DEPP SHADOWS 3
Part 162
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Let us not, dear friends, forget our dear friends the cuttlefish ... bind them up together and they'll devour themselves without a single thought. 
 

Being a series of makeups, breakups and strange bedfellows … Corso finds Manouche on the beach and talks her into a little trip to Tortuga … Hanson finally breaks it off with DeeDee … Abberline is reunited with the comforts offered by the unfortunates of From Hell Court … Grace, Crane and Gibson join forces to hunt for Kat … Isabella is left alone with her anxieties about the direction her life is taking … returning from their fruitless attempt to find Manouche, Malachi goes home to Miranda, and Blake is reunited with Constance … Donnie takes Isabella on as a new officer, and but for dreamer intervention almost takes her on as something else … Willy and Madame pack up the family and depart for London for an indefinite period while the factory is renovated … and Blake’s recent uncertainties and concerns are finally put to rest, though he fears that the cost of his closure may prove too dear.

 

On the beach:

 

Corso *wanders aimlessly on the beach on his way from Chez Roux, gulping the fresh sea breeze and feeling slowly better.  It's not for the first time that he's escaped his beautiful but insatiable wife, who doesn't seem to understand that men's physique doesn't work like a female's.  In short, he is exhausted.  On pretext of conducting businesses he has now several nights in a row managed to elude her and his strength is returning.  Soon he starts to whistle, looking at the evening sky, listening to the sea gulls and the waves breaking on the shore.  Funny, he's never noticed that nature has voices.  Yes, he's known about birds, but he’s never really thought of them, and for a long time he gazes at a pair of gulls sitting on the roof of Chez Roux, wondering how brave birds they are, they sit right at the brink of the roof despite the height ... He starts idly to wonder whether they never fall, when suddenly the spread their wings and fly away to the sea.  He blushes with shame.  Bloody hell, the birds have wings, they don't fall from rooftops ... Maybe there are some things outside books he should start to research.  Like the flotsam on the beach.  Very curious.  Seaweed, timber, something looks like a cap and something larger, like a log that reminds somewhat of a human body ... He approaches it, but when he gets closer, he starts.  It is a body.  A female human body, and the clothing looks familiar.  He prods her with his boot tip*  Hey, Manouche, wake up.  Did you have one too many tonight? 

 

Manouche *stirs, mumbles, opens her eyes, looks up*  Hmm … oh … eh, Corso.  *she slowly sits up, shakes her head, runs her hands through her hair*  Blimey, I must’ve … *things start to come back to her, she winces slightly*  Oh.  *she swallows, with an effort she maintains composure, looks up at him, smiles slightly*  Where ye been keepin’ yerself, mate?  I understand congrats are in order.  Are ye findin' married life t' yer likin'?

 

Corso *grins*  To a certain point, yes, but a man always needs some freedom.  And you know the saying, You don't have to eat at home every night just because you have a kitchen ... What have you been up to?  You look just like a pirate on a holiday in Tortuga.  What's dear William going to say?

 

Manouche *frowns, her eyes flash*  Wh-when did ye ever give a toss what dear William says?  *mumbles, almost to herself*  Aye, I reckon a man does need his freedom from time t’ time.  *lowers her eyes, is quiet for a moment as she thinks of Constance, and Blake's letter to her ... then she looks up at Corso*  Y’know, sometimes women need that freedom, as well.  Truth be told, Mr. Blake an’ me, we’re on a bit of a … hiatus, ye might say.  He’s off ‘avin’ an adventure, an’ … well, ‘ere I am, as it were.  *she stands up, brushes herself off*  An’ it’s most fortuitous that ye mention Tortuga, ‘cause … I’m thinkin’ it’s been a long, long time since I were there.  It's suddenly soundin' like a most attractive destination.  Sometimes one has t’ blow th’ dust off, ay, Corso?  *nudges him, raises an eyebrow*  An’ jus’ where are ye off to?  Or are ye returnin’ home at th’ moment?

 

Corso *Grins, lies smoothly*  I was just hoping to find a vessel that would take me to Tortuga, and as it happens that we seem to have the  same destination, and even the same reason, we could make that little trip together, what do you say?  *his grin broadens*  As it happens, by some chance, I do have a set of spare keys to the 12th Commandment, and as it happens, the Commander just stocked the pantry ... Champagne and strawberries, tempting, eh?  *he fishes the keys from his key pouch, full of useful keys to very varied locations*

 

Manouche *eyes the many keys with an arched brow, looks at him steadily*  Well now … ain’t that a coinkydink.  *casts her eyes in the general direction of the cove*  As it ‘appens, th’ only ship I ‘ave at me disposal at this particular juncture is a rather small one.  *looks at him, shrugs*  We ‘ave an accord.  Let’s take th’ 12th bloody Commandment, arrive in Tortuga in style, turn a few heads.  However, I won’t be partakin’ of champagne an’ strawberries, savvy?  Such dainties don’t hold much interest fer me tonight.  Rum or absinthe’ll suit me much more better.

 

Corso:  Great!  We'll buy some stuff for a picnic on the sea at Chez Roux, then.  Absinth is vile and disgusting, but I suppose she has both rum and wines, she likes to keep a style.  *offers his arm*  Tortuga!

 

Manouche *freezes; sternly*  If yer goin’ to Chez Roux, yer goin’ alone.  *snorts contemptuously*  Picnic!!  Picnic be ‘anged!  Ye blasted hothouse flower!!  We’re travelin’ t’ Tortuga fer carousin’ an’ pillagin’, we ain’t primpin’ fer a garden party!!  We either head fer th’ docks ‘ere an’ now, or ye can take that blasted overblown sardine-can th’ Commander calls a ship an' travel solo!  I’ll be quite content in me smaller vessel on me onesies.

 

Corso *rolls eyes*  All right, all right, you get what you want, savvy!  *takes her by the arm and walks with her to the docks to the 12th Commandment, fully restored and gleaming*  On board, ye scabrous dogs!  *he grins, but it fades a little when she doesn't even roll eyes, he takes a seat at the steering wheel and the engine roars to life and the 12th Commandment sets off with a spray of foam for the horizon*

 

Manouche *watches the shore recede from view, catches a glimpse of Chez Roux; she sees Constance in her mind’s eye, wonders if it’s a vision or if she’s just seeing her … she feels tears sting her eyes, impatiently blinks them away.  She looks at Corso, tries to think of something to talk about to take her mind off everything, to ease the pain in her heart*  Corso, if yer still in Portsmith’s employ, per’aps ye can satisfy me curiosity on somethin’ … has she by chance taken to standin’ on balconies an’ embracin’ the inner dictator as of late?

