holds him up. Finally, Tiffany cries out, holds the key up triumphantly. Manouche smiles broadly* Ahh, we ‘ave
a winner! *she releases Corso, he slumps to the ground, snickering. Manouche steps over to Tiffany, takes the key, nods, puts it in a pocket, bows slightly to her* Merci beaucoup, mademoiselle. *she sees the disappointed look
on LaChandra’s face, adds* However, we don’t believe in losers in
this game, so … *she reaches in her pocket, takes out some cash, peels off a few bills*
Fer th’ winner … *hands Tiffany several notes* … an’ fer th’ runner-up. *gives LaChandra a lesser amount, though still generous. The
girls stare in disbelief at their winnings* Now, I advise ye t’ both go
‘ave some fun. *nudges Corso with her boot*
This one’ll still be ‘ere when ye— *she stops talking
as she sees that the girls have already turned and run, back into the tavern to buy drinks.
Manouche shrugs, finishes her sentence* —return. *she looks down at Corso again, shakes her head* Curious thing
about ye, Dean Corso … self-servin’ brute ye may be, but I can never completely hate ye. Carry on, mate. *she grins, steps over him, hurries back toward
the alley where she left the others*
At the Barries’ house:
Sarah *despite the late hour is wide awake. She hasn’t heard from
Isabella since she came to visit and Sarah questioned her happiness or lack thereof. Even
though Isabella blew it off, she wasn’t quite herself for the rest of the visit and now Sarah wonders if she should
have said it. She didn’t really mean to push Isabella, she was just concerned.
Rolls over on her side trying to get comfortable so she can fall asleep.*
Barrie *feels Sarah stirring and wakes up; moves closer to her and wraps his arms around her* Hey, why aren’t you sleeping? Are
you alright?
Sarah *softly touches his arm* Yeah, I’m alright. Just thinking.
Barrie: About?
Sarah: Isabella …
Barrie *sighs* I know she’s your sister and
that you love her; I care about her too, but you can’t spend all your time worrying about her. She’s strong, she’ll be OK.
Sarah: I know, but I shouldn’t have said it. Maybe the kind of life that she leads does make her happy. We’re
different. Just because I’m happy with a quiet life with my husband, it
doesn’t mean that she would be.
Barrie *Wants to put her mind at ease, but doesn’t want to tell lies* I imagine that if she was truly happy, she would have told you that when you brought it up. I’m sure she’ll find what she’s looking for in time.
Sarah *unconvincingly* I guess …
Barrie *kisses her shoulder* Are you worried about
tomorrow too?
Sarah: Terrified would be more accurate.
I haven’t seen my father for a long time and now I’m introducing him to my husband and telling him that
he’s going to be a grandfather. It’s a lot all at once.
Barrie: It is a lot, and it’ll be hard on you
both, I imagine. But he’ll be happy to see you and to hear about the baby.
I’m sure of it.
Sarah: I hope so …
At Tortuga:
Manouche *on
her way back to the others, with the key to the 12th Commandment, slows down, winces as she feels the sensation coming on
again; groans* Oh, no … *she stops, steps back from the street a little,
slumps down against a wall dizzily. She sees nothing at first, then what appears
to be a billowing fog clears away to reveal four men sitting around a table in a tiny dark room, talking quietly. She doesn’t recognize any of them, and she has no idea where they are, but they’re obviously
making plans for something. She strains to hear, and her eyes widen as she starts
to understand some of the conversation, though it’s choppy and hard to hear, like a rough soundtrack to an old, worn
film:*
First man: He’s higher profile now, we’ll have to be more careful. ‘Course, that could also have its advantages. He’s
bound to have more enemies now, too. Less likely to have the finger pointed at
us.
Second man: And any investigation will get dragged out for a long time, as we’ve seen …
*snickers* That’s got to be the worst Security department I’ve ever
seen. They’re still workin’ on the case about the murdered redhead,
they haven’t got a clue.
Third man: We could prob’ly walk right in an’ shoot him. *laughs* It’d take ‘em long enough to sort that
one out, much less what we’re plannin’.
Fourth man: Let's not push our luck. What about her? Those powers of hers, wouldn’t want any of that aimed at me.
First man: She’d have to trace it back to us. That’s
not gonna happen. At most, she could maybe figure out that he gave the order,
but that’d take her some time, too. By the time she gets around to that,
he’ll have her. Element of surprise, men, never underestimate it. *pauses* He doesn’t give a toss
about Brasco, it’s her he wants.
Fourth man: They still haven’t found her?
First man *shakes
his head* They only know she left with her crew.
This’ll bring her back soon enough. Though not soon enough for dear
departed hubby …
Third man *impatient* So what’s it gonna be? Explosives
or arson?