 

At the Security office:

 

DeeDee *returns after an hour, not quite satisfied with the lunch.  It was just a lunch ... She peeks into Hanson's room*  Hi Tommy!  How should I break the news to Daddy about my new work-place?  He will be afraid that I will lose my good reputation.  He says that police work is not really fashionable, and that's what the Old Lady Cynthia used to say too.  But at least I don't have to wear a uniform.  Though some of Commander Portsmith's uniforms don't look so bad.  Tommy, do you think fishnet stockings would suit me?

 

Hanson *sighs heavily*  DeeDee, I think … *searches for the right words*  OK, you’re a very beautiful woman and I won’t deny that we’ve had fun, but … I don’t think we should see each other anymore.  Let’s face it, we have nothing in common – we don’t like to do the same things, eat the same food … we barely speak the same language!  And it’s not like our feelings for each other run that deep anyway.  It’s time to explore other options, meet new people.  Sorry.

 

DeeDee *frowning* I don't really understand what you mean about seeing new people?  *because she has been doing that all the time, anyway, true to her nature*  I don't mind if you have some flings, honey.  *she frowns again.*  I don't think that you've ever told me what things you want to do except the one *she grins* and you really should do the change in your diet.  So what is the problem?  Let's go out tonight and talk about it *she's quickly going through her options at the Security.  Godley - no. Crane - definitely.  Abberline - she will get him when he's in a better mood.  Charlie - no, been there, done that.  And Tommy - she looks at him critically for the first time.  Actually he's the same kind of puppy as Charlie.  And he has the nerve to say that he is tired of her!  Anger flares through her; to be dumped like this, no.  *she sniffs, concentrating for a while on creating tears in her eyes, knowing how vulnerable and sweet she looks when she hangs her head down, but at the same time she's mortally afraid that the tears will start to roll on her cheeks and smear her makeup*  Tommy, how can you be so cruel to me, today of all days, when it's my first day at a new place, and I was so delighted we could be closer ... And with the funeral ... And all ...

 

Hanson *studies her … when they first started going out, he was so easily fooled by fake tears and sweet looks, but he’s seen it all before … just about every time he tried to deny her something.  Sure, he feels sorry for her if she’s truly upset, he just finds it very difficult to believe than anything but her pride is hurting.*  Look, I’m sorry the timing is so bad.  But it just isn’t working for me anymore.  *Frowns*  That’s not true … I have invited you to go bowling and to sports games … but you never listen to me.  Every time I try to have an actual conversation with you, you listen for five seconds before you start talking about designers or something like that.  And it’s no big secret that you’re constantly flirting with other men.  I’m sorry, but it’s over. 

 

DeeDee *her eyes wide in surprise*  But that's actual talking we do honey, and you know anyway that there's better ways to occupy ourselves than talking - or bowling.  I can't understand what you see in that.  *her tears are gone*  So, you think you can just dump me like that, Tom Hanson, like I were just a cheap tart you picked up for a moment of fun.  We are not through yet, love.  You'll see.  I am not giving up so easily.  And what is Daddy going to say?  He's going to kill you when he hears that you have broken my heart.  *her face is not so beautiful anymore and her eyes glint malevolently*  Maybe it is as he said, that I am far too good for a poor copper like you and that you are just trying to get me for Daddy's money.  Oh, you are such a vile and despicable creature!  *she storms out, enraged that it happened to her again.  First, Malachi dumped her for a twit, and now Hanson for no apparent reason.  She's calmed down when she reaches her desk.  She'll show him.  She can get Abberline, who outranks the miserable sod.  And maybe she can even get Donnie ...  she takes a small mirror and looks at herself concerned.  Or is she losing her charm?  She's growing old, she knows.  And maybe she still has too much fat.  She must start a stricter diet and do some workouts.  She smiles at the mirror.  There's no shortage of gorgeous willing men in Deppville ... *

 

Hanson *sighs heavily; the girl did have a point – he never did have any real intentions with her.  At the same time he’s a rather relieved that it’s done, and a girl like DeeDee won’t stay single for long.  She’s probably already contemplating her next victim.*

 

At the Security office:

 

Godley *goes over to Abberline*  Was that a very sensible thing to do.  Kat will hear about it sooner or later, and with the reputation of that bimbo blonde she'll nail you.

 

Abberline:  Godley.  I've got a headache, I'm going home.  *he rises up from behind his desk and walks round Godley to get out of the office, not looking once back he heads straight to From Hell Court, walks into a bar and orders absinthe, and when he gets his glass, he takes the small bottle of laudanum he had hidden at the office and drops about ten drops before drinking the glass.  He orders immediately another and starts feeling a little better ... Some hours later a woman sits down beside him.  He doesn't know her, but she could be any of the unfortunates walking up and down the streets trying to get a meager living.  She's not too old and not yet too worn, but there are harsh lines around her mouth and her eyes are dead.*  You want a drink?

 

The woman:  Sure, dearie, one like you're having.  I don't have any money, but I can pay you back in some other way.

 

Abberline *lighting a cigarette*  Can you?

 

The woman *smiles slyly*  Oh yes, you won't be disappointed.

 

Abberline *shrugs.  For one brief moment he thinks about Kat, how she must be in a similar bar somewhere in Tortuga, snapping at all the drunk guys trying to get her attention.  Only this time he won't be there ... *  All right.  *he puts some bank notes on the table and staggers out, followed by the woman*

 

The woman:  I have my digs here near.  Follow me ..

 

Abberline *follows after the woman, and when they come to a dark alleyway, she suddenly stops, looking after her key, and he bumps into her.  He pushes her against the wall and kisses her as she pulls off his jacket ... *

 

On The Brave:

 

Gibson *Hanging onto Ichy, boards the Brave and he leads Ichy to the Captain’s cabin.*  Captain, this miscreant were askin’ about Kat.

 

Grace *at first ready to demand to know why this pirate is asking about Kat, then she frowns and moves closer. She circles him while looking him up and down, stops in front of him* Ichabod Crane? ‘Ave ye turned pirate? 

 

Raven *in white raven form, barely hangs onto Ichy's coat as Gibson takes him back to The Brave.  He wants to laugh when Grace recognizes Ichy ... then he suddenly feels a horrible dizziness ... he sees his father, in an alleyway at From Hell Court, roughly kissing a strange woman.  He winces, makes a soft chirping sound, and his talons dig sharply into Ichy's shoulder*

 

Ichy:  Ouch!  Be careful!  *apologetically to Grace*  Turning pirate was not a voluntary choice of mine.  I can't walk around in Tortuga as Constable Crane asking for Kat, sadly.  But please help me to find her, I am sure that something bad has happened to her and I don't know where to look.  You are familiar with the place, have you any good suggestions?

 

Grace *looks at the raven, then back at Ichy*  What’s wrong with yer substitute fer a parrot, mate?

 

Ichy:  Er.. it's just a bit nervy .. So, can you help me?

 

Grace:  O’ course I’ll help ye, Kat’s a mate.  But … to be honest, *grins a little sheepishly* I mostly know the taverns.  Do ye any clues at all?

 

Ichy:  Can't we start with the taverns then?  Someone must have seen her come or go.

 

Grace:  Aye, sounds like a plan, mate.  *Grace, Ichy, and Gibson go ashore and head toward the village*

 

At Isabella’s apartment:

 

Isabella *lies on her side on the bed starring blankly at the wall.  At least she finally managed to stop crying.  She rolls over on her back now starring at the ceiling Sarah’s words still ringing in her head … maybe you never have been truly happy. *

 

*Isabella had visited Sarah and James to bring them a little housewarming gift and at one point she told Sarah about the night she took pictures of Portsmith’s Stone Circle.  Sarah had looked at her with deep concern and asked her why she was so unhappy and went on saying that in her view anyone putting themselves in danger on purpose couldn’t possibly be happy … that it was as if Isabella didn’t care much if she was hurt.  A bit thrown by Sarah’s statement, Isabella had pointed out that if that theory were correct, it would mean that she’d never been happy.  That’s when Sarah looked at her and carefully suggested that maybe that was the case. Isabella had instantly blown it off saying that it was ridiculous.*

 

*But the words stayed with her … maybe you never have been truly happy.  When she returned to her apartment, she tried to remember the last time she felt happy.  It scared her how far back she had to go … it was the last night her mother was alive.  They’d rented a couple of movies, bought plenty of candy and ice-cream and had settled on the couch to watch the movies and girl-talk.  Her friends always thought it was weird that Isabella considered her mother among her friends, but they still thought it was cool to sit in the small kitchen and talk about clothes and boys with a grown-up who seemed to understand them and who didn’t lecture them.  Everything was right that night.  And the next day, her whole world fell apart.  Suddenly her mother was gone and she had to move in with a father and sister she barely knew.*

 

*Isabella hadn’t thought much of her mother in years, but thinking of that night and her mother’s death brought with it a flood of repressed emotions … sadness, loss, the feeling of abandonment … she tried to push it away again, but the wound had been opened.  Of course she hasn’t been truly happy.  She’s never really dealt with the loss of her mother; in fact, she’s done her best not to deal with it.  She’s never let anyone get close, never let anyone break down that thick wall of protection.  The only two people getting close to breaking it has been her father and Sarah … and she constantly tested her father to see if he’d abandon her too.

 

*Isabella gets up from the bed, goes into the kitchen and takes out a bottle of red wine from a cup-board.  She finds a glass, opens the wine and pours a glass.  She takes a seat on the couch slowly drinking the wine … maybe she could still change things around … try to be more open and only be tough when the situation actually calls for it.  And stop pushing people away the moment they try to get close.  Being self-sufficient is convenient a lot of the time, but right now a pair of strong arms to comfort her would be nice too.  She feels slightly tempted to call Sands, but she knows that it would be a mistake and do more damage than good.*

 

At the hospital:

 

Dr. Rainey *pulls out the body of Salome from the freezer and wraps it in a black sack and rolls it into a big carpet with the help of Dr. Marbury*  This isn't going as planned, not at all.  Are they really that ineffective and daft at the Security?

Dr. Marbury:  At least it seems that no one has found the trinket you dropped at the site.  A corn stalk pin, Martin.  *rolls eyes*

Dr. Rainey *pouts*  How could I have known it was so loose?  Let's move on.  *They carry the body to the car waiting at the doors and pull off quietly.  No one has seen them, and even if someone should have happened upon them, they both have their white coats and the bearing from which you always can distinguish a doctor from the lesser people.  The car stops some way off the town before a nice little log cabin by a lake*  I bought this place from Mort.  It's just perfect and no one could ever guess that there's a lab installed in it.  *he goes after two spades, and they carry the body to a lonely spot in the middle of a corn tall corn stalks, where an open grave is waiting*  I suppose this is the first time she will be of any use to anybody.

Dr. Marbury:  Martin, you worry me sometimes.  *they dump the body and shovel the dirt back.*

 

At Isabella’s apartment:

 

Isabella *wakes up on the couch; she’d fallen asleep after a couple of glasses of that wine.  She feels drained, but a little better.  Still not sure if she has the strength to do it, she knows that it’s time to remember her mother instead of forgetting her only to bury her emotions.  She can’t go on like this.  Even if she hasn’t been miserable, she hasn’t been happy either and something has to change.  She has to change.  Or at least the way she deals with problems and people.  She clears away the wine bottle and glass, then takes a shower.  As she gets dressed, she re-plays the message on her machine left by Donnie Brasco*

 

Isabella Martin? This is Donnie Brasco, you assisted me and another officer in the Court recently. I was hoping to have a word with you so please call me back or stop by the Security Office.

 

*Wondering what he wants to talk to her about, she finishes getting dressed and after a quick cup of instant coffee leaves the apartment and heads for the Security Office*

 

At the Security office:

 

Donnie *knocks on Godley’s door and enters.  Places a trinket on Godley’s desk.*  I’m not sure if it’s connected to Salome’s murder, but I found it when I was looking for the De Marco twins.  It belongs to Dr. Rainey … he had some sort of lab set up in one of the warehouses.  I should have thought of it sooner, but I forgot that I even had it.  *Shrugs*  Maybe forensics can find something on it to link it to Salome.

 

Godley *picks up the trinket with the help of a handkerchief and examines it briefly*  Dr. Rainey, you said?  I know that guy.  *he recalls the experiments of Portsmith and Rainey*  I just hoped he left the town for good.  I'll get it examined as soon as possible. *he wraps it up in a small plastic bag*  I wouldn't wonder if he were connected with it in some ways.  We.. *he corrects in time, remembering Abberline went home all of a sudden*  I am going to take a look at the warehouses again.  A lab ... *he shakes his head*

 

Donnie *nods*  Good … *leaves the office again and returns to his own.*

 

At From Hell Court:

 

Abberline *wakes up, alone in a shabby room, the only furniture being the bed he's lying in.  The woman has disappeared, for which he is very thankful.  Slowly, he rises to a sitting position, fumbling for his clothes spread on the dusty floor, winces from the headache predicting a bad hangover.  His fingers touch upon something smooth and round under the bed, his hopes rise when he grabs the bottle and raises it.  There are still some drops left of whatever it contained.  He opens the bottle and drinks the beverage.  Homebrewed, horrible stuff that burns in his throat, but still he regret that there isn't more.  After half an hour he's fully dressed, having found everything else except the crumpled bills he had in his pocket.  Even the cigarette case is intact.  He shrugs, leaves the dark room and appears back on the alley.  The sun stings in his eyes when he walks out of the alley.  He can't have slept for long.  He tries to comb his hair with his fingers and brush most of the dust and dirt from his jacket, but it doesn't improve much his neither his appearance nor his spirits.  Chiana is waiting for him, and he is relieved that neither she nor Raven seems to be able to follow him so closely as they did before ... *