First man: It doesn’t matter, whatever you want.
Just be sure the house is destroyed, an’ that Brasco is in it.
Third man *smiles* Arson’s nice. Gives a poetic ring
to it, for when it makes the papers … ‘arson at Arwen, arson at Arwen’ … *Second man swears irritably,
reaches out and swats him. The vision blurs, finally disappears from Manouche’s
senses*
Manouche *shakes
her head, dazed, looks around, sees the street before her, the nightlife passers by paying her no mind. She rises unsteadily, weaves her way back to the alleyway, where she sees Ichy and Grace. She goes straight to Grace, puts her hands on her shoulders, murmurs*
Ye can’t go home, mate … ye ‘ave t’ stay ‘ere … an’ ye ‘ave t’
get Donnie outta th’ house, savvy? It’s a trap …
Grace *stares at her wide eyed, then runs back to the tavern and to the backroom to use the phone; this time she doesn’t
bother asking for permission or paying the barkeeper. She quickly dials the number
and waits impatiently for Donnie to pick up*
Donnie *hurries into the living-room from the kitchen when the phone rings; he had to clean up a bit before Grace returns,
the place was a mess* Grace?
Grace *speaks quickly* Donnie, get out of the house now! Manouche had
a vision, it’s not safe.
Donnie *sighs* Come on!
Grace *angrily* Donnie Brasco, this be no time te question magical abilities.
Get yer ass out o’ that house or I swear I’ll put a bloody curse
on ye!
Donnie *stays silent for a moment; then answers quietly* Stay in Tortuga, I’ll
find a way to get to you.
Grace *softens* Good. An’
Donnie … be careful. I don’t know what I’d do iffen anything
happened te ye.
Donnie *reassuringly* I’ll be careful, promise. *They hang up and Donnie quickly packs a bag and goes outside to the car. Just
as he’s about to open the car door, it dawns on him that if someone really wanted to hurt him, a typical target would
be the car. He throws the bag over his shoulder and starts making his way to
town on foot.*
Grace *gives the barkeep a few coins as she leaves the tavern; best to stay on friendly terms with one of the few people
on the island who actually has a phone. She returns to Manouche and Ichy; looks
at Manouche appreciatively* Thanks mate, Donnie be tryin’ te find a way
o’ gettin’ here.
Manouche *nods wearily* S-sorry t’ be so unsure o’ what’s
‘appenin’, luv … I don’t know … I saw four men, plannin’ … they was plannin’
to do somethin’ to yer house, I ain’t sure what. But they were clear
on th’ fact that they weren’t t’ do anythin’ unless Donnie were on th’ premises. So th’ way I see it, if they find he’s gone, nothin’ll ‘appen to Arwen. I hope that’s th’ case, anyway, ‘cause I know ye love yer home.
Raven *observing everything from his perch on Ichy’s shoulder, flaps his wings, swoops down onto the ground;
shimmers, shifts into his usual form, runs to Manouche* Manouche, I … *he
stops, looks at her curiously* What’s wrong?
Manouche: What’cha mean, luv, I’m sound. I jus’ had one o’ them pesky dreamer visions, is all.
No worries. *smiles reassuringly*
It’s most fortuitous that ye chose this moment t’ return to yer boyish format, ‘cause I ‘ave
an idea fer findin’ yer mum. I don’t know that it’ll work,
but it’s worth a try. *looks at Grace and Ichy* You two, keep searchin’. Best stay together, safety
in numbers, an’ all that. If ye find Kat an’ ye can rescue ‘er,
do so, an’ take ‘er to Th’ Brave. *puts a hand on Raven’s
shoulder* Lil’ mate an’ I ‘ave some rehearsin’ to do. *winks, avoiding Raven’s suspicious gaze*
At Sacramento State Prison:
Charles Williams *sits alone in his cell quietly reading a book; he was convicted as a murderer and is locked up with
some of the worst criminals, hard men who’ll kill you for looking at them wrong.
Charles is not a hard man and wouldn’t stand a chance if he ever did find himself in a fight against one of them,
so he keeps to his cell as much as possible. He used to have a picture of the
girls on the wall by his bed, but he couldn’t stand the crude comments about his pretty girls. The thought of his daughters is the only thing that keeps him sane in this Hell-hole. He looks up from his book as a guard taps on the cell-bars*
Guard: You have visitors. *Motions
for Charles to step out of the cell.*
Charles *Hopes that it’s Isabella; he hasn’t heard from her in a while and knowing how good she is at getting
into trouble, he worries about her a great deal. He walks in front of the guard
to the visitation area; a rectangle room with a row of chairs in front of thick glass windows and telephone receivers on the
walls that separate the chairs to give a little privacy. He takes a seat and
stares in surprise as he sees the woman taking the seat on the opposite side of the glass. Tears
stroll down his cheeks and he has to take a moment to regain his composure. He
was so happy that she’d finally take his phone-calls and respond to his letters, but he never imagined that she’d
visit him. He picks up the receiver.* Hello
Sarah.