 

*A young girl stands and watches him.  Approaching him she stops before him.*  Have you no faith at all.  Mother will know.  *Shakes her head sadly*  I cannot see what's to happen.  Everything keeps shifting.  *Turns away and vanishes*

 

Abberline *shouts after her*  Chiana!  Where is my Hope and where is my Faith?  *a woman looks curiously at him, and he stares her down*  What the f*** are you looking at?  *muttering to himself, he starts to walk home*  They're gone, I have nothing left except you.  And you have just me.  Your mother has abandoned us.  What would she know .... *When he finally reaches home, Chiana is asleep in her crib and Candy is watching over her.  He leans down to look at his baby daughter, brushes her silken cheek*  Is everything okay with her?

 

Candy:  She was just a bit restless.  She was longing for you, I guess.

 

Abberline *sighs*  I have to go to work.  *he glances once more at Chiana*  Though I don't know why.  I don't think I am very much needed there.  Candy, will you tell Marta that I don't need any supper.  I have a headache, I am going to bed.

 

Candy *looks at him sympathetically*  You can always eat later, she can warm it up for you.

 

Abberline:  No thanks.

 

Candy *looks after him thoughtfully.  The latest rumours tell that Kat has been seen feasting in Tortuga, but it can't be true.  But why won't she come home?*

 

On The 12th Commandment:

 

Corso *to Manouche, laughs*  No, she's been sulking since my marriage, but she's not kicked me out yet.  Have you seen her new office?  I suppose you haven't heard about her latest invention.  She gave over the real work to Donnie Brasco, named him a Chief Inspector and moved upstairs. Probably to annoy Abberline, now that he was cleared of al accusations against him.  Where did you get that balcony from?  She has indeed a balcony, with her flags flying on both sides ... A terrific place for speeches and parades, especially when she gets the Equestrian statue finally on the square.  She has been planning to pull down the quarter next to the Security Square to create better room for the statue and her future audience.  *he adds more speed and the ship bounces forward over a wave, lurches and then straightens itself, the engines roaring.*  Now this is something compared to your old boats, isn't it?

 

Manouche *shakes her head*  Now when would I ‘ave seen ‘er office, mate?  Use yer head.  She’d just as soon ‘ang me as pass me on th’ street.  *grins*  Though she an' I did ‘ave a fine sparrin’ match once, at … at Chez Roux.  Willy tried t’ talk us out of it, but I think we needed it.  I think it did us both good.  I don’t reckon she’d admit that, even if she agreed with me.  *pauses, thinks of the visions that are assaulting her now, at the oddest times and of the oddest things*  Th’ balcony … I dunno, I jus’ saw it.  I see things sometimes, that’s all.  I’m glad t’ hear that th’ Inspector has been cleared, I thought all along that were rubbish.  *sniffs indignantly*  Them photographs, absurd.  An’ then Portsmith made Donnie ‘er chief, ay?  Good.  He’ll do a fine job, no doubt.  *she hangs on as the ship hops the waves; looks at Corso, smirks*  I reckon this tank ain’t bad fer a motor ship.  But I’ll always prefer me Libertine Trailer.  *she looks out at the sea and instantly regrets mentioning her ship, as it puts a quick flash of a picture in her head – the deck, Malachi and Blake, Malachi at the wheel.  She squeezes her eyes shut, wills the vision away; tries to think of something else*  D-do ye ‘ave particular people an’ places ye fancy in Tortuga, Corso?  Or are ye jus’ plannin’ on experiencin’ its savory stew o’ dodgy humanity all at once, like one big, teemin’ garlic bulb?

 

Corso:  Well, you were always weird, must be in the blood.  I wonder what my position will now be at the Office, if any.  I don't believe that Donnie fancies me at all.  Not that it's any problem of mine for the moment.  But to talk about problems, you seem to have one.  For the first, you were never keen on my company, and for the second, where is your ship, Captain?  I didn't see any ship, unless you are referring to that little boat.  *he glances at her sideways*  And I got to say that I have always fancied you, you're a darn fine woman with a temper, but you seem to my eyes somewhat listless.  *he shrugs*  There's nothing in the world that Tortuga can't cure.  What you said last sounds fine to me.  That's the way I want it.

 

Manouche *pushing her windblown hair out of her face, looks sharply at Corso; then she smiles, and has to laugh*  By th’ powers, Dean Corso, ye ‘ave no artfulness to ye at all!  How ye convinced a woman to marry ye is beyond me.  But per’aps yer bluntness is part o’ yer charm.  *still chuckling heartily, she finds cigarettes, lights two, hands him one*  I can’t argue with ye that I’m weird … an’ though I don’t think o’ meself as one with a temper, ye seem to often bring it out in me, so I reckon it only makes sense that bein' yer perception o’ me.  *pauses*  Some o’ me existin’ weirdness can be explained.  I … I ain’t well, savvy?  I s’pose I should’ve warned ye that I wouldn’t be much in th’ way o’ company on this trip fer that very reason.  As fer me ship … Mr. Blake’s usin’ it, that’s all.  Jus’ part of our … hiatus, innit?  *gazes out in the direction of Tortuga*  I don’t imagine there’s a cure waitin’ fer me in Tortuga, but it can’t hurt.  *looks at him again, smiles*  So what’s Mrs. Corso doin’ to occupy ‘erself durin’ this lil’ separation?  Is she passin’ th’ time alone, or is she … entertainin’ at home?

 

Corso *accepts the cigarette and turns on more speed, grins as Manouche's hair flies in her face again*  Just cause I like the gesture when you sweep your hair away your face.  As for my wife, it was she who married me, actually.  I don't have any recollection whatsoever of the event, and I was mad at her, but a good bridal night convinced me that there are good sides in being married.  How would I know what she's doing when I am away *looks at her lecherously* and she does not know what I am doing when I am away, alone with a most tempting Gypsy wench ... So, what has dear William done, couldn't he sail with a pirate, eh?  *he laughs*  Shouldn't we soon see the bloody island?

 

Manouche *smarting anew at the thought of Blake contacting his former fiancée, telling her he wants to see her – actually going to the trouble to write to her, why?? – she listens to Corso, and for all that his words are so much foolishness, she feels a little comfort from the fact that someone finds her attractive, though it’s nothing she wishes to pursue.  She arches a brow at him*  A ‘temptin’ Gypsy wench’ … blimey, what kind o’ talk is that?  *shakes her head, but smiles as she removes a long scarf from around her neck, brings her arms up and ties it around her head to keep her hair back; grins at him*  Sorry t’ remove th’ gesture ye so enjoy, mate … jus’ tryin’ to keep this mess from becomin’ more of a tangle than it is in this bloody wind.  *she pauses, tries to find words to casually explain Blake’s actions*  As a matter o’ fact, Mr. Blake is sailin’ with a pirate … he’s with Malachi.  He’s become more interested in ships since … *swallows* … since he worked on buildin’ th’ restored Libertine Trailer fer me.  *she pauses, turns her face away from him as she tries to collect herself*  I reckon he wanted t’ give it a whirl with one o’ th’ lads, as it were.  It’s jus’ … *her voice trails off, she looks out at the horizon, points, cries out*  Ahh, there it is, Tortuga, comin’ up fast.  *she feels some sense of relief as she anticipates entering the first tavern she sees, buying a bottle of something and crawling into it, savoring a little oblivion*

 

Corso *peers intently ahead, not really listening to her*  Tortuga!  Freedom!  There it is!  *he slows down the boat and lets it glide in style between all the pirate ships, where it looks much out of place*  Wonder why he didn't want to take you with him ... Seems that the honeymoon is over, Manouche.  *he stops the engine and climbs up on the deck with a broad grin*  You know, I have never been here.  It is so refreshing to find a place where you won't be immediately scowled upon or slapped.  *he offers his arm to her*  May I escort you to the nearest tavern?

 

Manouche *glowering as she watches Tortuga draw nearer, frowns at Corso’s words; she leaves the ship with him after they dock, looks at his proffered arm*  Aye, escort away.  However, I may as well warn ye, mate, I’m not feelin’ very sociable, savvy?  Once we get where we’re goin’, yer free t’ chat up whoever catches yer eye … an’ ye’ll leave me to me business.  Agree to that, or I’ll not go another step with ye.  Do we ‘ave an accord?  *her voice is soft but firm as she fixes a stern eye on him*

 

Corso *rolls eyes*  Okay, boss, as you wish.

 

Manouche *nods, satisfied, takes his arm and they wind their way through the bustling street.  She spots a tavern, The Conch, motions toward it*  This’un looks as likely as any.  *he seems to hesitate a minute, distracted by the colorful people all around them, particularly the saucy women in garish dresses who giggle and give him the eye then glance at Manouche warily.  Manouche grins, murmurs to Corso*  Ye won’t be lonely tonight, Dean Corso, unless it’s yer choice.  *they enter the tavern, Manouche unlinks her arm from his, moves to the bar, speaks to the barkeep*  Absinthe, mate, th’ best ye ‘ave.  *the man, a rough burly sort, barely grunts acknowledgment of her, turns and finds a dusty green bottle, pulls it from the shelf, sets it before her.  She blows the dust off it, reads the label approvingly, digs in a pocket, hands him the money*  Cheers.  *she takes the bottle, finds a small table in a dark corner of the room, sits down, opens the bottle, drinks straight from it; she sets it on the table, finds a cigarette, lights it, offers a prayer of thanks for the soothing mellow feeling that courses through her*

 

At the Security office:

 

Isabella *enters the Security building. No one is at the front desk, but she quickly spots Donnie’s name on the first door and knocks before sticking her head in*  You wanted to talk me?

 

Donnie *smiles*  Yes, do come in.  Have a seat.  *Isabella takes a seat by the desk across from Donnie; she’s a bit quieter than usual and doesn’t have that keen expression in her eyes.*  Have you ever thought about becoming an officer?  We’re a bit understaffed here and I think it might be good to have a woman on the force.  Sometimes women will say more to another woman than a male officer.  I think you’d be good at it.  You know From Hell Court, you have good instincts…

 

Isabella *in surprise*  You want me to become an officer?

 

Donnie *nods*  Yeah.  Obviously, you’ll be in a training program as a recruit, but I was thinking I’d pair you up with our young Officer Hanson.  He’s gone through all the training, but lacks some experience.  My theory is that you could learn from each other … you’ll learn proper procedures in different situations and maybe you could toughen him up a bit along the way.

 

Isabella *grows quiet; finally speaks with some hesitation*  What if I told you that I’m trying to be less tough … change that about me.

 

Donnie *for the first time notices that she looks sad; turns serious*  As an officer, you don’t have to be tough all the time … there are plenty of situations where it’s more beneficial to be kind and understanding.  *Carefully*  Are you alright?

 

Isabella *hesitates*  I’m OK … personal issues.

 

Donnie:  I see … anything you want to talk about?

 

Isabella *smiles a little*  I’d rather not, but thanks for asking.  *A little unsure*  Personal issues aside, you really think I’d be good at it?

 

Donnie *smiles*  Yes, I do.  Look, you don’t have make up your mind right this moment.  Take some time and think it over.

 

Isabella:  I’ll let you know.  *Rises and shakes his hand; she’s half-way out the door when she turns*  I heard about Grace taking off … she’ll be back, I’m sure of it.

 

Donnie *appreciatively*  Thank you for saying so.  *Isabella smiles a little, then leaves*

 

At the docks:

 

Blake and Malachi *bring The Libertine Trailer into its slip, secure the ship and go ashore.  They’re saying little, both preoccupied with their concerns for Manouche, and now for the missing Perhan.  Blake looks at Malachi*  Malachi, I know it’s stupid of me to ask, I know you’d say something if it were so, but … I don’t suppose you’re sensing anything from her, are you?

 

Malachi *shakes head*  Sorry, Blake.  I hate to say it, but I think she’s shutting me out.  Which, knowing the way she’s operated all these years I’ve known her, that probably means she’s got something she’s hiding.  *smirks*  For someone who talks way too much most of the time, she sure can play close to the vest when she wants to.  *he finds cigarettes, lights one, hands the pack to Blake*  Did you see the 12th Commandment go flyin’ by us earlier, were you on deck?  She was movin’ so fast, I barely recognized her.  Where the hell do you suppose Portsmith was headed in such a hurry?

 

Blake:  I saw a ship … I was below, didn’t notice which ship it was.  It was the 12th Commandment?  *pauses, looks around pensively; frowns*  I don’t give a damn.  *looks at Malachi*  Do you think she’s stayin’ away on purpose?

 

Malachi *startled*  What’re you talking about?

 

Blake *shrugs*  I don’t know … last time I saw her, she seemed happy enough, but then she took off again, took the ship, said she had something to do.  *runs a hand through his hair, exasperated*  I go back an’ forth on this a lot … I’m never sure she’s content.  I’ve talked to Donnie, he goes through the same thing with Grace, and we’ve all seen the problems between Abberline an’ Kat.