Sarah *presses the receiver against her ear, her hand trembling* Hi Dad
… it’s good to see you.
Charles *Smiles* It’s good to see you too … you look beautiful.
*Notices the man standing further back* Is
that your James standing there?
Sarah *smiles* Yeah, that’s James. Dad,
I have something to tell you.
Charles *his smile fades* Isabella? Is
she alright?
Sarah *quickly* Oh no, it’s not Isabella. She’s fine. It’s good news.
Charles *Breathes a sigh of relief* Oh good! I haven’t heard from her, I’ve been worried. *Smiles
again* So what’s your news?
Sarah *holds up her hand showing her wedding-ring* We got married …
Charles *his smiles widens* That is good news, indeed. Congratulations to you both. I’m so happy for you, Sarah.
Sarah: Thank you. There’s
more … you’re going to be a grandfather, I’m pregnant. *Looks
at him expectantly*
Charles *stares at her for a moment and as it sinks in, tears form in his eyes* You’re
… you’re having a baby?
Sarah *nods with a smile* I am …
Guard *puts a hand on Charles’ shoulder* Sorry, time’s up.
Charles *looks at Sarah apologetically* I’m sorry, I have to go
… *imploringly* Please come back and see me again soon. And give my love to your sister.
Sarah *blinks away tears* I will … I love you, Dad.
Charles *touches the glass dividing them* I love you too, sweetheart.
*He reluctantly hangs up the receiver and lets the guard take him back to his
cell.*
In Ireland:
Father Connolly *hangs up the phone with a little smile. The plan has
been made … that husband of Grace’s will be blown to pieces and after she feels that she has nothing left to lose,
she’ll be much more inclined to cooperate. Sure there is a chance that
killing Donnie will anger Grace and she’ll bring Hell on Earth, but sometimes you need to take a chance. Now all he needs is to reassemble The Twelve again and go to Deppville.*
At Tortuga:
Barkeep *standing behind
the bar at The Kid Creole, looks up as the tavern door swings open and two strangers enter.
He notes with interest that one, a woman, is dressed in the fanciest uniform he’s ever seen, with gold buttons,
amulets, ribbons … all very official-looking except for the fact that the skirt of the uniform is extremely short and
tight, and the fitted military style jacket is extremely low cut. Finding that
he enjoys the picture she presents, he continues observing with pleasure, noticing in passing her companion, a young boy she
holds tightly by the arm, the boy looking quite upset. He watches them enter,
they approach the bar, he smiles his most charming smile to the woman* Miss,
I’m sorry, but .. *nods toward the boy* .. he’s under age. You can’t
bring him in here.
Woman *raises eyebrows, glares
at him icily, draws herself up, thrusts out her chest* Young man, do you know
who I am?
Barkeep *wolfishly* Noooo, but I would love some enlightenment on that information. Anything you wish to impart, beautiful.
Woman: I am Commander Portsmith.
Barkeep *smile fades, face
goes pale* Oh … C-Commander Portsmith!
Why … I – I – I
Portsmith *imitating him
jeeringly* ‘I – I – I ‘
… what’s wrong, bartender, cat got your tongue?
Barkeep *flustered* Yes ma’am! I mean, no ma’am! I mean …
Portsmith *holds up a hand* Never mind! Just bring me a drink. Martini, very dry, shaken, not stirred, two olives.
And none of that cheap vodka, or I’ll have your head. Is that clear?
Barkeep *salutes* Yes, ma’am! Comin’ right up! *nods toward the boy* C-c-can I bring him something, a soda,
punch …
Portsmith *sneers* Certainly, anything to keep him quiet. *she shakes him by
the arm as he starts to whimper* Enough!
Or I swear, we’ll forget this whole thing!
Barkeep *quickly prepares
the best martini he’s ever made in his life in a shaker, finds a glass, washes it out twice, holds it up to the light
to make sure it’s sparkling; carefully pours the martini into the glass, pours out a soda, brings the glasses to the
bar* Here you are. *he smiles carefully,
adds* T-tell me, Commander, we’ve heard so much about you around here …
what brings you here tonight, and who’s the lad?
Portsmith *tastes the martini,
nods* Not bad. Pretty good. Matter of fact, it’s just good enough for me to not punish you for your impertinence
of asking nosy questions. *takes another sip, looks at the barkeep* I may as well start with you. *nods toward the boy* Do you know who this brat is? *barkeep shakes his head* He’s Raven Abberline … his mother is the notorious pirate Kat Cassidy,
wanted for crimes too numerous to mention. I’m sure you’ve heard
of her.