 

Malachi:  You can’t compare your situation with Manouche … I mean, there are similarities, but it’s different.  The main difference being, you’ve joined her for most of her journeys.  So she made this one without you.  I’m sure she had her reasons, probably damn good ones.  Have a little faith.

 

Blake *shakes his head, miserable*  I want to, don’t you think I want to?  But it’s hard, it’s really hard sometimes.  I wish … I wish I shared that sixth-sense mumbo-jumbo you all seem to have …

 

Malachi *smiles*  Well, there’s a good sign right there.

 

Blake *looks at him*  Wh-what?

 

Malachi:  Therein lies a big difference.  You wish you had those abilities.  Abberline would pay a pretty price to be rid of them, and to change Kat’s pirate ways.  *puts an arm around Blake’s shoulders*  Look, Blake, I’ve seldom seen a couple more suited to each other than you two.  You’ve come through far worse than this together.  Don’t let something eat away at you when you don’t even know exactly what’s goin’ on.  Savvy?

 

Blake *is quiet, considering his words; nods slowly*  Savvy.  I guess I’m just tired, an’ I’m tired of worryin’.  *pauses*  I don’t suppose she’s home?

 

Malachi *shrugs, grins*  I’m not a total seer.  She might be.  *slaps him on the back*  Go home, get some rest.  You two’ll figure this out, like you always do.  *he thinks of Miranda*  I’m goin’ home, I’m beat.  You gonna be okay?

 

Blake *nods again*  Sure.  Thanks for your help.  Just … be sure an’ call if you learn anything, anything at all.

 

Malachi:  You bet.  *he turns away, heads toward la Maison de Paradis.  Despite his eagerness to see Miranda, he walks slowly, continues to try to concentrate on Manouche, but feels nothing.  He sighs, murmurs to himself*  You win for now, trouble girl …

 

Blake *watches him go, looks up at The Libertine Trailer one more time, then turns to head for home.  He walks past Chez Roux, has passed the building by about a half block when he hears a voice behind him; he turns, stares, his eyes wide*  C-Constance … Constance Holliday … is it really you?

 

Constance *hurries toward him, face flushed*  I – I saw you walk by the restaurant!  *she stops before him, trying to catch her breath*  I’m sorry to just show up like this, but … when I got your letter, I … *she calms her breathing, looks at him approvingly*  You look so well.  It’s wonderful to see you, Bill.

 

Blake *still stares at her, not sure he can believe his eyes*  B-but … when did you … how … *he regains his composure, remembers his manners, takes her hand*  It – it’s good to see you too, Constance.  You … *his eyes sweep over her* … you haven’t changed a bit.

 

Constance *laughs a little nervously*  You’re too kind!  *she beams at him*  Are you in a hurry, or … can we have a drink?

 

Blake *turns, glances in the direction of Rartigillichal – the home he’s been missing but has also been loathe to return to, not wanting to face it without Manouche – then he looks again at Constance, who’s gazing at him so happily, so glad to see him.  He feels a pang of guilt; although he didn’t tell her to come, she wouldn’t be here if he hadn’t written that letter.  His old love, the woman who at one time he had been certain he would spend the rest of his life with ... Constance Holliday Blake ... He nods, a little uneasily*  Well … sure, Constance, I have time for one drink.  I have to go after that, but … let’s catch up a little.  *manages a smile*  It is nice to see you.  *she links her arm in his, they walk back to Chez Roux*

 

At Arwen:

 

Donnie *enters the cabin and goes straight through to the living room; he goes over to the small bar-cabinet and pours a brandy.  He downs it in one large gulp and refills the glass which he brings with him to the couch.  He sits down heavily on the couch exhausted from working practically non-stop since Grace took off … at the office he can almost fool himself into believing that she’s not gone, that she’ll be waiting for him when he returns to Arwen.  Almost.  It’s still a struggle to keep up appearance and the second he enters the empty house it’s as if his heart breaks all over again.  Without having work to focus on, he barely knows what to do with himself.  Most of the time he just sits right there on the couch drinking brandy and re-reading the note from Grace till he falls asleep.  She’s run off without much warning before, but never left town before and pirating has never been the reason for her leaving before.  It’s been some sort of emergency, it’s been to help someone in need.  Even though he cannot for the life of him think of anything, he can’t help but think that he did or said something to make her leave – that she didn’t run towards something, but away from something.  From him.  He tries to tell himself that she’ll be back just as she wrote in the note, but what if she won’t be back?  What if she’s left for good?  He finishes the drink and goes over to pour another; frowns as he hears someone by the door and is rather surprised to find Isabella on his doorstep – and a little embarrassed by the clear scent of alcohol on his breath.*  Hi … what uh .. what are you doing all the way out here?

 

Isabella *holds up a bottle of Jack Daniels*  I find that drinking alone only makes you think more instead of blocking the thoughts out.  *Smiles a little*  And I figured that since you’re also finding yourself in a dark pit at the moment … misery seeks company, I guess.

 

Donnie *steps aside*  Come on in.  *Leads her to the living room and finds glasses; they sit down on the couch and as Isabella pours a glass of scotch for them both*  So …. what’s your dark pit about?

 

Isabella *takes a drink*  Well, as it turns out, there’s a time limit on how long you can repress things …

 

Donnie:  So now you want to try and see if getting hammered will do the trick?

 

Isabella *grins a little*  It’s not a permanent solution, obviously.  It’s just tonight.  Besides, I needed to tell you that I’m taking you up on your offer.

 

Donnie:  Cool … *lifts his glass*  Welcome to Security.  *they toast their glasses*  Probably the police station with the most messed-up officers you’ll ever find.

 

Isabella *ironically*  Ah, so I’ll fit right in!  *laughs a little*

 

Donnie *laughs; then stops as he catches himself thinking that she’s really very pretty.  Concluding that he must be getting drunk, sets the glass down.*

 

Isabella *dramatically*  Mr. Brasco, I’m disappointed!  I would’ve never taken you for a weak drinker!

 

Donnie *laughs a little*  I’m not … I just … *hesitates, then looks straight into her eyes*  When a married man notices that the woman sitting next to him – a woman that isn’t his wife – in an otherwise empty room is very pretty, it’s time to stop drinking.

 

Isabella *smiles a little*  Too bad …

 

Donnie *even to his own surprise, leans over and kisses her fiercely* 

 

On Tortuga:

 

Manouche *sitting at the dark table, dimly aware of the action in the smoky room, stiffens slightly as she feels a strange sensation coming over her.  She braces herself, figures it must be another vision, and she grips the table … she loses sight of everything else around her, and she finds herself in a somewhat familiar room, she can’t place where it is … it’s comfortably furnished, cozy, and she can smell the heavy scent of pine trees.  Then she tastes something, at first she figures it’s the absinthe she’s drinking, then she stops … no, it’s … Jack Daniels?? … she sees Donnie Brasco, in the living room at Arwen, seated on the couch, kissing, and her heart skips a beat as she thinks, how lovely, a quiet romantic evening for Mr. and Mrs. Brasco … then her eyes widen as she sees that it’s not Grace at all, it’s someone else on the couch with Donnie.  Her temper quickly flares, and she shouts a scolding (or is it just in her mind)*  BLAST YE, DONNIE BRASCO, ARE YE MAD???!!!  WHAT’RE YE DOIN’ TO GRACE??!!!  AN' IN TH' HOUSE YE SHARE WITH 'ER, NO LESS!!  *she squeezes her eyes shut, brings her hands up, curses, as she feels a stabbing pain in her head; she thinks she sees Donnie look up, shocked, as if he heard her, but how could that be??  She opens her eyes after a minute; she’s back in the tavern at Tortuga.  She falls backward, her chair tipping over as she drops to the floor with a crash.  She quickly looks around, sees that everyone’s so preoccupied with their schemes and carousing, no one has noticed what happened.  Thankful for the fact that her presence seems to be going unnoticed, she swiftly rises, sets the chair right, resumes her place at the table; grasps the bottle with shaky hands, takes a deep drink*

 

At Arwen:

 

Donnie *suddenly stops and pulls away; runs a hand through his hair, shakes his head*  What the Hell am I doing?

 

Isabella *stammering*  I … I shouldn’t have come here.  I’m sorry.  *rises from the couch and grabs her jacket from the couch; looks at him; firmly*  It didn’t happen.  It’s that simple.  It never happened.

 

Donnie *nods*  Right …

 

Isabella:  Right … *hurries out of the cabin; closes her eyes and mutters*  I’m such an idiot!

 

Donnie *quietly*  I’m so sorry, Gracie.

 

At the Wonkas’ factory:

 

*The grounds of the factory shake violently for a minute and suddenly the entire building is shut down.  In a rare occasion, the place is quiet and unmoving.  The smell of chocolate begins to disappear in the night sky.  Suddenly, the wide gates of the factory open up and Wonka trucks begin to pull out and depart from Deppville.  Inside, all of the oompas work on making themselves comfortable for a long trip.  After all of the trucks pull out, which must be at least 40, a black Lincoln drives behind them and the gates shut.  Inside, all of the Wonkas are looking around Deppville for a final time.  Willy Wonka, however, is preoccupied with a map of the outskirts of town.  Madame Wonka stares out the window hopelessly, trying to hold back tears.  Cole Wonka, not as courageous as his mother, cries silently as the town passes by. He leans on his side to look at his father's map and a paper with directions to a place called "London".  Madame had explained days ago that business was even better up there and Willy had decided to move it up.  He leans back and lets out a muffled cry.  Madame reaches her hand back and pats Cole's knee.  Willy looks in the review mirror for a minute and gives a sympathetic look to his son.  He doesn't want to leave, not at all.  But what Cole and Madame, well, anyone, for that matter do not know is the factory is being completely redone.  It will be knocked down as of tomorrow and builders will start from scratch on it.  Willy decided to move the business to an available factory until it is finished in what he was told would be December.  He glances out Madame's window and gives a final warm smile to the town of Deppville, reassuring it that the Wonkas will be back.*

 

In Tortuga:

 

Manouche *slipping in and out of consciousness at her dark table in the smoky tavern in Tortuga, blinks as she sees something odd in her mind’s eye … a luggage tag, marked “LONDON”.  Below that, a name:  W. Wonka, Esq.  She hears the loud sounds of heavy machinery shutting down, and she knows it’s time … she knows the new factory will be bigger and better than ever, and she knows it’s all a secret and that she mustn’t tell a soul.  She smiles weakly, raises the bottle, whispers*  Mum’s th’ word, me brother.  Take care of that brood o’ yers, savvy?  H-hurry back t' us.  *the vision swims in a blur, fades from her mind, and her head nods as she slips into unconsciousness again*

 

At Chez Roux:

 

Blake *escorts Constance into the dining room, they find a table near a window and sit down.  From where they’re sitting, Blake can see the booth he and Manouche always take, sometimes just the two of them, sometimes with Willy and Madame.  He feels a longing for her again, wondering where in the world she’s gotten off to.  He shakes the feeling away, turns, smiles at Constance as the waitress approaches*  You still go for a Gibson martini?  Junipero Dry gin, right?

 

Constance *smiles*  How nice, you remembered.  *she watches him as he orders drinks for them both; she takes out a cigarette, and he quickly lights it for her, finds one for himself*  Bill, thank you for writing back to me.  All I had to go on was a post office box, I wasn’t even sure you would receive my letter.  It was nice enough you just responding and letting me know you got it.  But then, your kind words, an’ saying you’d like to see me, too … *she pauses, glances out the window*  I … I guess I’ve got my nerve, contacting you after all this time.  But I had to see you again … I had to tell you how sorry I am for … for the way things were between us.

 

Blake:  You said as much in your letter.  Constance, you don’t have to apologize, that was all a long time ago.  You did what you felt you had to do at the time.   And we were both so young.

 

Constance:  Still, I should’ve been nicer.  It’s taken me a long time, but I’ve realized how … how amazing you were, to offer to stay with me when I was … when I was pregnant, and the child not even yours.  *leans in slightly*  Y-you really didn’t care, did you?

 

Blake *shakes his head; grins a little*  Naïve, wasn’t I?

 

Constance:  No … well, maybe a bit, but … no, you were kind, you were generous, and you were very grown up about it all.  And there I was, not wanting any part of it … *her voice trails off, she lowers her eyes as the waitress brings their drinks – her martini, Blake’s brandy.  She holds up her glass*  To … to … *she furrows her brow, suddenly at a loss for a toast*

 

Blake:  How ‘bout, to understanding.  *she nods, they tap glasses, drink; he hesitates, continues*  So, do you … have you been in touch with …

 

Constance:  No.  I think it’s better that way.  *she takes another drink*  Bill … something I never told you … the baby was a boy, and … I asked the family to name him William.

 

Blake *looks up quickly*  Wh-why’d you do that?  An’ … why didn’t you tell me?

 

Constance:  I did it at the time because I knew you wanted him, and I didn’t.  And … I’m so ashamed, but I feel I should tell you everything … I did it as sort of a joke.  I was so filled with anger in those days.  I didn’t want the child, and … forgive me, but I thought you were ridiculous for wanting him.  I – I thought you were ridiculous for wanting both of us.  *she fishes a cocktail onion out of her drink, pops it into her mouth, eats it.  Looks at him imploringly*  Can you still forgive me?