Barkeep: Oh yes ma’am, everyone around here knows Kat. *pauses,
cautiously* So, what are you doing here with the whelp?
Portsmith: Well, I’ll tell you … what’s your name? *snaps
her fingers impatiently*
Barkeep: Uhhh, Donald, ma’am.
Portsmith: Donald … named after the duck, I suppose. *Donald laughs
nervously, quickly shuts it when she glares at him* Well, anyway, Donald, I’m
here to find Kat, deliver the brat to her. He was left in my care. You probably have heard the stories about his father, Inspector Abberline, and his recent utter disintegration
of discipline and responsibility. I’ve been forced to look after the kid
while Abberline goes chasing the dragon and assorted females all over Deppville. *rolls
eyes* Why I hired him, I’ll never know.
Biggest mistake I’ve ever made … well, except for buying these cheap stockings. *she holds up a shapely leg, her tone annoyed* Look at that,
will you! Snagged already. They
practically snag if you look at them wrong. Bloody incompetence, cheap shoddy
craftsmanship, it’s rampant these days, one simply can’t escape it!!!! *her
voice rising, pounds the bar with her hand*
Donald *jumps, eyes wide* Y-yes, ma’am … n-n-no ma’am!
I mean, that is to say, I agree with you, ma’am … nothing’s made well anymore. Why, just last week— *his words are cut off as Portsmith
grabs him by the collar and pulls him close*
Portsmith *snarls* Do you want to hear the rest of my story, or not? *Donald
swallows, nods vigorously. She lets him go, checks her nails critically to make
sure she didn’t chip one; picks up her glass, takes another drink, continues*
That’s more like it. Now, as I was saying … I’ve been
watching the brat while his parents are running amok, and I finally decided I’ve HAD it.
He’s disrupting my entire way of life, he’s worrying my precious ferrets … I can’t deal with
this any longer. I tried to take him to his father, but the man is hopeless,
strung out in one of those nasty dens in From Hell Court. Then wouldn’t
you know, the brat starts whining, and I simply cannot ABIDE whining. So I brought
him here in my yacht, the 12th Commandment. And I won’t leave until I see
Kat with my own eyes and deliver her little bastard to her. *arches a brow at
Donald* Would you happen to know where I can find her? I know she’s here, don’t deny it.
Donald *eyes wide* Well, ma’am, I can’t say I know where she is. I
saw her earlier, but … I’m afraid I can’t give you her whereabouts at this particular juncture.
Portsmith: Then you will start getting the word out. Ask around, you
bartenders always know what’s going on, you can’t fool me. I’ve
had enough of you in my employ from time to time. *Raven starts to whimper again,
Portsmith glares at him sharply* What did I say??
*she turns back to Donald* I neglected to mention that there’s a
handsome reward to anyone who can find Kat. I’m willing to offer a great
many expensive and unique items from my yacht … *Raven whines louder, Portsmith grimaces distastefully, raises her voice* Make that the yacht itself!! I really
can’t stand it, Mr. Duck, you’ve GOT to get word out, find Kat! I’m
losing my mind with this blasted kid!!
Donald: Y-yes ma’am! *he steps from behind the bar, stands on
a low stool, addresses the room* ATTENTION, everyone! Listen, mates! *waves a hand at Portsmith* You’ve all heard of Commander Portsmith. Now she’s
come all the way to Tortuga, out of the goodness of her heart, to reunite this unhappy little child with his beloved mum. Anyone here who knows the whereabouts of Captain Kaitland ‘Kat’ Cassidy
of The Apparition, take the good Commander and the boy to her, and you’ll rest easy, knowing you’ve performed
a supreme act of kindness for a loving mother an’ son. *there are some
murmurings in the room, a couple of chairs shift. Donald looks around at them,
glances at Portsmith, who fixes him with a stern glare; he sighs, looks back to the crowd, adds* And of course, there’s a considerable reward from the Commander for the person who accomplishes this
task. *the voices rise, everyone jumps up, rushes for the door, pours out into
the street to search for Kat. Donald looks around the empty room, turns back
to Portsmith, raises his eyebrows as if seeking her approval*
Portsmith *nods, examining
her nails* Rather restores your faith in human nature, doesn’t it, Mr.
Duck, to see people so willing to do the right thing. *smiles slyly, holds up
her glass* I’ll have another martini, if you don’t mind. *Donald takes the glass from her, scurries to make the drink. While
his back is turned to them, Manouche quickly peeks out from her Portsmith disguise – the uniform she borrowed (with
every intention of giving back) from the wardrobe on the 12th Commandment. She
winks reassuringly at Raven, who grins, winks back, then resumes slurping his soda*
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