 

Blake *absorbing everything, nods slowly*  Well … sure.  I mean … hell, Constance, I knew how you felt.  You were pretty obvious.  *smiles slightly*  You’d be a lousy poker player.  Did you really think you were foolin’ me?

 

Constance:  Th-then why did you stay?  You never did leave, I had to leave you.

 

Blake *shrugs*  I was in love with you.  I was foolish, I kept thinkin’ if I showed you I could be responsible, an’ if I showed you how much I cared for you, you would change how you felt about me.  So don’t be too hard on yourself … *he takes her hand, squeezes it*  I brought a lot of it on myself by choosing to ignore the truth.  *smiles*  Looks like we both got wiser with age.

 

Constance *looks down at his hand that holds hers, her long lashes sweeping against her pretty cheeks; she notices his wedding ring, takes a deep breath, speaks quietly*  Bill, I … I couldn’t help but sense from your letter … the tone of it, sounded like you’re maybe a little unhappy with the way things are for you here.  I don’t want to push you into anything, but … I’ve been having such strong feelings for you for quite some time now, an’ … well, if you reach a point where you feel there’s nothing for you here, you could always come back east.  *she raises her eyes, looks at him*  We could be happy like we were before, except now it’d be better.

 

Blake *chuckles softly*  It would about have to be better … *he sees the stricken look on her face, squeezes her hand*  I’m sorry, Con.  I don’t mean to hurt your feelings, what I meant was, it wasn’t real.  I mean, it was one-sided.  *he arches a brow at her*  Are you really wanting me for who I am, or … are you just trying to soothe a guilty conscience?

 

Constance:  Bill, I swear, it’s nothing like that.  Like I said in my letter, I’ve been thinking about you this way for nearly a year.  I’ve been missing you, and missing all the things about you that I was too blind and stupid to appreciate at the time.  I think it started with wanting to apologize, just see you again … but … now that I see you … *she sweeps her gaze over him, smiles a little mischievously*  How did I never notice how handsome you are?

 

Blake *looks down, trying to sort his feelings.  Finishes his drink, signals the waitress for another round.  He looks at Constance, takes her hand with both of his*  Constance, I … it’s hard to know what to say.  You know I’m married … an’ yes, sometimes my wife an’ I have problems, but … *he looks out the window, toward the sea; continues, his voice sounding far away*  Still … the thing is, sometimes I think I could be doin’ her a big favor by letting her go back to what she does, without havin’ to worry about what I’ll think of it all.  You know, sorta ‘you’ll thank me for this later.’  *he shakes his head*  I … I need to talk to her about all this.  I’d already been thinking about it, then your letter came … *he smiles, looking down at her hand*  Do you know, it was the only thing in my post office box that day that wasn’t a rejection for my poetry submissions.

 

Constance *her hopes rising, looks at him eagerly*  Oh Bill … things would be so different now, I swear, I know I could make you happy.  We could have a home, I could give you children … *she wonders for a moment at the sharp look he gives her at this, and she colors slightly; perhaps she was too bold.  But she continues anyway, before she loses her nerve*  And you wouldn’t have to go through the humiliation of rejection letters anymore.

 

Blake:  What do you mean by that?

 

Constance:  You could have a job at Father’s company.  Wouldn’t it be grand?

 

Blake:  Your father … ?  *he looks up as the waitress brings them another round; turns to Constance, smirks*  Your father hated me.

 

Constance:  Well, I wouldn’t go THAT far …

 

Blake:  He hated me, you damn well know it.  He didn’t like anyone from that side of town.  He wasn’t keen on the idea of givin’ me a job in those days.  Why would he do it now?

 

Constance:  Because now you’ve been published … you’ve shown initiative, Father loves that.

 

Blake *releases her hand, takes a drink; scratches his head, grins*  It’s all moot, anyway … I wouldn’t take a job at that company now.

 

Constance:  Wh-why?

 

Blake:  I’m a writer, Con.  I have a career.

 

Constance:  Oh, that.  *she makes a little sniffing sound*  Well, certainly you could keep writing, I know the joy it gives you.  But … you just said yourself you get lots of rejection letters.  Wouldn’t you want a more ... dependable source of income?

 

Blake *looks at her steadily*  I’m not workin’ for your father, Constance.

 

Constance *sits back, looks as if some of the wind has been knocked out of her*  Y-you mean, you would come back east and …

 

Blake *shrugs*  Not even sure I could go back there.  But … if this were to work between us, wherever we would go … I’m a poet, an’ that’s all.  We probably would never be rich, but … I’d never let you starve.  *he watches her carefully for a few minutes as thoughts go through her mind, her emotions registering on her pretty face; he smiles sadly*  I think we’re done here.

 

Constance *looks at him, starts to protest; then stops herself as she realizes he’s right.  She shakes her head*  I … I’m sorry, Bill.  I wish I could say I would be okay with that, but … when you put it that way …  *smiles a little*  I feel like such a fool.  Especially after the way I talked about you to that nice woman I met yesterday.  I gushed about you like I was a teenager again.

 

Blake *laughs softly*  Well, I guess that’s what you were, for a little while.  *he takes her hand again, squeezes it*  You’ve got nothin’ to feel foolish about.  If you didn’t know your own mind an’ you tried to make this work again when deep inside you know it wouldn’t … now THAT would be foolish.  Sometimes we don’t really know what we want, till … *he thinks of Manouche* … till other things come along to show us that everything we want is right in front of us.  Know what I mean?

 

Constance *looks at him quizzically*  I think so.  *she pauses, then laughs, shaking her head*  You sure do talk like a poet!  *she finishes her drink, stands up*  Y’know, Bill, I was thinking I’d stick around here for awhile, it’s such a pretty little town.  But … as it turns out, I’d completely forgotten about an engagement I have at home day after tomorrow.  I really should be getting back.

 

Blake *stands up*  I’m glad you came, Con.  *he hugs her, kisses her lips briefly, smiles*  Have a safe trip home.

 

Constance:  Goodbye, Bill.  *she turns to leave, then looks at him one more time*  I guess that friend of yours I met, she’ll be very relieved.  *grins*  I think she was afraid I was going to slip something into your drink and sweep you away from your wife.

 

Blake *grins*  An’ who was that?

 

Constance:  Funny name, what was it … oh, Manouche.  Thank her again for me.  Tell her I’m a complete failure as a femme fatale.  *she laughs, turns, leaves the restaurant to go upstairs and start packing*

 

Blake *doesn’t hear much of anything after Manouche’s name.  He stares after Constance, his eyes wide, and he sinks back down on the chair*  Oh, god … Manouche, honey … *tears come to his eyes, he lowers his head*

 

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